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Dogville
Lions Gate Entertainment

Dogville reviews
Critic Score
Metascore: 59 Metascore out of 100
User Score  
7.5 out of 10
based on 39 reviews
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How did we calculate this?
based on 73 votes
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MPAA RATING: R for violence and sexual content

Starring Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr, Paul Bettany, Blair Brown, James Caan, and Patricia Clarkson

Lars von Trier explores the concept of goodness in this story of a fugitive hiding in a small town in the Rocky Mountains in the 1930s.


GENRE(S): Drama  |  Suspense/Thriller  
WRITTEN BY: Lars von Trier  
DIRECTED BY: Lars von Trier  
RELEASE DATE: DVD: August 24, 2004 
Video: August 24, 2004 
Theatrical: March 26, 2004 
RUNNING TIME: 173 minutes, Color 
ORIGIN: USA 

Nominated, Golden Palm, 2003 Cannes Film Festival

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Premiere Glenn Kenny
It really is a masterpiece--von Trier's first, as it happens.
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100
Village Voice J. Hoberman
For passion, originality, and sustained chutzpah, this austere allegory of failed Christian charity and Old Testament payback is von Trier's strongest movie--a masterpiece, in fact.
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100
Christian Science Monitor David Sterritt
Von Trier sets the action on a theatrical stage, spotlighting the existential isolation that weighs on people who don't seek larger visions of life, individuality, and community. Challenging, dramatic, provocative.
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100
The Globe and Mail (Toronto) Liam Lacey
If nothing else can be said of Dogville, it's a film that is like nothing else.
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100
San Francisco Chronicle Mick LaSalle
Mischievous, singular and profound.
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100
Miami Herald Rene Rodriguez
Intentionally designed to rile as much as entertain.
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91
Portland Oregonian Marc Mohan
This unique cinematic experience is a parable of greed and revenge that could take place anywhere.
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91
Entertainment Weekly Lisa Schwarzbaum
This galvanizing cinematic work is also gorgeous, experimental, alive with a Scandinavian strain of chutzpah, and artistically elegant.
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90
Washington Post Desson Thomson
No matter how you come down on this movie politically, Dogville is a compelling chamber piece with constant cinematic surprises. And you remember that von Trier is, above everything else, a consummate filmmaker.
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90
Washington Post Michael O'Sullivan
It plays like a baldfaced, brazen insult, but it is a stunningly accomplished one.
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88
Boston Globe Wesley Morris
Despite its ultimate nuttiness, has a quiet, consuming power that sneaks up on you and doesn't go away. This is something new and ambitious for Von Trier: a work of compassion.
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88
New York Post Megan Lehmann
A stunning display of a filmmaker adventuring on the far side of what's possible.
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88
Rolling Stone Peter Travers
Kidman gives the most emotionally bruising performance of her career in Dogville, a movie that never met a cliche it didn't stomp on.
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80
The Onion (A.V. Club) Scott Tobias
The incendiary Dogville confirms the director's sadistic knack for locating his characters' (and his audience's) soft spots and prodding them for a singular emotional experience.
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80
LA Weekly Scott Foundas
A postmodern morality play stripped nearly bare by its precocious creator, until only its boldness, cutting insight, intermittent hilarity and bracing violence remain.
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80
Empire Alan Morrison
Argue that von Trier’s latest is theatre and not cinema. But at least acknowledge that Dogville, in a didactic and politicised stage tradition, is a great play that shows a deep understanding of human beings as they really are.
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80
The New York Times Stephen Holden
While you watch the movie, it can seem ridiculously long-winded. But once it's over, its characters' miserable faces remain etched in your memory, and its cynical message lingers.
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75
USA Today Claudia Puig
Not for everyone. It is darkly funny, intellectually challenging and obliquely didactic. It also grows bleaker over the course of its nearly three-hour running time.
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75
ReelViews James Berardinelli
Dogville isn't for everyone, but there's some intellectually stimulating conversation fodder for those with the patience to navigate the film's rough terrain.
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75
Chicago Tribune Michael Wilmington
May be the most fascinating, richly accomplished screw-up you'll see all year. Von Trier, who has always had a talent for provocation, nails another heroine to the cross while playing his role to the hilt - a moviemaking rebel in his own dog days.
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75
New York Daily News Jami Bernard
Surprises, repulses and provokes. It's also brilliant and infuriating, wise and naïve, outrageous yet unforgettable.
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70
TV Guide Ken Fox
Only the heavy stylization mitigates some highly artificial plot contrivances, and the final photo montage of America's poor, while no doubt exciting to Von Trier the provocateur, is maddeningly oblique.
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67
Austin Chronicle Marjorie Baumgarten
Von Trier’s vision is amazingly thorough and exquisitely executed, but the audience may feel executed as well.
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50
Chicago Sun-Times Roger Ebert
Lars von Trier exhibits the imagination of an artist and the pedantry of a crank in Dogville, a film that works as a demonstration of how a good idea can go wrong.
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50
New York Magazine Peter Rainer
The film centers almost entirely on the faces of the townspeople, which Von Trier frames vividly. There’s nothing static about his technique, but everything else about the movie is dreary and closed off.
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50
Philadelphia Inquirer Carrie Rickey
Either an airless allegory about opportunistic Americans or another one of the director's parables of female persecution. OK, maybe it's both. But life is too short for three hours of misanthropy and misogyny.
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40
Newsweek David Ansen
Von Trier, however, undercuts the universality of his own message with his meretricious closing credits, set to David Bowie's "Young Americans," which explicitly turns Dogville into an anti-American screed.
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40
Variety Todd McCarthy
An artistically experimental, ideologically apocalyptic blast at American values that is as obvious in intent as it is murky in aesthetic achievement.
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40
Los Angeles Times Manohla Dargis
A provocation, a coup de théâtre and three hours of tedious experimentation.
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30
Film Threat Phil Hall
If Dogville has a reason for importance, it is the astonishing all-star ensemble who try very hard to put life into their cardboard characters and make this silly film work.
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30
Time Richard Corliss
It's a brilliant idea, for about 10 minutes. Then the bare set is elbowed out of a viewer's mind by the threadbare plot and characterizations.
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30
Chicago Reader Jonathan Rosenbaum
Bored me for most of its 178 minutes and then infuriated me with its cheap cynicism once it belatedly became interesting--which may be a tribute to writer-director Lars von Trier's gifts as a provocateur.
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30
Dallas Observer Gregory Weinkauf
Lars von Trier's latest thingamabob is a large, pretentious blob of coulda-been. As in, it coulda been deep and insightful. It coulda been sociologically challenging. It coulda been formalistically thrilling. But it isn't.
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25
Seattle Post-Intelligencer Sean Axmaker
But as an artist, von Trier's contempt for humanity is becoming harder to hide with stylistic flourish. He doesn't even try here, and his arrogance is topped only by his misanthropy.
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20
Salon.com Charles Taylor
Anti-Americanism is a small matter when a movie is anti-human. Dogville is as total a misanthropic vision as anything control freak Stanley Kubrick ever turned out.
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20
The New Republic Stanley Kauffmann
Disembodied, patchy, pointless work, which isn't even successfully pretentious.
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10
Slate David Edelstein
The politics of Dogville are on par with a third-rate gangster picture: cheap, opportunistic nihilism, with no enlivening sense of humor.
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10
Wall Street Journal Joe Morgenstern
A symphony for tin ears, a sniggering assessment of human nature delivered with the faux-lofty tone of a Lexus commercial.
10
The New Yorker David Denby
What Lars von Trier has achieved is avant-gardism for idiots. From beginning to end, Dogville is obtuse and dislikable, a whimsical joke wearing cement shoes. [29 March 2004, p. 103]

