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Heist
Warner Bros.

Heist reviews
Critic Score
Metascore: 66 Metascore out of 100
User Score  
4.4 out of 10
based on 33 reviews
Read critic reviews
How did we calculate this?
based on 21 votes
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MPAA RATING: R for language and some violence

Starring Gene Hackman, Danny DeVito, Delroy Lindo, Sam Rockwell, Rebecca Pidgeon, and Patti LuPone

A smart, complex ensemble about a masterfully-minded gold robbery. (Warner Bros.)


GENRE(S): Drama  
WRITTEN BY: David Mamet  
DIRECTED BY: David Mamet  
RELEASE DATE: DVD: March 12, 2002 
Video: March 12, 2002 
Theatrical: November 9, 2001 
RUNNING TIME: 107 minutes, Color 
ORIGIN: Canada / USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90
Washington Post Stephen Hunter
Mamet loves two things: scams and dialogue. This movie is rich with both.
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90
Los Angeles Times Kevin Thomas
The thinking person's caper flick, with its endlessly clever plotting revealing character under the utmost pressure.
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90
The New York Times Dana Stevens
Heist is a pleasure to watch, and the greatest pleasure is to watch Mr. Lindo and Mr. Hackman steal it.
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90
Washington Post Desson Thomson
Mamet doesn't just give us an enthralling heist flick, he makes the language something to savor. You're biting your nails with your ears peeled.
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90
Rolling Stone Peter Travers
Mamet -- crafts tangy, well-seasoned dialogue that a good cast can feast on. And this cast is prime.
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88
Chicago Tribune Michael Wilmington
Mamet takes exactly those qualities that we most prize in genre movies -- characters, cleverness and high style -- and refines them to a high shine.
88
Chicago Sun-Times Roger Ebert
The kind of caper movie that was made before special effects replaced wit, construction and intelligence. This movie is made out of fresh ingredients, not cake mix. Despite the twists of its plot, it is about its characters.
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80
Slate David Edelstein
With an actor as great as Gene Hackman in the lead, a lot of scenes even breathe.
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80
Wall Street Journal Joe Morgenstern
An exciting caper, though sometimes a trying one, with great dollops of self-parodying dialogue that will test your loyalty to Mr. Mamet's way with words.
78
Austin Chronicle Marc Savlov
It's 99 and 44/100% pure Mamet all the way.
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75
Christian Science Monitor David Sterritt
The ultimate challenge of making a first-rate caper movie is dishing up often-used ingredients with enough novel twists to make them seem familiar and fresh at the same time. Mamet soars over the hurdles with energy and imagination to spare.
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75
New York Post Lou Lumenick
A muscular, endlessly twisty homage to film noir capers like "The Asphalt Jungle."
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75
Boston Globe Jay Carr
Not only reminds us that there's a little larceny in all of us, it reminds us how much fun it can be to commune with our inner thieves.
75
Entertainment Weekly Lisa Schwarzbaum
If it's not up to the cups-and-balls elegance of previous Mamet movies like ''The Spanish Prisoner'' and ''House of Games,'' if it piles on more psychological fake-outs than is safe in a setup this size -- well, at least it's got that talk, that language, that thing Mamet does that is at this point as identifiable as the cadences of the Bard.
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70
The New Yorker David Denby
Hackman works with a joyous authority that seems to come out of the experience of the character he's playing. He liberates David Mamet from David Mamet. [12 Nov 2001, p. 139]
70
Chicago Reader Jonathan Rosenbaum
More entertaining than "The Spanish Prisoner" -- it also turns out to be more conventional and predictable.
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70
Village Voice Michael Atkinson
Heist is a neat, bouncy, minor-key crime procedural that shakes no rafters. Glorious, freestanding Mametisms are dropped into it like beef hunks into clear soup.
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63
Miami Herald Rene Rodriguez
Carries a whiff of disappointment: There's little here Mamet hasn't done before, and done better.
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63
Philadelphia Inquirer Steven Rea
Hackman's in it a lot, and he is, as almost always, great fun.
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63
New York Daily News Jack Mathews
While not nearly as elaborate as either film, Heist plays like a combination of "The Sting" and "Mission: Impossible."
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63
Baltimore Sun Michael Sragow
As a movie, Heist is merely an amiable time-killer. But it presents a terrific argument for federalizing airport security.
63
USA Today Mike Clark
Passable but never exciting, Heist is on a level with those minor Burt Lancaster action pics the actor's name helped bankroll in the '70s.
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60
Film Threat Rich Cline
With yet another snappy script and a fiendishly clever story, Mamet leads us through this labyrinthine film with skill and wit. It's nothing terribly original, but it is a lot of fun.
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60
TV Guide Maitland McDonagh
Solidly entertaining and surprisingly free of the Mamet-isms that can suck the life right out of the most tightly crafted story.
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58
Seattle Post-Intelligencer William Arnold
You've already seen this movie, right? Just a few months ago. It was called "The Score."
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50
Charlotte Observer Lawrence Toppman
A typical shallow caper film. Just assume the truth is the exact opposite of what's happening.
50
LA Weekly Manohla Dargis
Can he do the thing? Well, yes and no. He -- Mamet, David, celebrated celebrity playwright and less-certain maker of movies -- can do some of the things, like assemble a cast sleek as a cat.
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50
San Francisco Chronicle Mick LaSalle
Even a mediocre David Mamet movie is still a David Mamet movie. That means there are lines to savor, partly because the lines are so good, partly because they are so Mamet.
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50
Variety David Rooney
While staccato dialogue and edgy confrontations have always been the wordsmith's forte, the precision-tooled mechanics of an elaborate crime caper have not, and the physical direction here could use some muscle.
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50
Time Richard Schickel
The result is a well-tooled machine chugging coldly along a twisting road to nowhere.
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40
New York Magazine Peter Rainer
Mamet is so in love with the con that he's conned himself.
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30
Salon.com Charles Taylor
There's something offensive about how Mamet continues to win praise as a serious filmmaker with such a joyless picture, a picture that -- intentionally -- gives the audience so little.
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20
New Times (L.A.) Gregory Weinkauf
With a movie like this, there's no risk of spoiling the ending, because the entire plot is merely a formality trudging toward a foregone conclusion. The viewer's biggest challenge is to survive fits of yawning so violent they could disrupt ornithic migratory patterns.
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What Our Users Said

