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Hulk, The
Universal Pictures

Hulk, The reviews
Critic Score
Metascore: 54 Metascore out of 100
User Score  
5.0 out of 10
based on 41 reviews
Read critic reviews
How did we calculate this?
based on 129 votes
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MPAA RATING: PG-13 for sci-fi action violence, some disturbing images and brief partial nudity

Starring Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas, Nick Nolte, Paul Kersey, Cara Buono, and Todd Tesen

Acclaimed Oscar-winning filmmaker Ang Lee turns his masterful eye to adapting the classic Marvel Comics character for the big screen. (Universal Pictures)


GENRE(S): Sci-fi  
WRITTEN BY: John Turman
Michael France
James Schamus (also story)
Jack Kirby and Stan Lee (based on the Marvel comic book character created by)
 
DIRECTED BY: Ang Lee  
RELEASE DATE: DVD: October 28, 2003 
Video: October 28, 2003 
Theatrical: June 20, 2003 
RUNNING TIME: 137 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

88
Chicago Tribune Michael Wilmington
A movie likely to rally huge audiences who want to take another roller coaster ride. And though it may disappoint a few of them, it's also a film that gives you something to think and feel sad about. It smashes you -- gently.
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88
Philadelphia Inquirer Karen Heller
A heady stew of psychological disorders and classic tragedies, borrowing from Shakespeare, Mary Shelley's Frankenstein, and the Greeks.
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88
ReelViews James Berardinelli
Hulk represents the most involving superhero motion picture since "Superman" soared skywards in 1978. By taking its time to develop characters and situations, Hulk does what so many action/adventure movies fail to do -- allow us to really feel for the protagonists.
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80
The Hollywood Reporter Kirk Honeycutt
Hits on all cylinders -- a smart blend of acting, direction, editing, design, costumes and effects.
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80
Newsweek David Ansen
Where so many comic-book movies feel as disposable as Kleenex, the passionate, uncynical Hulk stamps itself into your memory. Lee’s movies are built to last.
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80
New York Magazine Peter Rainer
The result is perhaps the most elegantly shot, and certainly the most disturbing, of the recent fantasy films.
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78
Austin Chronicle Marc Savlov
No one has ever succeeded with anything approximating the sheer energetic brilliance of what Lee has managed here. For all intents and purposes, this is a comic-book movie in the very truest and most vibrant sense of the phrase.
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75
Christian Science Monitor David Sterritt
Always energetic and sometimes cockamamie enough to be genuinely fun, Hulk is the blockbuster to beat this season.
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75
Charlotte Observer Lawrence Toppman
The Hulk has a split personality: Two-thirds come from director Ang Lee, one-third from '60s comic book creator Stan Lee.
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75
Chicago Sun-Times Roger Ebert
Ang Lee has boldly taken the broad outlines of a comic book story and transformed them to his own purposes; this is a comic book movie for people who wouldn't be caught dead at a comic book movie.
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75
Premiere Peter Debruge
Lee’s use of split-screens and dynamic transitions makes the process of actively interpreting his monstrous vision a fresh and unrivaled experience.
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75
Rolling Stone Peter Travers
Lee's technique is impeccable, but he's chasing more inner demons than one creature feature can handle. No wonder the audience cheers when TV Hulk Lou Ferrigno shows up for a cameo. It's a reminder of a time when it was easier being green and a Hulk could just get pissed off and bust shit up.
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70
LA Weekly Ella Taylor
The Hulk is a beautiful movie, but it's unlikely to win points as a monster flick -- it's too elegant, too whimsical.
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70
Chicago Reader J.R. Jones
The real star is the splendid computer-generated Hulk, though his King Kong-like story is compromised by the need to keep him around for the inevitable sequel.
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70
Variety Todd McCarthy
This impeccably crafted piece of megabuck fantasy storytelling aims to pull off the tricky feat of significantly reworking the superhero format while still providing the expected tentpole-type entertainment thrills for the international masses.
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70
The Onion (A.V. Club) Scott Tobias
Takes the form of a wounded behemoth, battling to negotiate a compromise between a strong artistic vision and franchise expectations. It doesn't fully succeed on either count, but its integrity and substance stand out like an oasis in a field of cotton candy.
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67
Portland Oregonian Shawn Levy
Director Ang Lee displays enormous verve and flair. He creates ingenious transitions between scenes, deploying split-screens in a clever variation on comic book panels and, as ever, drawing coolly impassioned performances from the cast.
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63
New York Daily News Jack Mathews
I wanted more. I expected more. The filmmakers said it was going to be smart - really smart - like all of Lee's movies. Instead, it's big, dumb and fun.
