Lady Vengeance

TV Guide Maitland McDonagh

It concludes Park's trilogy on a dual note of circular tragedy and fragile hope, while working equally well as an introduction to his universe of retribution and repentance or as a stand-alone thriller with a darkly feminist twist.

San Francisco Chronicle G. Allen Johnson

Unlike the previous two installments, Lady Vengeance generates on odd feeling: hope.

Entertainment Weekly Lisa Schwarzbaum

"Old Boy's" vivid star Choi Min-sik plays a terrible schoolteacher -- yet another damned soul in Park's inflammatory, inimitable movie inventory of hell on earth.

Austin Chronicle Marc Savlov

Park is one sick puppy, and I mean that in the very best sense of the phrase.

Philadelphia Inquirer Steven Rea

Lady Vengeance is not for everyone. The violence, while less over-the-top and orgiastic than Park's two previous installments, is still hard and crackling. The sex is grim and graphic. And deadpan nihilism permeates the air.

New York Daily News Jami Bernard

Less bloody than its predecessors, Lady Vengeance wraps up with a killer (literally) finale that calls into question the killer instinct. It's one of the reasons Park's brutal films are so emotionally rewarding.

Portland Oregonian Marc Mohan

Park is a visual virtuoso, with imaginative transitions and clever use of special effects wrapped around a sly, effective performance from Lee at the center of it all.

Salon.com Andrew O'Hehir

Dense with pathos, poetry and humor, this is Park's finest work to date. His stomach-churning climax -- which depicts gruesome bloodshed without directly showing it -- simultaneously gratifies and indicts our most primitive instincts.

Washington Post Stephen Hunter

What you get for your entertainment dollar in Lady Vengeance is Korean director Chan-wook Park's brilliantly orchestrated story of how Lee Geum-ja (Lee Young-ae ) got her groove back.

Chicago Reader J.R. Jones

Chan-wook Park completes his "revenge trilogy" with this ravishing black comedy about a notorious child killer.

Film Threat Michael Ferraro

A brutal mystery that's more beautifully poetic than the previous entries but still just as captivating. From opening to closing credits, every image is photographed as if it were a painting; even those involving ferocious violence are wonderful to look at.

ReelViews James Berardinelli

Lady Vengeance contains violence (some extreme), but it is not an action film. It is deliberately paced, allowing the audience to have time to reflect upon what's happening. And the comedy is of the gallows variety.

The Onion (A.V. Club) Tasha Robinson

It takes patience and industry to make sense of the first half, intestinal fortitude to deal with the second, and a little flexibility to make the transition from one to the other. But the whole process adds up to a fairly impressive two-stage thrill ride, like rafting through choppy waters, then plummeting over a waterfall into a dark and deadly pit.

The Globe and Mail (Toronto) Liam Lacey

Lady Vengeance is more than half over before we discover the object of Geum-Ja's hatred: a kindergarten teacher named Mr. Baek. He's played by Choi Min-sik, the prisoner in "Old Boy," and here he's as tepid as he was heated in that film.

Chicago Tribune Michael Wilmington

A comedy of evil and strange redemption, Lady Vengeance makes sure that we feel the pain, that we know what it's like to unreasonably suffer, because those are the rules of its mad, wounding, vengeful world.

Premiere Ethan Alter

Those last thirty minutes are worth the price of admission.

Boston Globe Wesley Morris

For most of Lady Vengeance, Park is playing with us. But the jokey atmosphere dissipates and the fun turns inside out in the movie's last act.

Village Voice Michael Atkinson

As much as Lady Vengeance spins around its implacable protagonist like a rabid dog on a rope, the film becomes in its last, galling act an unlikely but stunning ensemble piece.

The Hollywood Reporter Frank Scheck

Mixes comedy and melodrama to a typically baroque degree. Like his "Oldboy" and "Sympathy for Mr. Vengeance," the film displays an audacious visual and narrative style, often sacrificing credibility and coherence along the way. But there is no denying its originality.

Variety Derek Elley

A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.

New York Post V.A. Musetto

If you've seen either of the first two flicks in this outrageous series - "Oldboy" and "Sympathy for Mister Vengeance" - you know what's coming. Novices should prepare for mind-bending bloodshed and violence.

LA Weekly Scott Foundas

If this is what qualifies, as some critics have suggested, as an artistic advance for Mr. Park, let us pray for a hasty retreat.

The New York Times Nathan Lee

A convoluted hodge-podge of time frames, subplots and bit player back stories.