Vote Now!The average user rating for this movie is 4.4 (out of 10) based on 21 User Votes
Note: User votes are NOT included in the Metascore calculation.

Captain Craig gave it a3:
Definately not Hackmans best work. The film would get rolling along pretty good for a while , then get stupid. So many doub-crosses you knew it was a twist movie...which is not the way to make a twist movie.

Pat C. gave it a 4:
Entrancing thriller without the baggage of stimulating original thought afterwards.

Yoon Min C. gave it a 7:
Solid acting and directing but tiresome script of conjobs and counterjobs which Mamet has done much better in the past, namely in the astounding House of Games. This movie is an empty exercise, everyone going thru the motions. Soon unpredictablity becomes predictable and like the story of "never cry wolf', we begin to doubt everything and not care when we finally see who comes on top.

Bangkok Dave gave it a 1:
A real stinker. Utterly predictable plot filled with tired cliches & never-ending, shoot-me-in-the-head-now bitching & griping among the characters that laughingly attempts to pass itself off as gripping drama. It feels - and sounds, if you listen to the atrocious score - like a B-movie straight out of the 70's. The fact that this wasted film garnered so many favorable reviews simply shows once again that most critics are idiots.

Darrel G. gave it a 2:
A very seriously flawed movie. Probably due to editing and directing. Properly edited and directed the script probably could have been saved. The robberies were totally unbelievable (plane scene, totally relaxed listening to the two-way radio). Hackman, is he a brilliant thief or a fool? He plays both at the same time here. What blows me away is the reviews this movie is getting from the mainsteam reviewers. 65?

Seth B. gave it a 7:
It was a bit long, and in love with it's own dialouge. Other than that I thought it was fine. The other reviews here are so poor because they like clean cool criminals and bank robbers who get away scott free and whom for everything works out. I hesitate to say this, but if you know anything about real heists you know this is how it generally goes down.

Lee Y. gave it a 3:
It got to the point where you knew there was gonna be a twist, and you didn't care...it had more stupid twists since Chubby Checker. And that plane heist...oh come on...totally unbelievable! Btw, Roger Ebert said it contained the funniest line he ever heard "Everyone needs money, that's why it's called money". HUHN? That and the counting sheep joke, went way over (under?) my head. I've asked 3 of my friends and THEY haven't a clue either. Must be an 'inside' joke. Another critcs' rave that fell flat (see Gosford Park).

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