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63
The Globe and Mail (Toronto) Rick Groen
Whereas the psychology is surreal and wonderfully fluid, the action is too real and surprisingly listless, displaying little of the kinetic zip, or the sheer lyricism, that Lee brought with such memorable effect to "Crouching Tiger."
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60
Washington Post Desson Thomson
In the end, we don't know what we're watching, an art-house superhero film or a computer-generated "King Kong." By trying to please both sensibilities, the filmmakers have pleased neither.
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60
Los Angeles Times Manohla Dargis
However nifty, Lee's Cubist gambit fails to capture the graphic tension that makes great comic-book art jump off the page and great pop movies jump off the screen with pow, zap and wow!
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60
Dallas Observer Bill Gallo
Some Marvel fans and die-hard devotees of Lou Ferrigno, the bodybuilder who played The Hulk on television (and who does a brief walk-on here), may find Ang Lee's whole enterprise grandiose and, given its not-always-successful attempt to fuse brains and brawn, a little bit silly.
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60
The New Yorker David Denby
Structurally a mess and unevenly made, but the first forty minutes or so are quite beautiful. [7 July 2003, p. 84]
60
Film Threat Clint Morris
Folks read comics for enjoyment, not to admire how well the pictures are drawn, and the same axiom can be directed here with audiences likely to admire the work that’s gone into this film -- rather than joyously enjoying the film itself.
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58
Seattle Post-Intelligencer William Arnold
As this all plays out -- and basically segues into "King Kong" -- the movie wins its biggest gamble: its entirely computer-generated monster works.
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50
San Francisco Chronicle Mick LaSalle
More thoughtful and pleasing to the eye than any blockbuster in recent memory, but its epic length comes without an epic reward. It's a slow ride to the same old place, nonstop action, accelerating in scale, culminating in the smirking promise of a sequel.
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50
Miami Herald Rene Rodriguez
The main problem with The Hulk, really, is that there isn't enough Hulk in it.
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50
Village Voice Michael Atkinson
Nolte's exploding patriarch jacks up the story's antisocial wish fulfillment into a Nietzschean-anarchist's wet dream, but one can only vainly hope that the preordained sequel will head in that dastardly direction.
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50
TV Guide Ken Fox
The entirely computer-generated Hulk is a surprisingly expressive creation — it certainly gives a better performance than Connelly — but the action is late in coming and feels like a long set-up for the inevitable sequel.
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50
Boston Globe Ty Burr
To answer your first question: like a cross between Shrek, the Frankenstein monster, and a Rock 'Em Sock 'Em Robot.
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50
USA Today Mike Clark
There's a fine line between darkness and glumness, one that "Spider-Man" bounced off buildings to avoid. The Hulk lumbers across it.
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50
Slate David Edelstein
Unlike your average comic-book blockbuster, The Hulk isn't a bad cartoon. It's a bad modern Greek tragedy. It's a swing at the moon that looks (and smells) like green cheese.
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42
Entertainment Weekly Lisa Schwarzbaum
A comic-book superhero has seldom squandered so much screen time being conflicted about his heritage and destiny -- and I don't mean conflicted in a sexy, Wolverine-y, ''X-Men'' way, either; a big-budget comic-book adaptation has rarely felt so humorless and intellectually defensive about its own pulpy roots.
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40
Wall Street Journal Joe Morgenstern
The movie's real locus of anger must have been the director, Ang Lee, once he realized what an epic clod his computer wizards had wrought.
40
Film Threat Mike Watt
Somewhere in the middle of The Hulk is a big, dumb, noisy movie trying desperately to get out.
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40
Time Richard Schickel
Lee must have thought he could work a similar magic on this clunking, clanking machine. But despite a few witty wipes and split-screen tricks, he fails. Hulk is no better than hulking.
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38
New York Post Lou Lumenick
This messy, disappointing, self-important and utterly humorless version of the Marvel comic book character may be the toughest flick with a green protagonist to sit through since "The Grinch."
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30
Washington Post Ann Hornaday
Belabored, ostentatious, overlong behemoth.
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30
Salon.com Charles Taylor
The Hulk goes on for two hours and 20 minutes and there's not a stirring or exciting moment in it...At last, a comic-book movie that National Public Radio listeners can be proud to take their kids to see.
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20
The New York Times Dana Stevens
The movie is bulky and inarticulate, leaving behind a trail of wreckage and incoherence.
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0
The New Republic Stanley Kauffmann
In future Lee can best serve his versatility by never doing anything like this again.
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What Our Users Said

