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84
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83
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81
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81
Bamako
78
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77
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74
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71
Water Horse: Legend of the Deep, The
71
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70
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69
Charlie Wilson's War
68
Business of Being Born, The
68
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68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
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41
Mad Money
41
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39
Alvin and the Chipmunks
39
P.S. I Love You
38
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37
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32
Untraceable
30
Over Her Dead Body
30
Cover
29
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24
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15
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7
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xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
House of Mirth, The
Sony Pictures Classics
MPAA RATING: PG for thematic material
Starring
Gillian Anderson,
Eric Stoltz,
Dan Aykroyd,
Eleanor Bron,
Terry Kinney,
and
Anthony LaPaglia
Lily Bart (Anderson) is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. (Sony Pictures Classics)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Terence Davies (adaptation)
Edith Wharton (novel)
|
| DIRECTED BY: |
Terence Davies
|
| RELEASE DATE: |
DVD: May 29, 2001
Video: May 29, 2001
Theatrical: December 22, 2000
|
| RUNNING TIME: |
140 minutes, Color |
| ORIGIN: |
UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
New York Daily News
Jami Bernard
The stop-the-presses news from The House of Mirth is the number of fine performances from people you never knew had it in them.

100
Rolling Stone
Peter Travers
The House of Mirth is not one of those teacup and doily movies; it's harsh and disturbing. Davies does superlatively right by Wharton. There's blood on the walls.
100
Entertainment Weekly
Lisa Schwarzbaum
This stunning movie -- one of the very best of the year -- makes a much read American classic feel new and freshly devastating.

100
San Francisco Chronicle
Wesley Morris
Her (Anderson) performance is a study in the difference between hubris and pride, remarkable for how unshowy but profoundly devastating it is.

91
Portland Oregonian
Shawn Levy
Anderson, possessed of an eerily Edwardian aspect, is superb, luminous and knowing and convincingly proud and desperate as the situation requires.
90
Village Voice
J. Hoberman
Leisurely yet streamlined film, brilliantly adapted by British filmmaker Terence Davies from Edith Wharton's most powerful novel.

90
Dallas Observer
Bill Gallo
Davies has nailed Wharton's bitter satire of the flights and follies of New York society in the Gilded Age, and leading lady Gillian Anderson shows dazzling range in her portrayal of the book's doomed heroine.

90
Chicago Reader
Jonathan Rosenbaum
The cast as a whole is astonishing--especially Gillian Anderson as Lily and Dan Aykroyd in his finest role to date.

90
Salon.com
Stephanie Zacharek
Anderson's Lily is the kind of heroine who earns our protectiveness by never begging for it; it's an astonishing performance.

90
Washington Post
Michael O'Sullivan
Although the cast is uniformly strong, the real revelation here is "The X-Files' " Anderson, who plays Lily with subtle gradations of emotional depth unexpected from someone who has made a career out of deadpan.

90
LA Weekly
Ella Taylor
Has a marvelous, pent-up passion.

90
Los Angeles Times
Kevin Thomas
Above all else expresses the timeless impact of Lily Bart's plight.

88
Chicago Sun-Times
Roger Ebert
The movie will seem slow to some viewers, unless they are alert to the raging emotions, the cruel unfairness and the desperation that are masked by the measured and polite words of the characters.

88
USA Today
Staff [Not Credited]
Terence Davies' deliberately paced, earnest adaptation of Edith Wharton's breakthrough novel quietly captures the grim complexities of New York's social world nearly a century ago.
88
Boston Globe
Jay Carr
There was little mirth or innocence in the world that Wharton was able to write her way out of (she was much happier living in Paris), and Davies and his leading lady lift the silks to reveal it as the minefield it was.
80
New York Magazine
Peter Rainer
Terence Davies's The House of Mirth is a rigorously elegant adaptation of the Edith Wharton novel, and unlike in some other Davies movies, the rigor here doesn't turn into rigor mortis.... This is dourness of a degree you won't find in Wharton, but in its own shadowed terms the film is a triumph.

80
TV Guide
Ken Fox
With consummate grace and exceptional style, Terence Davies transformed Edith Wharton's caustic tragedy of manners into a somber, languid dream.

80
Film.com
David D'Arcy
Stick with the film, accept the rules of the time and the meditative rhythm of the language that Davies has woven into his story, and you won't be disappointed. Then read the novel. It's even better.

75
Philadelphia Inquirer
Desmond Ryan
This is very much Anderson's film. The publication of the novel made Wharton's reputation. The release of The House of Mirth should do the same for Anderson.
75
Miami Herald
Sara Wildberger
While House of Mirth is well done as a period piece, it has such an eerie contemporary resonance that you nearly forget about the horses and corsets and lamplight.
75
Baltimore Sun
Chris Kaltenbach
Anderson brings real gravitas to the unfortunate Lily Bart, in an Oscar-caliber performance that makes one wonder what Academy voters are looking for.
75
Chicago Tribune
Marc Caro
What the movie occasionally lacks is dramatic juice. A reader of the novel will have a greater sense of the obstacles keeping Lily and Lawrence apart than fresh viewers of the movie will.
75
Christian Science Monitor
David Sterritt
Wharton's old-school compassion and Davies's taste for artfully wrought melodrama make an unusual but ultimately successful combination.

70
Mr. Showbiz
Kevin Maynard
How well you respond to this handsomely mounted, cold-blooded tragedy will depend on your feelings toward Gillian Anderson's highly theatrical lead performance.
70
Variety
Derek Elley
Visually detailed but emotionally dry.

67
Seattle Post-Intelligencer
William Arnold
In the lead, Anderson ("The X-Files") is competent but never quite makes the character come soaring to life.

60
The New York Times
Stephen Holden
Almost in spite of itself, The House of Mirth is powerful, at times even moving.

50
Austin Chronicle
Marjorie Baumgarten
Viewers unfamiliar with Wharton's novel may have a hard time, especially at first, deciphering all the characters since Davies presents them at a steady clip while providing little background or explanatory material.

40
Slate
David Edelstein
I can't recall another movie that cries out so incessantly for running commentary.

38
New York Post
Lou Lumenick
Anderson, in her first major non-Scully film role, is lethally miscast.

The average user rating for this movie is 8.7 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
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