New This Week
Critics & Publications
Archives: A-Z Index
Advanced Search

Upcoming Release Calendar
Awards & Bests By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

sort by name

sort by score

38 12 Rounds
xx Baby on Board
xx Bob Funk
62 Cherry Blossoms
38 Confessions of a Shopaholic
38 Crossing Over
38 Dark Streets
58 Defiance
45 Fanboys
31 Fired Up
37 Forever Strong
34 Friday the 13th
72 Gran Torino
47 He's Just Not That Into You
47 Inkheart
52 International, The
45 Jonas Brothers: The 3D Concert Experience
50 Madea Goes to Jail
51 Morning Light
51 My Bloody Valentine 3-D
29 New in Town
28 Nobel Son
40 Outlander
39 Paul Blart: Mall Cop
56 Phoebe in Wonderland
36 Pink Panther 2
xx Powder Blue
69 Revolutionary Road
20 Spinning Into Butter
17 Street Fighter: The Legend of Chun-Li
64 Thousand Years of Good Prayers, A
63 Tokyo!
74 Two Lovers
56 Valkyrie
91 Waltz with Bashir
22 What Goes Up

Stars indicate the most critically-acclaimed movies.

Crimen del padre Amaro, El
Samuel Goldwyn Films


8.0

based on 29 reviews
Read critic reviews
How did we calculate this?

based on 15 votes
Read user comments
Rate this movie

MPAA RATING: R for sexuality, language and some disturbing images

Starring Gael García Bernal, Ana Claudia Talancón, Sancho Gracia, Angélica Aragón, Luisa Huertas, Ernesto Gómez Cruz, Gastón Melo, and Damián Alcázar

The scandalous story of a young priest, Father Amaro (Bernal), assigned to a church in a small village in remote Mexico, who falls in love with a teenage girl, Amelia (Talancon), who then becomes pregnant with his baby, and asks for his help in getting an abortion.

GENRE(S):	Foreign
WRITTEN BY:	Vicente Leñero Eça de Queirós (novel)
DIRECTED BY:	Carlos Carrera
RELEASE DATE:	DVD: April 22, 2003 Video: April 22, 2003 Theatrical: November 15, 2002
RUNNING TIME:	120 minutes, Color
ORIGIN:	Mexico / Spain / Argentina / France
LANGUAGE(S):	Spanish (with English subtitles)

Title translates into English as "The Crime of Father Amaro"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Christian Science Monitor David Sterritt

Excellent acting, intelligent screenwriting, and dynamic filmmaking give this Mexican production a forceful emotional and intellectual charge.

Philadelphia Inquirer Carrie Rickey

A feverish melodrama about an idealist who, in following his heart and his bishop's orders, leads himself into temptation and his parish into hypocrisy.

Boston Globe Wesley Morris

Bernal, with his sweet man-boy looks, makes Padre Amaro's portrait of corruption all the more flabbergasting in its irony.

Seattle Post-Intelligencer Sean Axmaker

Carrera's direct, unadorned style has none of the searing imagery or cinematic imagination of "Y Tu Mama," but it bristles with passion, anger and a palpable sense of betrayal.

Washington Post Desson Thomson

May be morally tangled, pessimistic, lurid and foreboding, but it's also humanistic.

New York Post Megan Lehmann

Commendably, Carrera steers clear of preachiness in his exploration of a timely and relevant issue, and Bernal's transformation from naive priest to tortured adulterer to hard-nosed careerist is riveting.

ReelViews James Berardinelli

Not an indictment of the Catholic Church as a whole, but a thought-provoking look at what can happen when decent individuals are seduced by the power of their position.

Charlotte Observer Lawrence Toppman

Carrera directs with a light touch, letting the screenplay speak for itself.

San Francisco Chronicle Edward Guthmann

Conveys the character of this tiny, insular community through richness of detail.

Chicago Sun-Times Roger Ebert

It's more of a melodrama, a film that doesn't say priests are bad but observes that priests are human and some humans are bad.

TV Guide Maitland McDonagh

Roundly condemned (though not banned) by Church officials in Mexico, the film became a smash hit -- probably in part because the public wrangling gave it an enormous publicity boost.

Village Voice J. Hoberman

Carrera's filmmaking is more workmanlike than stylish, but Padre Amaro is richly character driven and, for all its insolent, grotesque humor, straightforwardly humanist in its psychology.

Time Richard Schickel

Carrera's handsome film offers a richly detailed portrait of a church not so much corrupt as morally lazy after centuries in command of an overwhelmingly Catholic country.

Baltimore Sun Chris Kaltenbach

Would have been better served if Carrera had spent a little more energy developing his story and less on emphasizing his message.

