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Stars indicate the most critically-acclaimed movies.
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Hannibal
Universal Pictures
FILM:
MPAA RATING: R for strong gruesome violence, some nudity and language
Starring
Anthony Hopkins,
Julianne Moore,
Giancarlo Giannini,
Francesca Neri,
Alex Corrado,
Gary Oldman,
and
Ray Liotta
Hannibal continues the story begun in "The Silence of the Lambs." Ten years have passed since Dr. Hannibal Lecter (Hopkins) escaped from custody, ten years since FBI Agent Clarice Starling (Moore) interviewed him in a maximum-security hospital for the criminally insane. The doctor is now at large in Italy, gloriously at liberty in an unguarded world. But Starling has never forgotten her encounters with Dr. Lecter -- his cold voice still haunts her dreams. (Universal Pictures)
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Thomas Harris (novel)
David Mamet
Steven Zaillian
|
| DIRECTED BY: |
Ridley Scott
|
| RELEASE DATE: |
DVD: August 21, 2001
Video: August 21, 2001
Theatrical: February 9, 2001
|
| RUNNING TIME: |
131 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Time
Richard Corliss
A banquet of creepy, gory or grotesque incidents is on display in Hannibal. but this superior sequel has romance in its dark heart.
90
Rolling Stone
Peter Travers
It's unmissable, flaws and all, because riveting suspense spiced with diabolical laughs and garnished with a sprig of kinky romance add up to the tastiest dish around.

88
Baltimore Sun
Chris Kaltenbach
Hannibal isn't art. But for filmgoers with a taste for the absurd and a tolerance for the blackest of black humor, it's one heck of a thrill ride.
83
Entertainment Weekly
Owen Gleiberman
Hannibal lacks the rounded emotional elegance of ''The Silence of the Lambs'' (that was a great film; this one is merely good).

80
Variety
Todd McCarthy
The continuing saga of one of contemporary literature and cinema's most fascinating villains, as played once again with exquisite taste and riveting force by Anthony Hopkins.

75
Boston Globe
Jay Carr
''The Silence of the Lambs'' was a classic; Hannibal is only a good movie of its type.
75
Chicago Tribune
Michael Wilmington
Hannibal, riding the malicious wit of Hopkins' sophisticated fiend, is a gorgeous, wild, sometimes sick thriller, a feast for enraptured eyes and strong stomachs.
75
Miami Herald
Rene Rodriguez
It's best to just enjoy Hannibal for what it is: A decadent, elegant waltz about evil's seductive bloom. As sequels go, you could do a lot worse.
75
Christian Science Monitor
David Sterritt
Much of the action is as ponderous as it is predictable. Lector fans will get their fill, but be warned that the menu contains at least two scenes with over-the-top excesses that Hannibal himself might not want to swallow.

70
Film.com
Moira Macdonald
Unlike the original, Hannibal may make us hide our eyes, but it doesn't get inside our heads.

70
Chicago Reader
Lisa Alspector
Stylistic excess, comedy, and romance often help make extremes of cruelty and horror function as cathartic metaphor, and all three figure, not always successfully, in this sequel.

70
Film.com
Robert Horton
More complicated, more outrageous, less controlled in every way. But its owes its power to that earlier, greater film.

67
Portland Oregonian
Shawn Levy
It's gory, really gory, gratuitously and often inelegantly.
63
Chicago Sun-Times
Roger Ebert
A carnival geek show elevated in the direction of art. It never quite gets there, but it tries with every fiber of its craft to redeem its pulp origins, and we must give it credit for the courage of its depravity.

63
New York Daily News
Jack Mathews
It's certainly not scary; it's not even suspenseful. The tension in Hannibal is purely sexual.

63
Charlotte Observer
Lawrence Toppman
The film goes from stylish to ghoulish to foolish.
63
New York Post
Jonathan Foreman
Much has, and will, be made of the grisly scenes throughout the film.
63
Philadelphia Inquirer
Steven Rea
Perhaps to compensate for the absence of compelling drama and tension (and a few continuity gaffes), Scott has retreated to his TV commercial roots and crammed Hannibal
full of busy, art-directed visuals.
60
Washington Post
Stephen Hunter
It is not bad on its own terms, and it is certainly engrossing, but it comes nowhere near the power and sordid glory of the original.

60
Washington Post
Desson Thomson
Even by its own dark standards, the movie's conclusion is as dramatically dissatisfying as it is disturbing.

60
New York Magazine
Peter Rainer
The audience for Hannibal is far more primed for a good time; if the film is a hit, it will be because Lecter has been cartoonized; his ghoulish panache, his double entendres about cannibalism, and his pet phrases like "goody-goody" and "okeydokey" all serve to make him a figure of fun.

60
Wall Street Journal
Joe Morgenstern
Though Hannibal the movie is unresolved in ways the book is not, that isn't Mr. Hopkins's fault. He's still a star for all seasons, and seasonings.
60
TV Guide
Maitland McDonagh
Though the movie is clearly meant to work on its own, the relationship between Starling and Lecter plays best if you're familiar with "Lambs."

58
Seattle Post-Intelligencer
William Arnold
Has almost none of the nail-biting suspense and fascinating character interplay that made the original so authentically terrifying.

50
Mr. Showbiz
Kevin Maynard
Every frame of Scott's film is gorgeously lurid and baroque, but it just hangs there like bad art, even during the gore-spilling, Grand Guignol climax.
50
Village Voice
J. Hoberman
Less monster than monstrosity—albeit, as superfluous sequels go, not on par with the memorably idiotic "Godfather III."

50
The New York Times
A.O. Scott
Hannibal, a silly though handsomely staged adaptation of the Thomas Harris novel directed by Ridley Scott, is a movie meant for the whole family -- the Manson family.

50
Newsweek
David Ansen
Strikingly devoid of suspense. It’s not always clear who’s the protagonist and who’s the antagonist. Nor is it scary—at its most intense moments, it’s merely yucky.
50
Los Angeles Times
Kenneth Turan
Creepy and grotesque rather than terrifying. It's more distasteful than anything stronger, a sour bottle of a celebrated vintage that a gourmet like Lecter wouldn't hesitate to send back with the sommelier.

50
Slate
David Edelstein
"The Silence of the Lambs," was morbid but also a rich and satisfying serial-killer thriller—a cunning weave of the fairy tale, the forensic, and the fetishistic. Hannibal, on the other hand, is simply a fat slab of sadism.

50
San Francisco Chronicle
Mick LaSalle
The picture is willfully gross, fundamentally stupid and in no way worth the discomfort of watching it. Yet it may be the most well-crafted piece of garbage this year.

50
USA Today
Mike Clark
Hopkins' Hannibal is no longer mysterious, Clarice is no longer vulnerable, and the overextended Florence scenes dash any hopes of early momentum, even if Giancarlo Giannini is perfect as the cop.

40
LA Weekly
Ella Taylor
The flabbiest of cop-outs. Moore gives a flat, spiritless performance, almost matched by that of Anthony Hopkins, who, notwithstanding the Armani threads, shuffles around like a pensioner in bedroom slippers.

40
Dallas Observer
Andy Klein
More than just a disappointment. It is also a spoiler, possibly weakening the impact of "Silence" for its fans.

40
Austin Chronicle
Marjorie Baumgarten
Misfires on so many levels that we have to wonder if there is more than one meaning to this story's wild boars.

0
Salon.com
Charles Taylor
Hannibal, which is very likely the worst film of this year and quite possibly the next, achieves what no movie I can recall ever even attempting: It somehow manages to be both repugnant and boring.


The average user rating for this movie is 6.2 (out of 10) based on 41 User Votes
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