DVD
Upcoming Release Calendar
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Recent DVD/Video Releases
58
Adam Resurrected
65
Adoration
42
Aliens in the Attic
56
American Violet
44
Answer Man, The
82
Anvil! The Story of Anvil
58
Away We Go
54
Battle for Terra
55
Casi Divas
63
Cheri
83
Drag Me to Hell
76
Every Little Step
70
Fados
26
Filth and Wisdom
80
Food, Inc.
34
Ghosts of Girlfriends Past
67
Girlfriend Experience, The
32
I Love You, Beth Cooper
50
Ice Age: Dawn of the Dinosaurs
81
Il Divo
32
Land of the Lost
74
Lemon Tree
43
Love 'N Dancing
64
Lymelife
50
Management
63
Medicine for Melancholy
56
Monsters vs. Aliens
34
My Life in Ruins
48
Not Forgotten
76
Not Quite Hollywood: The Wild, Untold Story of Ozploitation!
50
Nothing Like the Holidays
26
Objective, The
54
Observe and Report
78
O'Horten
42
Orphan
48
Proposal, The
40
Shrink
55
Taking of Pelham 1 2 3, The
35
Transformers: Revenge of the Fallen
88
Tulpan
66
Unmistaken Child
45
Whatever Works
34
Year One
Stars indicate the most critically-acclaimed movies.
Elevator to the Gallows (re-release)
Universal acclaim
Based on 11 critic reviews
How did we calculate this?
Based on 9 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Classic | Drama | Suspense/Thriller
Written by:
Louis Malle
Roger Nimier
Noël Calef (novel Ascenseur pour l'échafaud)
Directed by: Louis Malle
Release Date:
Theatrical: June 24, 2005
DVD: April 25, 2006
Running Time: 88 minutes, B/W
Origin: France
Summary
RATING: Not Rated
Starring Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin, Jean Wall, Elga Andersen, Sylviane Aisenstein, and Micheline Bona
A re-release of Louis Malle's 1957 masterpiece of suspense and film noir starring Jeanne Moreau, in the role that catapulted her to international stardom. (Rialto Pictures)
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Christian Science Monitor David Sterritt
A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.
Read Full Review >Los Angeles Times Kenneth Turan
A consummate entertainment rich with the romantic atmosphere of Paris in the 1950s. Coming at a turning point in French cinematic history, it drew upon several major talents - director Louis Malle, star Jeanne Moreau, cinematographer Henri Decaë, musician Miles Davis - and achieved near-legendary results with all of them.
Read Full Review >San Francisco Chronicle Walter Addiego
As French crime thrillers go, this is about as good as it gets.
Read Full Review >Portland Oregonian Shawn Levy
Malle, only 25 when the film was released, bounces confidently among several threads -- classic French policier, juvenile delinquent film, doomy tale of tragic love, clock-ticking thriller.
Read Full Review >Salon.com Andrew O'Hehir
A tightly structured thriller with a brilliantly moody performance by Jeanne Moreau, and depending on your point of view, it's either one of the few genuine French noir films or an early entry in the New Wave.
Read Full Review >The New Yorker David Denby
Moreau's nocturnal wanderings are made unbearably poignant by an exquisite Miles Davis jazz score that became famous in its own right.
Read Full Review >Village Voice Melissa Anderson
It's precisely Malle's omnivorous appetite that makes his first feature, adapted from a policier, so delectable, one stuffed with many sumptuous sights and sounds.
Read Full Review >Chicago Sun-Times Roger Ebert
These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.
Read Full Review >Boston Globe Wesley Morris
The film's look makes a divine accessory for its music, which Miles Davis composed. There's not even 20 minutes of it in the film, yet it still defines the atmosphere, transforming a crime yarn into a bebop noir.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.3 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Mr. Hankey gave it a10:
I am not hear to rate Elevator to the Gallows but one of my favorite films by Louis Malle because unfortunately it is not in metacritic. Au Revoir Les Enfants is a tale of two boys and their friendship that develops through struggle and understanding. The story is a beautiful and sad meaning that pops out of Louis Malle's somewhat autobiographical film. Because this is German occupied France their is pain and tragedy sweeping across the nation and all that pain is really connected with these two little boys secret and I will guess that you will just have to find out what that secret is. But this movie has made me think since it's story is so meaningful and proud. But yet you still will think that their is no end to this horrible fate that is to come. Becaue you will be saying at the end of the the film Au Revoir Les Enfants( Goodbye, Children ).
Luke gave it a9:
Great Cinema.
Filmfan gave it a10:
Great film. Great cinematography, totally absorbing and entertaining.
MaxL gave it a10:
This was released in England as Lift to Scaffold. I saw it again recently and thought it was just as good as then. The thriller plot is very good but the execution of the movie was great. Miles Davis score (improvised) was amazing and worth seeing the movie just to hear how Miles was playing the score with the scenes. Moreau and Ronet were very good in it and Louis Malle made an excellent movie for his, I believe, second or third movie. The was he uses the shadows and the camera movement was very interesting. Definitely worth watching again and again.
A gave it an8:
Also known as "Frantic" (and completely different and much better than the Harrison Ford picture of the same name), this film's suspense has several step functions built into it -- just at the time you become sensitized to the level of intensity, it's elevated again. The ending is spectacular. Must not miss this one.
