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Upcoming Release Calendar
38
12 Rounds Stars indicate the most critically-acclaimed movies.
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Little Children
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MPAA RATING: R for strong sexuality and nudity, language and some disturbing content
Starring Kate Winslet, Patrick Wilson, Jennifer Connelly, Jackie Earle Haley, Noah Emmerich, Gregg Edelman, Phyllis Somerville, and Raymond J. Barry
Based on the novel by Tom Perrotta, Little Children centers on a handful of individuals whose lives intersect on the playgrounds, town pools and streets of their small community in surprising and potentially dangerous ways. (New Line Cinema)
| GENRE(S): | Comedy | Crime | Drama | Romance |
| WRITTEN BY: |
Todd Field
Tom Perrotta (also novel) |
| DIRECTED BY: | Todd Field |
| RELEASE DATE: |
DVD: May 1, 2007 Theatrical: October 6, 2006 |
| RUNNING TIME: | 130 minutes, Color |
| ORIGIN: | USA |
Named best picture of 2006 by the San Francisco Film Critics Circle.
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 7.1 (out of 10) based on 114 User Votes
Note: User votes are NOT included in the Metascore calculation.
Ian S. gave it a2:
Really good movie till the end. The end is just plain and simply stupid.
Chad S. gave it a9:
Just in case you're impervious to irony, "Little Children" gives you one last chance to reconsider that adjective and noun, "little" and "children", when Brad(Patrick Wilson) and his skateboard part ways; when Lucy offers her mother some comforting words and a pat on the back. Yes, "Little Children" has its false moments; none more so than Sarah's insecurity about her beauty in comparison to Kathy(Jennifer Connelly), since we can all see that Kate Winslet is in the same ballpark as Connelly, a "knockout"(Brad's description of his wife) in her own right. But for the most part, "Little Children" is a smartly written, smartly acted film about, yes, angsty affluent white people, but the film is never whiny, never static, because the "little children" grow up, especially the "bully" who picks on Ronnie(Jackie Earle Haley).
Tony B. gave it a5:
This is a well-acted film that fails to reach its potential. With more plot lines than it can develop satisfactorily, it sometimes both jumps all over the place and rambles on at a snail's pace. Watch for Jennifer Connelly's realization that Kate Winslet and Patrick Wilson have been naughty. It's by far the best scene in the film.
Dan C. gave it a9:
An unusual but very good film. Kate Winslet is subtle and brilliant throughout - yet another reason she's one of my favorite actresses. The strange texture of the characters' lives in handled in a sympathetic but realistic way. They are flawed people searching for happiness, but also capable of much love and understanding. See it.
Christopher D. gave it a9:
This is a finely woven piece of film. A story with an edge that teases and does not overplay itself. This is how an ensemble piece should be made and the surprise is that Altman did not shoot this film.
Mark K. gave it a7:
There is some promise here, but the characters tend towards the stereotypical; also, running time could have been at least 20 minutes shorter. Overall, the DVD box made promises the movie couldn't deliver upon.
Andrew F. gave it a4:
The boring photography experienced in viewing Little Children was only the least of its problems. The film was an all-too-bleak, dry, uninteresting window into the world of problems associated with suburban life, including a very choppy overused view on adultery. With a script perpetually spiraling nowhere, the writers opted to slap unrealistic epiphanies into the heads of the main characters by way of "terrible accidents/tragedies averted", and then tried to create a positive spin from them, when, in actuality, the concluding moments of the film felt forced upon the viewer because the writers hit a snag in moving the story toward a satisfactory conclusion. Any comparison of this film to CRASH is very correct; if you ate the spoon-fed archetypes and messages about racism and how to "conquer it" in CRASH, then you'll really love the baseless conclusion about how to conquer the problems of suburban life in LITTLE CHILDREN. However, if you want a powerful viewing experience that delivers the goods in the end, then look to AMERICAN BEAUTY. Comparing LITTLE CHILDREN to AMERICAN BEAUTY would be a crime.

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