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Year One
Stars indicate the most critically-acclaimed movies.
Hollywood Homicide
EMAILPRINTSony Pictures Entertainment / Revolution Studios

Mixed or average reviews
Based on 36 critic reviews
How did we calculate this?
Based on 15 votes
Read user comments
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Movie Info
Genre(s): Drama
Written by:
Robert Souza
Ron Shelton
Directed by: Ron Shelton
Release Date:
Theatrical: June 13, 2003
DVD: October 7, 2003
Running Time: 111 minutes, Color
Origin: USA
Summary
RATING: PG-13 for violence, sexual situations and language
Starring Harrison Ford, Josh Hartnett, Keith David, Lolita Davidovich, Bruce Greenwood, Gladys Knight, and Lou Diamond Phillips
Veteran detective Joe Gavilan (Ford) is on the biggest case of his career and saddled with a new partner, K.C. Calden (Hartnett), who can't quite decide between being a cop or an aspiring actor. (Sony)
Also On Metacritic
FILM: Bull Durham Dark Blue Play It To the Bone Tin Cup
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Baltimore Sun Michael Sragow
It's the ideal capper for a cop comedy with a refreshingly wry, adult and humane attitude.
Read Full Review >San Francisco Chronicle Mick LaSalle
Like all Shelton's movies, Hollywood Homicide rambles and shambles, and like most of them, it ultimately settles into its own appealing rhythm.
Read Full Review >Chicago Sun-Times Roger Ebert
One of the pleasures of Hollywood Homicide is that it's more interested in its two goofy cops than in the murder plot; their dialogue redeems otherwise standard scenes.
Read Full Review >Chicago Tribune Michael Wilmington
At its best, "Hollywood" has the breezy irreverence and easy, sunny L.A. atmosphere of Shelton's 1992 "White Men Can't Jump," a buddy-buddy basketball-hustle movie.
Read Full Review >Slate David Edelstein
It's bursting with goofy banter, Hollywood in-jokes, sexy love scenes, and chases that go on much too long but have the kind of madcap self-indulgence that makes questions of logic or credibility seem dull-witted. It's a great piece of mindful escapism.
Read Full Review >Salon.com Stephanie Zacharek
A definite improvement on the recent spate of dull action movies, if only because it has such a marked sense of humor about itself and the genre it belongs to. But somehow it never quite finds its center.
Read Full Review >The New York Times Dana Stevens
He (Ford) slips into the role as if it were a pair of well-worn loafers, the left inherited from Peter Falk, the right from Clint Eastwood, and then proceeds, with wry nonchalance, to tap-dance, shuffle and pirouette through his loosest, wittiest performance in years.
Read Full Review >Wall Street Journal Joe Morgenstern
Combines silly stuff about life in Los Angeles with buoyant energy, a couple of chases worthy of the Keystone Kops and quick-witted actors playing droll characters with obvious affection.
Entertainment Weekly Owen Gleiberman
Is it, you know, fun? At times. Yet there's a rote quality to the way this half-dumb, half-sly movie resolves itself into an intentional debauch, a pileup of villainy and heavy metal. The only California dream it leaves you with is one of wretched excess.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Ten minutes in, and the verdict is already clear: This is a flick that goes both ways. It's funny, then it's not; it's cooking, then it isn't; it's different, then it ain't.
Read Full Review >Dallas Observer Luke Y. Thompson
When the movie works, it gleefully skewers the clichés of the buddy cop genre... When it doesn't work, it's exactly what it purports to be lampooning--a lame, boring cop buddy movie.
Read Full Review >Chicago Reader Jonathan Rosenbaum
Though its ending feels protracted--especially the climactic chase--it kept me reasonably distracted.
Read Full Review >Portland Oregonian Shawn Levy
A film of curiosities and asides, it deliberately eschews plot in favor of character quirk, which is fine in theory and even commendable. But the quirks are lame, the ultimate conflation of story lines is clumsy.
Read Full Review >Seattle Post-Intelligencer William Arnold
Ford tries very hard to be eccentrically funny -- to the point of forced, slapsticky mugging -- but he looks terrible, his timing is way off and his character is so uptight, abrasive and unappealing that he makes miserable company.
Read Full Review >Premiere Addison MacDonald
The movie is a mess, but Harnett and Ford are likable enough to make Hollywood Homicide a unique addition to the cookie-cutter spectacles that usually grace theaters during the summer months.
Read Full Review >ReelViews James Berardinelli
Although Ford does not exactly mail in his performance, this is a lazy job, and far from his best work. On top of that, he has no chemistry with co-star (and heartthrob of the moment) Josh Hartnett.
Read Full Review >New York Magazine Peter Rainer
A frustrating blend of the sharply funny and the ploddingly generic. Although he does them well enough, we dont really need Ron Shelton to give us the same old skidding-U-turn cop-thriller theatrics. Hes a much more distinctive talent than this crass spree allows for.
