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43
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92
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85
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84
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83
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81
Juno
81
Bamako
78
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77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
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24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Go
Sony/TriStar Pictures
FILM:
MPAA RATING: R for strong drug content, sexuality, language and some violence
Starring
Katie Holmes,
Sarah Polley,
Taye Diggs,
J.E. Freeman,
William Fichtner,
Jay Mohr,
and
Scott Wolf
Set over a 24-hour period in L.A. and Las Vegas, this unconventionally structured comedy is told from the decidedly off-center perspectives of three parties involved in the outrageous events that surround a botched drug deal. (Columbia TriStar)
| GENRE(S): |
Crime
|
| WRITTEN BY: |
John August
|
| DIRECTED BY: |
Doug Liman
|
| RELEASE DATE: |
DVD: August 24, 1999
Video: August 24, 1999
Theatrical: April 9, 1999
|
| RUNNING TIME: |
103 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Owen Gleiberman
The one truly thrilling movie I've seen so far this year.

100
New York Post
Rod Dreher
Breakneck, raucous and thoroughly exhilarating.
100
Los Angeles Times
Kevin Thomas
Offers breathtaking comic-action fantasy
.Exhilarating and sharp, it never stops for a second. [9 April 1999, Calendar, p.F-6]
90
Washington Post
Michael O'Sullivan
One of the most exhilarating movies ever made about absolutely nothing.

90
Washington Post
Rita Kempley
The latest furiously paced, perversely entertaining "Pulp Fiction" for puppies.

90
Mr. Showbiz
Kevin Maynard
John August's script is exciting, witty, original material, and this film's got the talent to match.
90
TNT RoughCut
Christopher Brandon
Manages to present rave youth's on-the-go attitude as well as "Swingers" exposed its hipster culture.
88
San Francisco Examiner
Wesley Morris
A triptych whirling on a Lazy Susan of revolving character perspectives.

88
New York Daily News
Jack Mathews
Darkly hilarious.

80
The New York Times
Elvis Mitchell
He (Liman) creates a film that lives up to the momentum of its title and doesn't really need much more.

80
Time
Richard Corliss
Here is a picture that has wit, a hairpin-turn narrative, high pizazz and ensemble star quality. Ready, set, Go.
80
TV Guide
Ken Fox
A dark and edgy teen comedy that's also one of the most excitingly unpredictable American comedies since "Pulp Fiction."

75
San Francisco Chronicle
Mick LaSalle
A nasty little picture with a lot of wit and impudence.

75
Chicago Tribune
Marc Caro
Ultimately is a fast-moving trip to nowhere. The buzz is enjoyable while it lasts, but don't be surprised by the sour aftertaste.

75
Chicago Sun-Times
Roger Ebert
An entertaining, clever black comedy that takes place entirely in Tarantino-land.

75
The Globe and Mail (Toronto)
Liam Lacey
Like circus acrobats who bounce up smiling, the characters end up on their feet, and you realize in retrospect that they survived because somebody, finally, stopped to think. A final thought on Go: Go.

75
Boston Globe
Jay Carr
"Pulp Fiction" wannabes don't get much slicker or edgier than Go.

75
USA Today
Susan Wloszczyna
This dark comedy comes off more giddy than gritty.
70
LA Weekly
Manohla Dargis
Entertaining and slight, topical and cannily familiar.

70
Village Voice
J. Hoberman
A showy exercise in nervous grit, Go never strays too far from a sense of itself as stunt.

70
Salon.com
Mary Elizabeth Williams
Liman's buoyant direction is almost enough to make one forgive the film its heavily appropriated plot (including its groaner of a punchline).

70
Variety
Todd McCarthy
An overly calculated concoction that nonetheless delivers a pretty good rush.
67
Portland Oregonian
Shawn Levy
Bounces along magnetically even when the storytelling goes a bit flat.
67
Austin Chronicle
Marc Savlov
Relentless and mercurial, this new outing by "Swingers" director Liman takes off somewhere around Mach 3 and never lets up, leaving you with either a pounding headache or a wicked grin, or perhaps both.

63
ReelViews
James Berardinelli
Fast-paced and often witty, but ultimately vapid.

50
Film.com
Robert Horton
When the writing is good, Go is good, and when the writing is flat, things fall apart.
50
Newsweek
David Ansen
John August's trickily structured script owes an all too obvious debt to "Pulp Fiction," but Liman's film is more like kiddie Tarantino.

50
Christian Science Monitor
David Sterritt
Although some of the acting is strong, the atmosphere is so relentlessly sleazy that many moviegoers will want to go long before the final credits.

40
The Onion (A.V. Club)
Scott Tobias
Escapism of the worst sort, a manipulative exercise in style that preys on the passivity of its characters and its audience. In the end, Go offers little more than the sour, impermanent rush of a pixie stick.


The average user rating for this movie is 9.0 (out of 10) based on 12 User Votes
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