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Driving Lessons
Sony Pictures Classics

Driving Lessons reviews
Critic Score
Metascore: 56 Metascore out of 100
User Score  
7.6 out of 10
based on 19 reviews
Read critic reviews
How did we calculate this?
based on 12 votes
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MPAA RATING: PG-13 for language, sexual content and some thematic material

Starring Rupert Grint, Julie Walters, Laura Linney, Nicholas Farrell, Oliver Milburn, Michelle Duncan, Tamsin Egerton, and Jim Norton

An intensely personal rites of passage story about the influence that an older actress has on an awkward young teenager, the son of a vicar, when he goes to work as her assistant. (Sony Pictures Classics)


GENRE(S): Comedy  |  Drama  |  Romance  
WRITTEN BY: Jeremy Brock  
DIRECTED BY: Jeremy Brock  
RELEASE DATE: DVD: July 3, 2007 
Theatrical: October 13, 2006 
RUNNING TIME: 98 minutes, Color 
ORIGIN: UK 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75
San Francisco Chronicle Ruthe Stein
With the aid of a charmingly offbeat story and a jolly good dialect coach, the stars leave you thinking, well done. Their spirited performances help cover up glaring holes in the plot.
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75
Seattle Post-Intelligencer Bill White
Driving Lessons was written by director Jeremy Brock as a vehicle for Grint and Walters, who appeared together in the Harry Potter movies. They make a terrific screen couple. Walters is alternately zany and poignant, with Grint the perfect foil, a bemused, confused innocent who only wants to do good.
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70
LA Weekly Chuck Wilson
While Driving Lessons' writer-director, Jeremy Brock, sticks to the all-too-familiar template of such tales, he's given Walters her best role since "Educating Rita." Hamming it up with the precision of a master, she makes this somewhat plodding film a pleasure, as does young Grint.
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70
The New York Times Stephen Holden
The screwball aging diva genre isn't the only formula guiding this stubbornly old-fashioned movie. Driving Lessons belongs to the silly feel-good mode of "The Full Monty," "Calendar Girls," "Billy Elliot," "Kinky Boots" and dozens of other celebrations of Britons defying convention to become "free," whatever that means.
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70
Variety Ronnie Scheib
Basically conservative yet titillatingly "eccentric" British laffer could succeed in the "Full Monty" import slot.
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70
Village Voice Luke Y. Thompson
The sentiment's a bit thick sometimes, but Walters remains sharp, and is sure to inspire drag queens everywhere.
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63
TV Guide Ken Fox
Linney's character is written as a one-dimensional monster whose selfish cruelty is beyond redemption and, ultimately, belief.
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63
New York Daily News Elizabeth Weitzman
Linney hits a single note for her uptight character, while Walters travels the scale indiscriminately. Her outsized eccentric darts from amusing to grating. Only Grint is just right, as the boy they, and the film, can't do without.
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63
New York Post Kyle Smith
The mild British wackiness is more droll than funny, but the movie is a pleasant cup of tea.
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63
The Globe and Mail (Toronto) Liam Lacey
For all its treacly excesses of the post- "Full Monty" era, British comedy hasn't entirely lost its teeth yet.
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63
Miami Herald Connie Ogle
Despite its slight and vaguely silly premise, Driving Lessons turns out to be sweet, never cloying, and amusing in an understated British way.
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60
Los Angeles Times Gene Seymour
Driving Lessons follows the well-worn path laid down by other, better movies while making strained, ludicrous things happen toward the end.
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60
The Hollywood Reporter Sheri Linden
Aiming for wacky and heartwarming, the film is, at its sporadic best, a mildly diverting coming-of-age story. At its worst, it feels forced.
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50
Wall Street Journal Joe Morgenstern
This coming-of-age movie, is a clumsy contraption, but it's nice to see Rupert Grint coming out from under that colorful thatch, and coming, not a moment too soon, into an appealing pre-maturity.
50
Washington Post Desson Thomson
There is but one reason to sign up for Driving Lessons: to watch Rupert Grint -- Harry Potter's redheaded pal Ron Weasley -- squaring off with Julie Walters, Queen of the English Scenery Chewers.
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50
Boston Globe Wesley Morris
Everybody in the movie is so tightly wound that Walters seems a model of actorly limberness. She cuts through the movie with speed and mannish, zany wit.
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42
Portland Oregonian M. E. Russell
Grint's role is larger and more "mature" than we've seen from him. During his adventures, Ben is seduced by a Scottish lit-festival flack (Michelle Duncan). But in some ways, his work is more limited here than it is in the "Potter" films. I have no idea why so many people consider Ben worth fighting for, or over.
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42
Entertainment Weekly Gregory Kirshling
Linney is too sensitive and capable an actress to play a stock villain like this. That everyone in the movie dislikes her makes you dislike everyone in the movie.
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40
Austin Chronicle Steve Davis
Because screenwriter-director Brock fails to create a moving relationship between its mentor and student in life's lessons, the film hardly resonates five minutes after it's over.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.6 (out of 10) based on 12 User Votes
Note: User votes are NOT included in the Metascore calculation.

Sydney R. gave it a9:
In about the first third of the movie, Grint's character has very little lines. He portrays his emotions very well without words. But not in a very obvious and blunt way. It's over all a really cute story even if it's been done before.

a gave it a5:
Average film - Grint stumbles awkwardly through the film while Walters shines.

John M. gave it a1:
Good idea and good cast, but poorly implemented. Disjointed and frankly just not interesting to watch, comedically or dramatically

Lesley Y. gave it a10:
I have seen this film numerous times, and while the US version is still good, it's highly lacking in the fact that the swear words were dubbed. That said, the film is highly underrated by critics in that they can't seem to get past the fact that conceptually, it's been done before. Yes, we know that the road-trip has been done, we know the parallels to Harold and Maude, we know, we know, we know. What the critics are overlooking is one of the hardest things to do with a film, that Brock has managed to execute immculately: deep, intimate character development with very little blatant exposition. It gives its audience a lot of credit, showing us the characters and allowing us to realise who they are instead of shoving their attributes down our throats. Definitely of note are the performances by the actors and actresses, all able to pull off Brock's vision of characterisation flawlessly. Laura Linney was perfect, just the right blend of totally out-there crazy and believably broken; Julie Walters shone in her best role since Billy Elliot. And then there's Rupert Grint. This kid is so beyond Potter. His ability to get into the head of the character of Ben, and to show that to us in such an honest and unpretentious way, had me seeing stars. Both he and Walters deserve Oscar nods for this work. The movie is heavy, but not heavy-handed; it's light without being trite. (No, the rhyme was not intentional.) Go see it. You'll be glad you did.

Marcus P. gave it a10:
In my opinion, this is one of those movies that only comes around once about every 5 years or so. It is definately a movie that I have added to my top ten list of all time. I pray that this movie, JULIE WALTERS, or RUBERT GRINT (from the Harry Potter movies) don't get overlooked for an Oscar nomination.

Craig B. gave it a10:
A great ride. Hop aboard, really!

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