Read Full Review >Newsweek David Ansen
Inside this numbingly formulaic action comedy there's a small, quirky movie not screaming hard enough to get out--the kind of movie that director and co-writer Ron Shelton (Bull Durham, Tin Cup) could have had some real fun with.
Read Full Review >Variety Todd McCarthy
An attempt to merge a semi-jokey buddy movie with a more realistic account of cops' messy private lives, Hollywood Homicide falls short on both counts.
Read Full Review >Boston Globe Ty Burr
One of the most lazily scripted, poorly structured, smugly stereotyped star vehicles in recent memory. Bizarrely, this seems to be the point.
Read Full Review >USA Today Mike Clark
Somewhere within all of this there really is a homicide -- a hip-hop industry rub-out that may someday make this movie half of a passable DVD double feature with Nick Broomfield's documentary Biggie and Tupac.
Read Full Review >TV Guide Maitland McDonagh
It's periodically enlivened by unlikely cameos, including Lou Diamond Phillips as an undercover cop posing as a transvestite hooker and Gladys Knight as a forgotten Motown singer.
Read Full Review >Austin Chronicle Kimberley Jones
Fact is, good looks will go a long way in masking mediocrity, and Hollywood Homicide capitalizes on that fact doubly so: Co-writer/director Ron Sheltons latest boasts two pretty faces, and all across the country, mothers and daughters sigh alike.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Ultimately, this movie cowritten by Shelton and former L.A. police detective Robert Souza has more laughs than suspense, but not enough of either.
Read Full Review >Los Angeles Times Manohla Dargis
No one comes out of Hollywood Homicide looking good, but the film fades fast.
Read Full Review >LA Weekly Hazel-Dawn Dumpert
Nothing, in fact, really fits together, most notably the partnership of Ford and Hartnett: Looking weathered yet professional, Ford carries what he can, but pretty and sullen Hartnett barely comes to life, leaving his partner stranded, and straining.
Read Full Review >Charlotte Observer Lawrence Toppman
Souza and Shelton throw in all kinds of ridiculous devices they learned in second-year screenwriting class.
Read Full Review >Washington Post Desson Thomson
Hollywood Homicide is about murder, all right: the wholesale slaughter of anything funny, original or even vaguely logical.
Read Full Review >Village Voice J. Hoberman
Hollywood Homicide knows it's a dog, and it ain't too proud to beg.
Read Full Review >Washington Post Michael O'Sullivan
The film doesn't even cut it as cheap escapism.
Read Full Review >New York Daily News Jami Bernard
It's a humiliating comedown for Ford, and he looks creaky and grumpy, obviously aware that he is miscast and dreading every scene.
Read Full Review >Miami Herald Rene Rodriguez
Lands with a thud right from its painfully unfunny prologue and maintains its plodding, exasperating course straight through to its car-chase-and-shootout finale.
Read Full Review >New York Post Megan Lehmann
There's little action in this snail-paced bore, you'll need a high-powered magnifying glass to spot the comedy and the "buddies" have about as much chemistry as a pair of wet socks.
Read Full Review >Christian Science Monitor David Sterritt
By the time it ended, I'd stopped caring. I suspect most moviegoers will do the same. Here's hoping Shelton scurries back to the athletic world in a hurry.
Read Full Review >Film Threat Kevin Carr
Yup, Hollywood Homiciderips off practically every cop movie out there. My god in heaven, did anyone making this film have an original thought in their lives?
Read Full Review >What Our Users Said
The average user rating for this movie is 4.2 (out of 10) based on 15 User Votes
Note: User votes are NOT included in the Metascore calculation.
Gareth M. gave it a9:
It you look under the hood this is a clever, tripped out motor that is almost a spoof of the buddy buddy movie. Ford's most enjoybale film since Clear and Present Danger.
Frank O. gave it a2:
One of the worst movies that I watched this year. What a waste of talent, time and money. Actors seemed to be going through the motions.
Phil H. gave it a3:
Why, Harrison Ford, Why!?
Saer A. gave it a 6:
When are they going to stop making cop-comedy movies dealing with 2 guys. Did I like it? Yeah, sort of in its own way. It had some comedy and action but when I compare it to Rush Hour and Bad Boys, it makes the movie look bad.
Robert A. gave it a 2:
Quite horrible. fun to make fun of. not entertaining. just plain dull.
Paul S. gave it a 1:
Quite the worst movie I've ever seen Harrison Ford in. He looked as bored as I felt. About halfway thru I realised I had forgotten what crime they were investigating and then realised I didn't care. It's movies like this that give movies a bad name.
Stacey G. gave it a 3:
While Harrison ford and Josh Hartnett boast good performances, their chemistry is awful. The movie has a few laughs and is good in the last twenty or so minutes but it is very slow. At the same time it moves way to fast. In the end Hollywood Homicide has great ptential but it tries way to hard and falls flat. I dont know how The cast could make a movie this bad.
