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Little Black Book

EMAILPRINTColumbia Pictures / Sony Pictures Entertainment

Little Black Book reviews
36
5.9 User Score:

Generally unfavorable reviews

Based on 33 critic reviews
How did we calculate this?

Based on 13 votes
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Movie Info

Genre(s): Comedy  |  Romance

Written by: Melissa Carter (also story)
Elisa Bell

Directed by: Nick Hurran

Release Date:
Theatrical: August 6, 2004
DVD: January 4, 2005

Running Time: 97 minutes, Color

Origin: USA

Summary

RATING: PG-13 for sexual content/humor and language

Starring Brittany Murphy, Holly Hunter, Kathy Bates, Ron Livingston, Julianne Nicholson, Stephen Tobolowsky, Kevin Sussman, and Rashida Jones

A dark comedy about new boyfriends, ex-girlfriends and little black books. (Sony Pictures)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75

Chicago Tribune Robert K. Elder

Though trailers for Little Black Book try to sell it as a zany romantic comedy, don't judge this book by its cover. Those who stick with it will be surprised and maybe even laugh in between a tear or two.

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75

Boston Globe Janice Page

Actually an above-average farce, at least as featherweight chick flicks go.

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75

Chicago Sun-Times Roger Ebert

The long closing sequence is virtuoso, redefining what went before and requiring Murphy to become a more complex character than she gave any hint of in the opening scenes.

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70

Chicago Reader Andrea Gronvall

This deviously funny comedy doubles as workplace satire and anthem to the American career woman.

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67

Portland Oregonian Karen Karbo

Still, given the fact that it's August, you could do worse than hide out from the heat with the cute-as-a-bug Murphy, who manages to be funny and entertaining despite the material.

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60

Empire Helen O'Hara

Yeah. Light and fluffy it may be, but this is undeniably entertaining stuff.

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60

The Hollywood Reporter Kirk Honeycutt

A teen comedy that possesses a wickedly satirical streak.

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58

Seattle Post-Intelligencer Sean Axmaker

The result is a film with an identity crisis, a fluffy romantic farce that gets progressively darker, more destructive and finally so downright demented that the featherweight story line is crushed under the weight of brutal, unpleasant truth.

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50

USA Today Claudia Puig

Hunter is far too talented to waste her time with such mediocre material, as is co-star Kathy Bates, who plays Kippie Kann, an overbearing talk-show host.

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50

New York Daily News Jami Bernard

A screechy chick-flick relationship comedy with a lot of things working for and against it - mostly against it.

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50

New York Post Megan Lehmann

The jaw-droppingly nasty second act is intriguing, but it veers into territory so dark that it sucks the air out of the bouncy chick flick that surrounds it, making for one confused -- and confusing -- comedy.

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50

ReelViews James Berardinelli

Ron Livingstone plays his part relatively straight, and, as a result, comes out unscathed.

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50

The Onion (A.V. Club) Scott Tobias

Casual moviegoers looking for a bubbly romantic comedy with Brittany Murphy will get more than they bargained for in Little Black Book, which builds to a nasty twist that's more Lars von Trier than Meg Ryan.

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50

Christian Science Monitor David Sterritt

A spicy critique of tabloid TV is buried in romantic-comedy material that strains too hard for cuteness. Ditto for Murphy's acting.

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50

Miami Herald Connie Ogle

Together (Hunter/Murphy) they're actually sort of fun to watch, and it's amusing to realize, not quite halfway through the film, that its most potent chemistry exists between them.

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40

The New York Times Stephen Holden

Offering few laughs and a climactic scene of breathtaking cruelty, this plot-heavy movie, directed by Nick Hurran from a screenplay by Melissa Carter and Elisa Bell, draws you into its malignant force field against your will.

