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84
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81
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81
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78
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74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
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Lars and the Real Girl
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Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
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War Dance
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Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
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39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
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32
Untraceable
30
Over Her Dead Body
30
Cover
29
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xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Hearts in Atlantis
Warner Bros.
FILM:
MPAA RATING: PG-13 for violence and thematic elements
Starring
Anthony Hopkins,
Anton Yelchin,
Hope Davis,
Mika Boorem,
and
David Morse
Based on the novel by Stephen King, this drama focuses on an orphaned boy (Yelchin) who forms a friendship with a middle-aged man (Anthony Hopkins), and discovers depths of courage and forgiveness he never imagined. (Warner Bros.)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Stephen King (novel)
William Goldman
|
| DIRECTED BY: |
Scott Hicks
|
| RELEASE DATE: |
DVD: February 12, 2002
Video: February 12, 2002
Theatrical: September 28, 2001
|
| RUNNING TIME: |
115 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Seattle Post-Intelligencer
Sean Axmaker
Inspiring without sinking into sentimentality or cliche, Hearts of Atlantis is intelligent, heartfelt and genuine, a rare story of childhood for adults.

88
Chicago Sun-Times
Roger Ebert
Rarely does a movie make you feel so warm and so uneasy at the same time.

80
New Times (L.A.)
Robert Wilonsky
As stirring as it is slight, as effective as it is familiar.

80
Los Angeles Times
Kenneth Turan
Assisted by a well-crafted script by the veteran William Goldman and a masterful performance by Anthony Hopkins, Hicks has turned two King short stories into a somber meditation on the dreams and frustrations of childhood and the ways the adult world makes its darker qualities known.

80
Washington Post
Rita Kempley
Yes, it's corny and reemerging cynics need not apply. But it is blissfully heartwarming.

80
Chicago Reader
Lisa Alspector
Where other King stories and hundreds of other movies simplistically exploit the archetype, this tale intricately relates the actions of its young evildoer to the more abstract forces bearing down on the adults.

80
Village Voice
Michael Atkinson
The heartfelt use of extrasensory events as metaphors for a child's grasp of adult mysteries has a poetry to it, and the unblinking sympathy for kids struggling with evil and with the strange frequencies of prepubescent passion can, if your defenses are down, lay you out.

75
Boston Globe
Jay Carr
A powerful and surehandedly crafted depth charge of a movie.
75
USA Today
Mike Clark
Don't underestimate the appeal of a heart-tugger that's this well mounted.

75
Chicago Tribune
Michael Wilmington
Sometimes thrilling, sometimes suffocatingly tasteful adaptation of Stephen King's 1999 novel.
75
Christian Science Monitor
David Sterritt
Hicks doesn't always keep the story clear and compelling, but Hopkins is in top form.

67
Entertainment Weekly
Owen Gleiberman
Too poky and contrived to be a good movie, but its lushly serene atmospherics, given current events, make it a pure slice of sentimental comfort food.

67
Portland Oregonian
Barry Johnson
The mix of psychic thriller and childhood memory movies is smooth, maybe too smooth. Neither becomes truly gripping, despite fine acting by Hopkins, Yelchin and Boorem.

63
Philadelphia Inquirer
Desmond Ryan
A film with many redeeming qualities. Its heart is certainly in the right place, but its head makes some misjudgments.

60
Salon.com
Andrew O'Hehir
The resulting film directed by Scott Hicks is afflicted by terminal nostalgic drift. You come out of the theater with nothing more specific than half-pleasant memories of baseball gloves, Ferris wheels and vintage automobiles. I've had naps that were more exciting.

60
Variety
Todd McCarthy
The few who saw the embalmed adaptation of "Snow Falling on Cedars" will recognize the same stifling approach brought to this more accessible material by director Scott Hicks.

50
Miami Herald
Rene Rodriguez
What's missing, really, is a point. Like "Snow Falling on Cedars," Hicks composes every shot in Hearts in Atlantis as if it were his last.

50
San Francisco Chronicle
Edward Guthmann
Unabashedly sentimental, it's meant to touch our hearts in profound and important ways, but misses the mark by drawing too deeply from a pool of schmaltz.

50
Rolling Stone
Peter Travers
What a shame, though, that the movie isn't a livelier business.

50
TV Guide
Maitland McDonagh
Hicks smothers the story in portentous images and the obligatory memory-inducing soundtrack. The effect is like peering at a photo through layers of shellac: evocative but remote.

50
New York Daily News
Jami Bernard
Is it possible to have too much Anthony Hopkins? Believe it or not, the answer is yes. Hopkins' quiet power and perfectly formed vowels overwhelm the rickety, falsely sentimental Hearts in Atlantis.

50
Newsweek
David Ansen
Slightly soggy.

50
New York Post
Lou Lumenick
A fussy piece of schmaltz that makes you long for "Stand By Me," a vastly superior coming-of-age tale from King's pen.

50
Charlotte Observer
Lawrence Toppman
The kids provide all the vitality, but even they've been muffled by the director.

40
Wall Street Journal
Joe Morgenstern
The movie is pleasant enough, in its studied way, and Mr. Hopkins does as well as anyone could in the role of a wise man with vaguely supernatural powers. Still, it's awfully amorphous and pokey.
40
Austin Chronicle
Marc Savlov
I had looked forward to seeing King's low men and their hideous yellow coats and monstrous high-finned automobiles, but what we've got here is less King than Goldman, and less fun to boot.

40
LA Weekly
Manohla Dargis
For all the highfalutin dialogue and mysterioso goings-on, the only true mystery Hicks and Goldman conjure up is whether the mellifluously voiced outsider is dangling his new friend a little too closely on his knee.

40
Film Threat
Kevin Park
The reason I hate this movie so much (besides the fact that it sucked) is that there was so much behind it and it still was a bland.

38
Baltimore Sun
Michael Sragow
It's not hell, but limbo, junior high-school style.

0
The New York Times
Stephen Holden
Mush, delivered with a trembling, quasi-biblical solemnity, is what emanates from Anthony Hopkins most of the time in Hearts in Atlantis, a nostalgic fiasco so shameless it makes movies like "Simon Birch" and "Frequency" seem as austere as the work of Robert Bresson.


The average user rating for this movie is 7.5 (out of 10) based on 20 User Votes
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