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Year One
Stars indicate the most critically-acclaimed movies.
La Dolce Vita (re-release)

Universal acclaim
Based on 12 critic reviews
How did we calculate this?
Based on 9 votes
Read user comments
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Movie Info
Genre(s): Classic | Drama | Foreign
Written by:
Federico Fellini
Ennio Flaiano
Tullio Pinelli
Brunello Rondi
Directed by: Federico Fellini
Release Date:
Theatrical: April 30, 2004
DVD: September 21, 2004
Running Time: 180 minutes, B/W
Origin: Italy / France
Language(s): Italian (with English subtitles)
Summary
RATING: Not Rated
Starring Marcello Mastroianni, Anita Ekberg, Anouk Aimée, Yvonne Furneaux, Magali Noël, Alain Cuny, Annibale Ninchi, and Walter Santesso
One of the most controversial and acclaimed of Federico Fellini's many classics, La Dolce Vita stars Marcello Mastroianni as a third-rate reporter who lives a playboy's life as he pursues a shabby career of scandal mongering. His increasingly amoral interest in the "sweet life" of high society takes him to hedonistic parties and orgies throughout modern day Rome, as days and nights blur into one another. (Landmark Theatres)
Also On Metacritic
FILM: I Vitelloni Juliet of the Spirits
Also On The Web: Internet Movie Database Film Forum Profile Landmark Theatres Profile
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Sun-Times Roger Ebert
The movie is made with boundless energy. Fellini stood here at the dividing point between the neorealism of his earlier films (like "La Strada") and the carnival visuals of his extravagant later ones ("Juliet of the Spirits," "Amarcord'').
Read Full Review >The New York Times Bosley Crowther
A brilliantly graphic estimation of a whole swath of society in sad decay and, eventually, a withering commentary upon the tragedy of the overcivilized. (Review of Original Release)
Read Full Review >Christian Science Monitor David Sterritt
A profound film by a legendary director in the greatest period of his career.
Read Full Review >San Francisco Chronicle Mick LaSalle
In this one masterpiece, Federico Fellini achieved the ideal balance -- between social observation and unconscious imagery, between artistic discipline and freedom, and between the neo-realism of 1950s Italian cinema and the orgiastic flights of his later work.
Read Full Review >Boston Globe Wesley Morris
Freshly viewed, the movie's melancholy seems to fit uncannily well in the moment we find ourselves now. In the film there are mentions of nuclear annihilation and worries that heedless lust and wanton partying could bring Rome a second fall.
Read Full Review >Variety Staff (Not Credited)
The performances are uniformly excellent. Mastroianni is perfect in the key role of the basically good and honest boy who succumbs to the sweet life. Ekberg is a revelation as the visiting star, while Furneaux almost runs off with the picture as the reporter's instinctive, possessive mistress. (Review of original release)
Read Full Review >Village Voice Michael Atkinson
In one movie, at least, the ethical baseline (heisted, you could argue, from "Sweet Smell of Success") gave Fellini's roaming, cluttered mise-en-scène a chilling gravity he could never genuinely locate again.
Read Full Review >Chicago Reader Dave Kehr
The film was hugely successful and widely praised in its time, though it's really nothing more than the old C.B. De Mille formula of titillation and moralizing--Roman orgies and Christian martyrs--with only a fraction of De Mille's showmanship.
Read Full Review >TV Guide Staff (Not Credited)
After nearly three hours Fellini's relentlessly enigmatic, non-committal approach leaves you wishing for something more than poignant imagery and moody, self-obsessed characters. (Review of Original Release)
Read Full Review >What Our Users Said
The average user rating for this movie is 8.1 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Kurt H gave it a4:
Disjointed , mish-mash that does have somewhat of a message. Honest reviewers basing on movie , not director's reputation or cognoscenti will not rate this higher than 7.
Carol G. gave it a 9:
It's a brilliant movie about what constitutes "home" for someone who resists the banality of a domestic existence. For some, it is easier to be "at home" in a world that is glamorous, exciting, superficial, sybaritic, footloose and very fancy-free. There is in this film, however, an undercurrent of misogyny; women are supposed to be fun-loving Sirens, without needs or demands or depth--these are the women to whom the society darling is attracted. After a man runs through a gamut of beautiful women, what now? Is that all there is? Fellini seems to ask at the end. Take it to the beach, then. The ocean is exciting and can prolong a sense of excitement in lovers who inevitably come to the end of desire.
Yoon Min C. gave it a 9:
La dolce vita was fellini's decisive break with his humanist cinema of the 50s. if his previous films ultimately embraced sweetness and pathos, with la dolce vita fellini allowed his characteristic sentimentality to be carried off into the wind; fellini resigned himself to the meaningless of the world. as such, it was a bold and dangerous move for fellini; it opened up the door to what's perhaps his greatest work--8 1/2--but it also laid the groundwork of later films that lacked focus, structure, and partied til they dropped all the while providing no compelling reason for their being. though somewhat dated--hardly shocking or scandalous by today's standards--it is a great document of postwar italy with its newly confident and exuberant--also shallow and amnesiac--priveleged class and the seductive intoxication of nihilism, celeb-centrism, and wanton materialism. fellini toes the line between disgust and delirium. fellini the sensualist can't get enough, fellini the moralist finds it an affront to morality of both the church and social-consciousness of postwar humanism. perhaps a dishonest work but undoubtedly glorious, exhiliarating, and thoughtful one. fellini has too much fun but between the bouts of revelry, he really does ask... is it all worth it? then off he goes again. the man's a rascal but rascality of this calibur is an artform.
Dave C. gave it a 10:
Film-making at its most daring, fascinating, classy and stylish (not stylISED).
Dan C. gave it a 10:
Fellini's second best. That's saying a lot! (It's only behind 8 1/2 by my book). One of the most memorable films ever made.