Vote Now!The average user rating for this movie is 5.0 (out of 10) based on 129 User Votes
Note: User votes are NOT included in the Metascore calculation.

Aaron F. gave it a9:
This movie was great. It had a good storyline, good action, good drama, good everything. The dog fight scene could have been a liitle better but overall it was Great!

C. H. gave it a1:
You've got to be kidding.

[Anonymous] gave it an8:
Brave and massively underrated.

Tonydannie gave it a9:
One of the best comic book adaptations out there. Eric bana was perfectly cast on this part and Nick Nolte blows me away with his acting in this movie!(And I hate Nick Nolte) Jennifer Connely is as pretty as she can ever be and sam elliot is what is expected of him. The story is great and the music is outstanding. Once again danny Elfman proves he is the king of Comic book film scores. The visual effects seem like they are not finish though and thats why i I am docking it a point. hulk just looks too fake. But hey so did Superman and this I can forgive! Ang Lee delivers a great story with amazing action sequences.

Anson G. gave it a1:
Worse and nothin special about this movie. Hulk is the worse and terrible i ever seen. Even this movie and cartoon was famous from US, but Ang Lee was mistaken to create this movie. Ok, here i disspointment of this movie. 1st, the lovers dont get on. 2nd, when hulk fighting against tank and helicopter comanche, doesnt explode at all, it just crash and trash only. For the kids, yes, they like to see that. I doubt Eric Bana was wrong to choose as character Hulk. This movie doesnt make any sense at all and very boring. If u havent watch this, i advise u dont.

film is dead gave it a2:
What the hell was Ang Lee thinking? How dare he film the equivalent of a random, delirious fart and release it bigtime? So laughably misguided it's almost tragic, yet not even brimming with enough written, performed and filmmaking ineptitude for said ineptitude to even matter. Eric Banal, Josh Puke-ass and a beyond slumming Nick Nolte are pathetically out of their acting 'league', while J.-Co and Sam Elliott's efforts to salvage this DOA wreck are in obvious and pitiful vain. Oh yeah, HULK is terrible, all right, and yet better than all of the Hollywood crapola I saw this summer. Next to absolute sh..fests like War of the Worlds and Revenge of the Sith, its own hideously childish effects are anything but! How loud a volume do y'all think that speaks?

Droog gave it a2:
I avoided this movie when it hit the theaters a few years back, but my library had a copy when I was browsing the shelves this afternoon, so I figured what the heck. Wow. This is one of the worst movies made in the past 5 years, and definitely one of the worst superhero movies ever made. The special effects are, in a word, awful. The Hulk looks like a digitally-animated booger. And far too many of the action scenes take place in the dark. Maybe it was just my TV, but I couldn't see anything happening (ie. the Hulk's fight with the mutant dogs is 5 minutes of barking and total darkness. But the worse transgression is the plot, which totally overcomplicates Bruce Banner's narrative history. The beauty of the comic-book Hulk is his simplicity. He is based on the Jekyll & Hyde archetype, brilliant and weak as Bruce Banner, dumb and unstoppable as the Hulk. The Hulk taps into our inner child, the angry id of anyone who has ever been beaten up or been stepped on and has wished for vengeance. But by throwing in all the extra shenanigans of repressed memories, Oedipus complex, and Foucaltean rantings about power, this movie detaches itself from anything resembling personal experience and becomes a self-involved, CGI monstrosity.

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