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63
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xx
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74
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43
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92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Don't Say a Word
20th Century Fox Film Corporation
FILM:
MPAA RATING: R for violence, including some gruesome images, and language
Starring
Michael Douglas,
Brittany Murphy,
Famke Janssen,
Sean Bean,
Jennifer Esposito,
and
Oliver Platt
In order to save his kidnapped daughter, a noted adolescent psychiatrist (Douglas) must retrieve a critical piece of information from a troubled patient (Murphy).
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Patrick Smith Kelly
Anthony Peckham
Andrew Klavan (novel)
|
| DIRECTED BY: |
Gary Fleder
|
| RELEASE DATE: |
DVD: February 19, 2002
Video: February 19, 2002
Theatrical: September 28, 2001
|
| RUNNING TIME: |
115 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Los Angeles Times
Kevin Thomas
Smart, stylish and, most important, satisfying.

80
Village Voice
Michael Atkinson
Fleder's forgettable thriller has a convincing edge, and Douglas remains unchallenged as Hollywood's most tremulous and disquieting dad-under-pressure.

75
New York Daily News
Jack Mathews
A fairly nifty piece of suspense filmmaking, with a strong if relatively undemanding performance from Douglas.

70
Variety
Todd McCarthy
Generates tension from the get-go, albeit of an increasingly unpleasant variety, on its way to a disappointingly generic climax.

67
Entertainment Weekly
Owen Gleiberman
If there's such a thing as joyless competence, it's exemplified by the grimly sensational kidnap thriller Don't Say a Word.

67
Austin Chronicle
Kimberley Jones
Murphy's screentime takes a back seat to Douglas', of course, but from that back seat she makes a very big noise.

63
Chicago Tribune
Michael Wilmington
Almost nothing new to offer -- despite its good actors, flashy visuals and well-textured New York gloss and grit. But there are teasing hints of another, better movie buried inside somewhere.

63
Chicago Sun-Times
Roger Ebert
The movie as a whole looks and occasionally plays better than it is.

63
Philadelphia Inquirer
Carrie Rickey
I left the film wondering where at the Bellevue-like psychiatric facility that schizophrenic teenager obtained such a becoming brick-red lipstick.

50
New York Post
Lou Lumenick
Heartlessly efficient kidnap thriller.

50
Miami Herald
Staff (Not Credited)
Until it collapses into a pile of contrivances, Don't Say a Word makes for a serviceable, workmanlike thriller.

50
TV Guide
Maitland McDonagh
This by-the-numbers (no pun intended) psychological thrill ride is efficient and utterly soulless.

50
Christian Science Monitor
David Sterritt
The movie has promise as a psychological thriller, but the filmmakers show far more interest in chases and shoot-outs than characters and ideas.

50
Boston Globe
Jay Carr
Don't Say a Word can be thought of as a case of Dial B for Boring.
42
Seattle Post-Intelligencer
William Arnold
The movie is just grindingly by-the-numbers: an uninspired brew of all the clichés of the kidnap-thriller genre, liberally seasoned with brutality, stirred at adrenaline-rush speed by a director with a heavy hand and very little imagination.

40
Mr. Showbiz
Kevin Maynard
This is nothing more than one more run-of-the-mill, surprise-free, suspense programmer.
40
LA Weekly
Manohla Dargis
Director Gary Fleder can only fling the camera about and indulge in some familiar screen sadism (and no wonder -- his last feature was "Kiss the Girls") as he tries to squeeze a few thrills from material as desiccated as his leading man.

40
Film Threat
Michael Dequina
The oh-so-convenient convergence of plot threads at the climax make the film feel that much more run-of-the-mill.

38
USA Today
Mike Clark
Don't say you weren't warned. There are instant clues that this ill-timed Michael Douglas vehicle is a dually unfortunate viewing experience.

38
Baltimore Sun
Michael Sragow
Maybe this is a psychological thriller after all: Every thinking member of the audience will be driven insane.

38
Charlotte Observer
Lawrence Toppman
A miler trying to run a marathon, a fair middleweight idea trying to deliver heavyweight thrills.

30
New Times (L.A.)
Gregory Weinkauf
Amid a rather routine plot and standard cop-show stylings -- just doesn't add up to much entertainment value.

30
Washington Post
Stephen Hunter
Thankfully, after its terrific start, Don't Say a Word transmogrifies so totally into Hollywood hooey that it's actually a relief. I'd hate to see a disturbance in the karmic perfection of Douglas's pitch-pure mediocrity.

30
New York Magazine
Peter Rainer
You would have to have been born yesterday to miss the switcheroos and reeking red herrings planted in this pulp.

30
Chicago Reader
Jonathan Rosenbaum
This all-day sucker put me to sleep -- though it's possible I retreated out of self-defense.

25
Portland Oregonian
Kim Morgan
Maybe if the story weren't so ludicrous we'd care. Or maybe if the film just went overboard with its ludicrousness, we'd be entertained, but Don't Say a Word is merely boring.

25
San Francisco Chronicle
Bob Graham
Don't even try to make any sense of this --none of it elicits a moment of genuine concern.

20
The New York Times
Dana Stevens
Confuses an empty and derivative stylistic bravura with formal cleverness, and a sterile, mechanistic sensationalism with emotional intensity.

20
Slate
David Edelstein
The movie is a big, noisy mess, with a howler at its center: Overrouged psychiatrist Michael Douglas.

10
Wall Street Journal
Joe Morgenstern
This noirish, sourish thriller left me unmoving as well as unmoved.
10
Salon.com
Charles Taylor
A stupid, brutal and nonsensical picture.

10
Washington Post
Desson Thomson
The movie isn't exactly providing entertaining escape. In fact, the only escape on your mind is going to be the exit door.


The average user rating for this movie is 5.7 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
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