What Our Users Said

Vote Now!The average user rating for this movie is 7.5 (out of 10) based on 73 User Votes
Note: User votes are NOT included in the Metascore calculation.

Trevor L. gave it a7:
Somewhat long, and at times frustrating. The frustration is erased by one of the most satisfying endings I have seen. It is not a happy ending, but one that immediately feels right. I did find the lack of sets somewhat distracting, which prevented me from giving a higher rating. The acting is all top notch.

Steven S. gave it a0:
Horrible, Boring, Unwatchable. Why did Nicole Kidman and the other stars agree to do this one ?

Josh C. gave it an8:
From the gooseberries in Ma Ginger's garden to the German Hummels Nicole Kidman's Grace collects throughout her stay in Dogville, everything in Lars Von Trier's "Dogville" is a symbolic gesture of some kind. Narrated by John Hurt, this acerbic "illustration" of a small town's curious notions of entitlement unspools as a Christian allegory by way of Mark Twain or Dr. Seuss. Von Trier understands that the root of American aggression is the arrogant elite's subjugation of the culturally underprivileged. The director walks a fine line: Dogville isn't anti-American, but anti-oppression.

John C. gave it an8:
Definitely worth a shot if you've got the attention span to make it to the very satisfying climax. The mis en scene seems silly at first, but by the end of the first few scenes you'll be lost in the plot and oblivious to the unique style. The film is extremely well acted (especially Kidman) but I would only recommend this film for those with a strong stomach and a taste for arthouse film.

Luke P. gave it a0:
The title says it all.

S. Gold gave it a9:
Strong, entertaining, artsy all for a 3 hour film. Features great acting and directing, an interesting, but sad film.

Peter Pan gave it a0:
First of all, I would not call this a film. It is, as others already mentioned, an experiment and IMHO, an insult to real cinematography. Some of you might think that Lars von Trier is a genius and consider the so called Dogma 95 an utlimate achievement in style. I don't. I would rather consider it snobbish pseudo-elitist garbage that serves mainly one purpose: giving a group of opinionated "intelectuals" a self-validation tool which has to prove their mental superiority i.e. "You morons, don't get real art and never will. Go watch 'Rocky VI' instead. Leave art to us to judge upon." I recommend reading "Emperor's new clothes". You know, it's not really about tailors and clothes.

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