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Cop Land

Generally favorable reviews
Based on 21 critic reviews
How did we calculate this?
Based on 7 votes
Read user comments
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Movie Info
Genre(s): Crime | Drama | Suspense/Thriller
Written by: James Mangold
Directed by: James Mangold
Release Date:
Theatrical: August 15, 1997
DVD: June 1, 2004
Running Time: 104 minutes, Color
Origin: USA
Summary
RATING: R for violence, strong language and brief nudity
Starring Sylvester Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Peter Berg, Janeane Garofalo, Robert Patrick, and Michael Rapaport
Sylvester Stallone stars as Freddy Heflin, the sheriff of a place everyone calls "Cop Land" -- a small and seemingly peaceful town populated by the big city police officers he's long admired. Yet something ugly is taking place behind the town's peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action -- and make a dangerous choice between protecting his idols and upholding the law. (Buena Vista Entertainment)
Also On Metacritic
FILM: 3:10 to Yuma Girl, Interrupted Identity Kate & Leopold Walk the Line
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The New York Times Elvis Mitchell
Everywhere the camera turns in this tense and volatile drama, it finds enough interest for a truckload of conventional Hollywood fare. Whatever its limitations, Cop Land has talent to burn.
Read Full Review >Austin Chronicle Marc Savlov
Casting is everything, and the casting of Stallone -- playing way against type -- as the powerless hayseed sheriff in Cop Land is nothing short of inspired.
Read Full Review >Chicago Reader Lisa Alspector
The movie's no roller-coaster ride, but there isn't a boring moment either.
Read Full Review >The Onion (A.V. Club) Keith Phipps
Cop Land emerges as a first-rate morality play in the form of an effective, if occasionally unwieldy, crime drama.
Read Full Review >San Francisco Chronicle Mick LaSalle
Cop Land isn't a perfect piece, but it's sober, wise and adult.
Read Full Review >ReelViews James Berardinelli
While this is probably the actor's best turn since Rocky, and he does a credible job that may earn him the opportunity to do more "serious" work in the future, Stallone's performance is outshone on all sides. That's not a knock against him; it's an acknowledgment that the supporting cast is about the best that it can be.
Read Full Review >Rolling Stone Peter Travers
Branching out in a bold new direction, Stallone is quietly devastating. James Mangold has directed Cop Land from his own ardent, audacious script, and despite some draggy, overdeliberate moments, it's the strongest piece of material to come Stallone's way since he invented himself as Rocky 21 years ago.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
A good film prevented from being a great film by an act of well-intentioned but misguided casting.
Read Full Review >Christian Science Monitor David Sterritt
James Mangold follows up the promise of his excellent "Heavy" with this smartly written, superbly acted melodrama.
Read Full Review >Variety Todd McCarthy
The increasingly broad strokes with which the story is painted serve to simplify rather than deepen it, and to make it seem more artificially constructed than need be.
Read Full Review >Slate David Edelstein
It's formulaic, but it sticks to a classic Western formula instead of a cartoonish blockbuster one.
Read Full Review >Entertainment Weekly Owen Gleiberman
Dense, meandering, ambitious yet jarringly pulpy, this tale of big-city corruption in small-town America has competence without mood or power -- a design but not a vision.
Read Full Review >Empire Ian Freer
An honourable attempt to return the mainstream thriller to a more serious, intelligent vein, yet ultimately lacks the complexity of characterisation, dense subterfuge and overall feeling of weightiness that separates the great from the good.
Read Full Review >TV Guide Sandra Contreras
Writer-director James Mangold has surrounded Stallone with an exceptional ensemble cast, and Sly is smart enough to let the actors do the acting.
Read Full Review >Washington Post Stephen Hunter
Unfortunately, while Stallone can carry the weight, the movie can't. Too much of it is too busy -- too many undeveloped subplots -- and some of the main plotting feels murky.
Read Full Review >Chicago Sun-Times Roger Ebert
The characters are all over the map, there are too many unclear story threads, our sympathies are confused, and there's an unconvincing showdown in which the story's lovingly developed ambiguities are lost.
Read Full Review >Newsweek Jack Kroll
Mangold is something of a pseudo-Scorsese, assembling elements of other pictures like "Internal Affairs" and "Bad Lieutenant" into an eclectic mix that lacks its own vital reality.
Read Full Review >San Francisco Examiner Barbara Shulgasser
Cop Land presents a fairly involved plot, and Mangold is not equipped to do more than blurt all the information onto the screen and let the nuances settle where they may.
Read Full Review >Dallas Observer Peter Rainer
Mangold never ventures beyond the obvious. We're set up with righteous anger against the liberal establishment and then fobbed off with goombah melodramatics. The film should be called Cop Out.
Read Full Review >Washington Post Rita Kempley
Although the newly paunchy Stallone is credible as a weak, conflicted small-time sheriff, this suburban "Serpico" is a noble, passionless charade.
Read Full Review >Salon.com Stephanie Zacharek
It's a shame when an actor like Sylvester Stallone, who's always at his most appealing when he just hunkers down and lets himself be a big galoot, feels he has to make a bid for respectability.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.5 (out of 10) based on 7 User Votes
Note: User votes are NOT included in the Metascore calculation.
Husam B. gave it a9:
this had to be one of Stallon'e finest movies, the story is great, his performance even greater, you really feel sorry for the character, sly's portrayal was truly magnificent, all the ensambled cast made the movie a true masterpiece.
Michael K. gave it a9:
The movie introduced cop and crook life in a conservative style and flaw´d only very little on the way. A decent 9/10.
Diane S. gave it a10:
I just discovered this amazing film. What a gathering of eagles. I think this is a masterpiece, and an accomplishment that all the artists in it can be proud of. It is a landmark in American film making, deepening our integrity and awakening our responsibility.