Chicago Tribune Michael Wilmington

Carrera's style is hard-hitting, lucid and technically superior (if unimaginative). El Crimen del Padre Amaro eventually moves and stirs you, even if it often resembles those steamy Mexican TV dramas/soap operas called telenovelas.

Miami Herald Marta Barber

Had the film been more balanced, it would have added a new star to the recent wave of remarkable Mexican cinema.

The Globe and Mail (Toronto) Staff (Not credited)

How does it all play up here in colder and more secular climes? In a word -- melodramatically.

Salon.com Stephanie Zacharek

Ends up being nothing more than a stifling morality tale dressed up in peekaboo clothing.

The New York Times Stephen Holden

A suds-filled political melodrama that bashes the Roman Catholic Church in Mexico with a contempt that verges on hysteria, could be accused of many things, but timidity is not one of them.

Los Angeles Times Kenneth Turan

The remarkable things about the new film, adapted by Vicente Leñero and directed by Carlos Carrera, are how smoothly it has been transposed to today's Mexico and how far good acting and skillful directing have gone toward tempering those melodramatic roots.

Entertainment Weekly Owen Gleiberman

The real crime is the way that the movie turns Gael García Bernal, the hot-tempered, Roman-lipped costar of ''Y Tu Mamá También, into a backwater Freddie Prinze Jr.

Dallas Observer Gregory Weinkauf

Competent if unremarkable tragedy.

The Onion (A.V. Club) Keith Phipps

However much the film may mirror the truth, dramatically it feels like a cheat. It omits the human spark that would make it work as a film, rather than a collection of dramatized issues.

Variety Dennis Harvey

Respectably crafted to avoid lurid excess, feature is nonetheless a bit potboilerish in its pileup of sexy, violent, duplicitous circumstances that plague the consciences of latter-day clergymen.

Wall Street Journal Joe Morgenstern

The tone is that of a telenovela -- soap-operatic at heart -- even though the film was adapted from a 19th-century novel.

LA Weekly Ernest Hardy

The tragic ending they tack on to the film reinforces the same fear-mongering notion of cause and effect that gives the Church its power to abuse and exploit, and the film winds up muffling its own powerful protest.

Austin Chronicle Marjorie Baumgarten

At two hours, the movie goes on too long and resolves too little -- even though it provides some interesting moments along the way.

Chicago Reader J. R. Jones

Amaro is so lacking in gravitas that there's no opportunity to explore the intense emotionality of the church in Latin America --which is the source of its temporal power.

New York Daily News Jack Mathews

Father Amaro comes off as another pedophile in a frock. You'd have to hose this guy down if he were driving a school bus.

The average user rating for this movie is 8.0 (out of 10) based on 15 User Votes
Note: User votes are NOT included in the Metascore calculation.

Frank O. gave it a7:
Felt like two different movies; first half being local politics and the church; 2nd half the relationship between Father Amaro and Ana character. Publicity, trailer and DVD description misleading about the overriding theme of story.

Alma L. gave it a10:
Very Good!

enrique i gave it a3:
This movie is very pathetic and just as another siege to the Roman Catholic Church (after the Da vinci code). well, sorry, i have first read the book DVC and watched this movie. It is pathetic in its futile attempt to backlash the Holy Church, but I admire the over all impact of the movie. Thank you.

Jesse M. gave it a 10:
I have to say, as a movie director and a script writter, i have to give this creation of art a 10!!! so many things to say about the film so little time, Carlos Carrera man i hope i get a chance to work with you some day, i think we could come up with an outstanding film, this film in general has to be one of the best films i have seen throught my 10 years of studying film. The way Carlos made us feel sorry for El padre amaro throught the film, in which he really is a bad guy.... well to you fans out their....i think Carlos did a hell of a job putting this film together. and vicentte i cant forget you man, i god of script writters...good luck in the future films....and i hope your flame doesnt die off!! keep up the good work!!! much love.peace out!

Aldo A. gave it a 10:
The movie is great, specially the cinematography. Some people didn't like it because of the critic to the church, and I think that's the reason of its losing the best foreign movie oscar...

Maria H. gave it a 9:
This film goes against all ethics, both at home and at church. I heard much controversy around the film because of it's content. Nevertheless, this film is educational on many levels. I liked it because of it's eye-openning and mind twisting content.

Miguel R. gave it a 10:
Simply some of the best Mexican work ever. As "Amores Peros" and "Y tu Mama Tambien" Gael Bernal makes and incredible role with some of his best work yet.

Crimen del padre Amaro, El Samuel Goldwyn Films

Crimen del padre Amaro, El
Samuel Goldwyn Films