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Fay Grim
Magnolia Pictures
FILM:
MPAA RATING: R for language and some sexuality
Starring
Parker Posey,
Liam Aiken,
Chuck Montgomery,
Jeff Goldblum,
Leo Fitzpatrick,
Saffron Burrows,
and
Thomas Jay Ryan
Writer-director Hal Hartley returns to the characters from "Henry Fool," following Fay, a single mom from Queens who is afraid her 14 year old son will grow up to be like his father, Henry, who has been missing for years. (Magnolia Pictures)
| GENRE(S): |
Action
|
Suspense/Thriller
|
| WRITTEN BY: |
Hal Hartley
|
| DIRECTED BY: |
Hal Hartley
|
| RELEASE DATE: |
DVD: May 22, 2007
Theatrical: May 18, 2007
|
| RUNNING TIME: |
118 minutes, Color |
| ORIGIN: |
USA / Germany |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
83
Portland Oregonian
Shawn Levy
Plotwise, the film seems actually designed to repel logic, almost a parody of a spy film. But it's played with such verve and dash and confident flair that you'll have a grand time.
75
San Francisco Chronicle
Mick LaSalle
You won't see another film like Fay Grim this year, and we should give Hartley credit for making it work on his own terms.
75
TV Guide
Maitland McDonagh
Clever, fast-paced and surprisingly moving.
70
Los Angeles Times
Kevin Crust
A sophisticated, sometimes intentionally silly spy thriller of international intrigue, Fay Grim charts the history of American foreign policy while commenting on current global complications with wink and a nudge.
67
Austin Chronicle
Marc Savlov
There's no other woman acting today that even remotely resembles Parker Posey. For that matter, there's never been anyone quite like her that I can think of. She has the dynamite improvisational instincts of a born grifter who wandered too far from one con and ended up in another – acting – and her tricky-risky game of onscreen three-card monte is, again and again, a jewel in indie filmmaking's oft-tattered crown.
67
Christian Science Monitor
Peter Rainer
Hartley is very adept with actors, though – or at least some of them. Posey, for her part, displays a pert quizzical quality that's very charming and very funny. And Goldblum is tailor-made for Hartley's minimalist patter.
63
New York Daily News
Elizabeth Weitzman
While Fay Grim is too uneven to win Hartley many converts, it is laced with enough intelligence and wit to remind longtime fans why they were drawn to his unique vision in the first place.
63
USA Today
Claudia Puig
The movie opens with wit and dash, then devolves into a rather generic spy thriller.
63
Chicago Tribune
Michael Wilmington
Strikes me as something of an elaborate mistake, a wasted opportunity and a script Hartley should have discarded. But I liked it anyway.
63
Boston Globe
Ty Burr
Fay Grim falls victim to its own worried hyperactivity; it shuts you out with chattery paranoia. Hartley wants us to see the big picture, but he forgets we need artists like him to bring it into focus.
63
Philadelphia Inquirer
Steven Rea
It's not that Fay Grim isn't amusing. It is, in that deadpan, skewed way that indie auteur Hartley's pics always are. But there's not much else going on here.
60
New York Magazine
David Edelstein
It's a rich idea -- a Hartley-esque variation on the theme of American Innocents Abroad. And it works superbly until -- well, Grim's the word.
58
The Onion (A.V. Club)
Nathan Rabin
Sadly, there's a thin line between goofing irreverently on the maddeningly convoluted nature of spy thrillers and actually being a muddled mess, and Fay Grim crosses it constantly during its deadly second hour.
58
Seattle Post-Intelligencer
Sean Axmaker
Too hip to play it straight and too cool to resort to an actual story, Hartley turns the whole rambling spy game into a puzzle box where every certainty is thrown into doubt, every character has a hidden motive, and every clue is contradicted.
50
The New York Times
Stephen Holden
Too light-headed to qualify as satire, too poker-faced to register as comedy, Fay Grim belongs in its own stylistic niche: the Hal Hartley film.
50
Chicago Reader
Jonathan Rosenbaum
The involved backstory and Hartley's own generic music both prove burdensome; the main attraction is the cast's amusing way of handling Hartley's mannerist dialogue and conceits.
50
New York Post
Kyle Smith
Fay Grim is like watching stoners playing Risk and Clue at the same time.
50
The Hollywood Reporter
Michael Rechtshaffen
Hartley's kooky cosmopolitan caper can never be accused of slumming, but the shift from dry, offbeat wit to politically charged drama is a little jarring, to say the least; it's a bit like taking in Woody Allen's "Annie Hall" and having it morph mid-way through into "Shadows and Fog."
50
Variety
Todd McCarthy
A strange international odyssey that becomes more complicated and loony by the moment. Some viewers will undoubtedly tune out early, others will follow as far as they can -- and a privileged few might make it all the way.
50
Film Threat
Jeremy Mathews
Fans of "Henry Fool" in particular, however, may dislike the complete disregard for the characters of the original film. But the most fervent of Hartley followers can praise the film as a brilliant deconstruction of the tacked-on cinematic sequel.
50
Chicago Sun-Times
Roger Ebert
The result is that we feel deliberately distanced from the film. It is not so much an exercise in style as an exercise in search of a style. The story doesn't involve us because we can't follow it, and we doubt if the characters can, either.
50
The Globe and Mail (Toronto)
Rick Groen
In most every frame, Hartley takes pains to tilt his camera at odd angles – in other words, he's gone literally off-kilter, and it's just off-putting. What's worse, a further hallmark of the Hartley canon, his self-reflexivity, has begun to smack of self-promotion.
42
Entertainment Weekly
Owen Gleiberman
The faux espionage plot, with its winks at terrorism, is really just a convoluted plea for the relevance of precious indie artistes (i.e., Hal Hartley).
40
Washington Post
Desson Thomson
The trouble is, this is Hartley all over again. What seemed cutting edge and sharp in the 1990s -- the smart-alecky references to obscure filmmakers (Werner Herzog, Andrei Konchalovsky), the self-mocking tone in the actors' voices, the overall sense that this movie is subverting itself -- feels rehashed and old.
40
Village Voice
J. Hoberman
As "Henry Fool's" belated sequel, Fay Grim seems nearly an act of desperation.
40
The New Yorker
Anthony Lane
What happens, though, and what lures the film into disaster, is that Hartley lets slip his sense of humor (always his strongest asset) and begins to believe his own plot.
 The average user rating for this movie is 6.6 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
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Chad S. gave it a5:
