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Stars indicate the most critically-acclaimed movies.

Inside Man
Universal Pictures


7.1

based on 39 reviews
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based on 130 votes
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FILM:

MPAA RATING: R for language and some violent images

Starring Denzel Washington, Clive Owen, Jodie Foster, Willem Dafoe, Christopher Plummer, and Chiwetel Ejiofor

Acclaimed actors Denzel Washington, Clive Owen and Jodie Foster come together to explore the lure of power, the ugliness of greed and the mystery of a perfect robbery in this combustible new crime drama. The powerhouse actors play tough New Yorkers who must outwit one another to protect competing interests in this skillfully penned and tightly helmed thriller. (Universal Studios)

GENRE(S):	Crime \| Drama \| Mystery \| Suspense/Thriller
WRITTEN BY:	Russell Gewirtz
DIRECTED BY:	Spike Lee
RELEASE DATE:	DVD: August 8, 2006 Theatrical: March 24, 2006
RUNNING TIME:	129 minutes, Color
ORIGIN:	USA

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

San Francisco Chronicle Ruthe Stein

The thrills in Spike Lee's singularly savvy thriller are in small unexpected moments.

Entertainment Weekly Lisa Schwarzbaum

The jazzish score, by Lee's music man, Terence Blanchard, is typically intrusive. But the mood is right, the twists are new. And with one casting inspiration, Inside Man furthers the rising stardom of Chiwetel Ejiofor (Serenity).

The Hollywood Reporter Kirk Honeycutt

This is the mother lode all action/suspense directors search for and Lee, who usually doesn't work in that genre, has hit it.

Chicago Reader J.R. Jones

A superior nail-biter.

Austin Chronicle Marc Savlov

As with all of Lee's films, there's much more going on beneath the surface than is immediately apparent.

USA Today Claudia Puig

Inside Man may be a cat-and-mouse game, but it's far from predictable. What could have been a straightforward thriller is unusually clever, visually captivating and unfailingly entertaining.

Boston Globe Wesley Morris

Washington hasn't been this relaxed in years. When he feels like it he can be the most charismatic star in the movies.

The Onion (A.V. Club) Scott Tobias

With juicy supporting roles for Chiwetel Ejiofor and Willem Dafoe as Washington's fellow officers, the film works best when the characters are just sitting back and shooting the breeze, which is what they're doing much of the time. Here, puzzling out a robbery is more fun than stopping it.

Portland Oregonian Shawn Levy

Working with someone else's material and a story outside the mainstream of his (Lee) work, he delivers laughs, puzzles, tension and the immense gift of fine actors at their delicious, familiar best.

Baltimore Sun Chris Kaltenbach

It twists in on itself mercilessly, rarely pausing to let the viewers catch up, but that's OK. A movie like this depends on staying at least a step ahead of its audience, and this one surely does.

Los Angeles Times Kenneth Turan

Smartly plotted by newcomer Russell Gewirtz and smoothly directed by, of all people, Spike Lee, Inside Man is a deft and satisfying entertainment, an elegant, expertly acted puzzler that is just off-base and out-of-the-ordinary enough to keep us consistently involved.

Salon.com Stephanie Zacharek

It's Foster who rules the movie like an ice queen.

Newsweek David Ansen

The movie crackles with the serio-comic tension of thin-skinned New Yorkers thrown together in a crisis.

Wall Street Journal Joe Morgenstern

Boils with humor, surprise and dramatic energy.

Slate Grady Hendrix

The best Spike Lee movie to come along since 1992's "Malcolm X." It's also the first Spike Lee movie since "Malcolm X" to star Denzel Washington, and just as Jimmy Stewart and Alfred Hitchcock brought out the best in each other, Denzel and Spike need each other like vermouth and gin.

LA Weekly Scott Foundas

The heist at the heart of Inside Man is brilliant, and so is the movie.

Washington Post Stephen Hunter

A deft, tense, pure thriller, the movie has great star turns and is brilliantly directed, but it began as an extremely well-crated screenplay by Russell Gewirtz. It's professionally entertaining.

The New York Times Manohla Dargis

Filled with playful noise and nonsense, clever feints and digressions, Inside Man has a story to tell, but its most sustained pleasures come from its performances, especially the three leads.

New York Magazine David Edelstein

I found myself savoring a thriller (as well as a Spike Lee “joint”) that wasn't, for a change, in my face.

Empire Sam Toy

It's certainly a Spike Lee film, but no Spike Lee Joint. Still, he's delivered a pacy, vigorous and frequently masterful take on a well-worn genre.

Rolling Stone Peter Travers

The suspense crackles, the acting sizzles and the script, by promising first-timer Russell Gewirtz, keeps tossing surprises like grenades.

ReelViews James Berardinelli

A workmanlike thriller that provides solid performances; a mixture of comedy, tension, and drama; and an engaging storyline. But there's nothing extraordinary about the movie.

Premiere Ethan Alter

The script's flaws are most keenly felt in the Jodie Foster storyline, to the point where her character seems more like a bumbling screw-up than a supposedly sought-after facilitator. Whenever Lee turns the camera back to Denzel and Clive though, the movie works.

TV Guide Maitland McDonagh

Well acted and hugely entertaining, the film strikes a near-flawless balance between sly pop-culture allusions and the details of how business gets done under pressure.

New York Daily News Jami Bernard

It's got style and charisma to spare, with all the characters acting from fiery reserves of self-interest, including Christopher Plummer as a bank president with a secret in his safe-deposit box.

New York Post Lou Lumenick

Has a doozy of a surprise ending that doesn't really stand up under close scrutiny - but you'll have so much fun getting there, it's easy to go along with Lee and company for the ride.

Charlotte Observer Lawrence Toppman

Go with the flow, and it remains a taut and well-engineered thriller. Poke at plot incongruities, as I was doing literally on the way to the parking lot, and it starts to unravel.

Miami Herald Rene Rodriguez

Unexpectedly funny, leisurely paced and oblivious to the demands of its genre, Inside Man has a loose, playful vibe that's at odds with its grave life-and-death scenario.

Philadelphia Inquirer Steven Rea

Lee transforms a generic cops-crooks-and-hostages scenario into a smart, sharp heist movie by the sheer force of his love for, and knowledge of, the city where he lives.

Film Threat Pete Vonder Haar

The primary weakness is in the story itself, which at times seems like mere background for the snappy banter and knowing glances.

Village Voice J. Hoberman

Inside Man certainly functions as a genre film, but the backbeat of inane banter and schoolyard trash-talking serves to promote an infectious sense of levity.

The New Yorker Anthony Lane

The more it sags as a thriller, the more it jabs and jangles as a study of racial abrasion.

Variety Todd McCarthy

A flashy cast, clever script and vibrant showcasing of New York City as the ultimate melting pot are strong plusses for Spike Lee's most mainstream studio venture.

Christian Science Monitor Peter Rainer

In Sidney Lumet's "Dog Day Afternoon," which only looks better with the years, New York was as much a character in that film as its people. It was a movie that took its cue from the energy of the city. The Inside Man takes its cue mostly from other movies.

Chicago Tribune Michael Phillips

The best scene in Inside Man is one of the simplest, a cat-and-mouser, wherein the hostage negotiator played by Washington pays a visit to Foster's wily manipulator. These two play it so cool, yet so clearly enjoy each other's onscreen company, it's a ticklish reminder of the simple pleasures of screen acting.

The Globe and Mail (Toronto) Rick Groen

As the end credits are rolling: What happened? Suddenly, the film stalls, and everything that looked great -- the mechanics of the caper, the grafted-on wit and wisdom -- starts to feel repetitious and a tad gimmicky.

Chicago Sun-Times Roger Ebert

The whole plot smells fishy. It's not that the movie is hiding something, but that when it's revealed, it's been left sitting too long at room temperature. Inside Man goes to much difficulty to arrive at too little.

Dallas Observer Michael Atkinson

Inside Man is irrelevant, another semi-high-tech mega-heist movie, the rhythms and tropes of which we are all as familiar with as we are with the wallpaper facing our toilets.

Seattle Post-Intelligencer William Arnold

A fairly routine heist drama and a never especially believable puzzle film.

The average user rating for this movie is 7.1 (out of 10) based on 130 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jared C. gave it an8:
Filmmaker Spike Lee's first foray into big-studio genre movies, Inside Man is a twisty thriller that makes up for its flaws with star power and sharp observations about post-2001 New York. It's about the volatile showdown between a determined cop and a perfectionist bank robber is sent spiraling toward disaster when a scheming power broker steps in to take control of the situation in this hair-raising heist flick directed by Spike Lee and starring Denzel Washington, Clive Owen, and Jodie Foster. Dalton Russell (Owen) is a bank robber with a difference. In his quest to execute the perfect heist, Dalton has taken every possible factor into consideration. Dalton's uncanny ability of staying one step ahead of the law thwarts even-tempered Detective Keith Frazier's (Washington) best efforts. But there's another factor at play. The bank president (Christopher Plummer) has requested the services of high-profile negotiator Madeline White (Foster). Despite her commendable track record, Madeline is something of a wild card, and before the day is over, this bank robbery will go down in history as one of the most elaborate heists ever executed. Inside Man's plot is exciting, and the acting by Washington, Owen, and Foster all have a stellar performance of their own. I couldn't have liked it more.

Josh C. gave it a0:
Lee, for one, is long beyond his days as a civic provocateur and voice for the radical social world. Like John Singleton, he may have found his legs as a pulp manufacturer whose least arguable claim to fame is that he can do fast, funny, attitudinal genre films better than Tony Scott. Washington and Foster, for their parts, are merely dukes in a sick kingdom, taking what roles they're offered for people their age (and sex) just to keep their careers afloat in the public brain-pan. Lee is playing the genre like a board game, and his film is a sniggering riff, filled with hyperbolic New York stereotypes, sexist jokes, puns, scattershot commentary on racial profiling and smug banter. As bogus in its way as Richard Donner's 16 Blocks, Inside Man has an even more irritating disrespect for the verities of police work and for the emotional life of urban Americans. There are a few rousing achievements on the table, in particular a comical police debate--instigated by a faux riddle tossed by Owen, about trains, U.S. currency and Grand Central Station--as well as a fast joke involving a Sikh hostage who, outraged by profiling, acknowledges that yes, he can easily hail a cab in Mid-Eastern-cabbie-saturated New York. But heist films are hardly what they used to be; for decades, they were a vehicle for postwar desperation and fatalism, and today the genre has an empty tank of frisson to offer without film noir's acknowledgment of doom. The difference between, say, Stanley Kubrick's 1956 masterpiece The Killing and contemporary daydreams like Inside Man is the difference between a luckless hell on earth and a dull weekend in the Poconos.

David H. gave it a9:
This movie has all the trappings a heist movie ought to have, engaging plot, solid and diverse cast, slick direction, decent score. all works and looks great together.

Tony B. gave it a5:
"Inside Man' is at its best when Jodie Fisher, Clive Owen and Christopher Plummer are on screen.; theirs is acting on a consistently high level. Unfortunately, the same cannot be said for Denzel Washington who is often too mannered; this is not his finest hour.

[Anonymous] gave it a9:
Very catchy movie with flash and a good ending.

Dan B. gave it a9:
Spike Lee is so damn good. This movie is not perfect, it's got some problem with the end, like it just doesn't deliver the thrill or the one awesome moment that seals the deal, but there's so much else, so much character and style and humor all throughout, that it makes up for the flaw. Other things: Washington is great, Owen was good but then he was wearing a mask most of the time so who knows. Jodie Foster is amazing but it seemed her role ought to have been played less smarmy. But bottom line, I was really entertained.

Orson gave it a1:
Of all the films of 2006, the largely favorable critical reception of this one is truly the most baffling. It actually manged to make at least one film critic's 10 Best List!!!! Slick? Yes. Good? Absolutely not! The only reason I give this film "1" point is for the highly-entertaining, unintentionally laughable performance by Jodie Foster -- she's so awful in her seething intensity, that she's wonderful! Foster's megacorporate red-herring heavy-breathing was the only aspect of the film that kept me interested -- just to see what she would do next... The whole enterprise is slick garbage! I'm sure they all enjoyed cashing their checks when the project was finished.

Inside Man Universal Pictures

Inside Man
Universal Pictures