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40

Los Angeles Times Kevin Crust

It's an irrefutably bad movie, littered with paper-thin characters, crummy dialogue and a mawkish undercurrent that wells up any time it starts to resemble something smarter and snappier. Yet it is somehow redeemed by Murphy's agreeably quirky performance in a horribly underwritten role.

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40

TV Guide Angel Cohn

Even the inclusion of Simon's classic songs isn't enough to solve all the problems of this comedic misfire.

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40

Variety Scott Foundas

Lacks so much as a single fresh idea; it lacks an entertaining way of presenting its stale ideas, too.

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38

Premiere Nicole Perri

Overall, Little Black Book is the cinematic equivalent of chic lit--mildly amusing, but completely forgettable once you're done with it.

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38

Philadelphia Inquirer Carrie Rickey

Looking for plausibility in a farce is like looking for a million dollars in a box of breakfast cereal, but elements of real life can make a comedy resonate instead of thud. Little Black Book does the latter.

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38

The Globe and Mail (Toronto) Jason Anderson

The finale just seems hypocritical, even nonsensical in a comedy that derives its few laughs from a farting dog and an accidental gynecological exam. This book is better left closed.

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30

LA Weekly Chuck Wilson

Screenwriters Melissa Carter and Erica Bell (Sleepover) have given Murphy -- perhaps the twitchiest actor of her generation --cutesy quirks to play in lieu of a character.

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30

Village Voice Ben Kenigsberg

A mondo product placement in search of a screenplay, the conscious "Working Girl" homage Little Black Book makes the mistake of banking on Brittany Murphy, a Melanie Griffith look-alike with none of Griffith's gawky charms.

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30

Salon.com Stephanie Zacharek

The movie can't distinguish between what's likable and human and funny and what's simply repellent. In that respect, it's just as indiscriminate as the reality TV it shakes its finger at.

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30

Washington Post Sara Gebhardt

It's not well scripted enough or well acted enough to do much of anything, save make anyone watching really hate Brittany Murphy for being so annoying.

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30

Wall Street Journal Joanne Kaufman

"Working Girl," is also heard in Little Black Book; it serves only to remind audiences of that far more winning story of triumph in the office. But there are many reminders of what a tiresome effort this is.

25

Rolling Stone Peter Travers

Here's a comedy of punishing tedium that pretends to be hip when it's so five minutes ago.

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25

Entertainment Weekly Scott Brown

The big climax isn't climactic, just hysterical and incoherent. Murphy, with her bug-eyed, love-me mugging, is simply too slight and gawky to play the Everygirl.

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25

San Francisco Chronicle Carla Meyer

An awkward and aggressively unfunny film.

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20

Washington Post Stephen Hunter

If you think it's worth it to sit there for 97 minutes for three or possibly four laughs, then you are beyond help.

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20

Dallas Observer Robert Wilonsky

It's a self-satisfied, self-loathing mess that demands you adore and cheer for the very person you come to hate well before its 105 minutes are up. Little Black Book will leave you feeling skuzzy.

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11

Austin Chronicle Kimberley Jones

Little Black Book isn't your run-of-the-mill romantic comedy – it's much worse – and, rather disgustingly, the devils on earth it unmasks are all female and vindictive.

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What Our Users Said

The average user rating for this movie is 5.9 (out of 10) based on 13 User Votes

Note: User votes are NOT included in the Metascore calculation.

Morgan C. gave it a4:
I thought this movie wasn't very good. Tacky ending, plot, beginning, and purpose. It had some funny humor that is probably all I liked about it.

mitch m. gave it a6:
Had a nice nastiness to it that was unexpected as it exposed the utter prurient malevolence of humanity.

Billy gave it a9:
Good for a chick flick.

Patricia H. gave it a 10:
Duh its a chick flick no one said it wasn't. But it wasn't so predictable...in the end she doesn't get everything she wanted and I like that. That is real life.

Mark B. gave it a 1:
The spectacularly misfired climax of this obnoxious "chick comedy", set in the world of Jerry Springer/ Ricki Lake trash talk shows, will lend some understanding as to why their ambushed "guests" occasionally feel the need to vent their frustrations with a gun; hell, after sitting through this for two hours I felt like shooting something! Brittany Murphy was at one time a fairly likable pretender to Lucille Ball's throne; with two pictures (Uptown Girls and this) she has morphed into an embarrassing amalgam of tics, twitches and cutesy-poo mannerisms. She plays an aspiring talk show assistant who blends her personal and professional concerns disastrously by misusing her position to spy on her boyfriend's past squeezes when she discovers that he actually had the gall to have actually had a life before meeting her. Since it's clear that no children or STD's were involved, his past relationships are none of her damn business, and Murphy's acts of espionage are those of a potentially dangerous psychotic who should be arrested. Period. It becomes obvious to the powers that be behind this junk that the ethics-and-decency-challenged screenplay, written by TWO WOMEN, no less, has been glorifying and worshipping incredibly abhorrent behavior, so they tack on an unconvincing narration by Murphy deriding her actions after the fact. (Moviegoers beware: for every Shawshank Redemption that uses narration beautifully and artistically, there are at least half a dozen other films that employ it as a sort of last minute Hail Mary pass. Have I made it clear that this is no Shawshank Redemption?) There's a whole lot more to hate about this film (a five-minute "comic" scene in which every word spoken in it begins with "k", followed by another focusing on the knee-slapping topic of female genital warts; the misuse of those wonderful actresses Holly Hunter and Kathy Bates, who at least respond with utter professionalism; the abuse of Carly Simon's lovely music as soundtrack blanket and Lazy Screenwriting 101 character-explaining device; the gall of this film to repeatedly compare itself to the endlessly superior Working Girl, in which Melanie Griffith's trickery was at least employed in genuine self-defense against a real threat as opposed to an insanely imagined one). But wait: just when you think the movie's sunk as low as it can go, it introduces an element that both temporarily redeems it and plunges it miles and miles lower. That element is one of the previous girlfriends, played with astonishing dignity, warmth and charm by the radiant Julianne Nicholson, an offbeat, freckled, slightly buck-toothed megacutie that makes you wonder why men's magazines feel the need to airbrush their subjects' supposed imperfections instead of realizing that they often make them look even more beautiful. Her character and performance are so genuine and appealing that she almost simultaneously moved me to tears and left me shaking with rage when, not knowing Murphy's true identity and after performing two amazing acts of kindness to her, she confesses to Murphy how much she loves and misses her ex---and we all know that Murphy's going to screw her over anyway. I was ready to give this movie a big fat zero until a friend correctly reminded me that if I liked any element as a movie as much as I liked Nicholson, then doesn't the film warrant at least a 1, even if I utterly despised everything else? Well, OK then, here it is: but the fact that one of the best supporting performances is a year is trapped in a movie that I STILL can't conscionably recommend to anyone may very well be the most loathesome thing of all about this utterly loathesome film.

Lew A. gave it a 2:
Sleazy Jerry Springer-esque concept with little concern for ethicality or legality. Circumstances were reminiscent of a 1995 Jenny Jones Show incident, when one guest (Jonathan Schmidt) murdered another guest (Scott Amador). Only saving graces are Holly Hunter, Kathy Bates, and star Brittany Murphy (whose career may not recover from this debacle).

Nick G. gave it a 7:
A whitty but, at times, boring movie. The scripts surprising wisdom is underminded by the somewhat unlikeable lead characters. Who are we supposed to be rooting for? Also, the "twist" seems out of place. I'm still wondering if it was supposed to be a twist or not. Maybe the "twist" was a big satirical joke, but I didn't get the punchline. The movie is fortunately redeemed, albeit late; the ending was just too feel-good and non-typical of a chick flick that I've got to recognize that there is something here not found in most comparable films. A lil' bit of wisdom.

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