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Love in the Time of Cholera
New Line Cinema

Love in the Time of Cholera reviews
Critic Score
Metascore: 43 Metascore out of 100
User Score  
5.5 out of 10
based on 29 reviews
Read critic reviews
How did we calculate this?
based on 21 votes
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MPAA RATING: R for sex content/nudity and brief language

Starring Javier Bardem, Giovanna Mezzogiorno, Benjamin Bratt, Catalina Sandino Moreno, John Leguizamo, Laura Harring, Fernanda Motenegro, and Hector Elizondo

Based on Nobel Prize-winning author Gabriel García Márquez' novel, Love in the Time of Cholera is one of the world's most romantic stories. The drama traces the Job-like vigil of Florentino Ariza, who waits for more than half a century to claim the hand of Fermina Daza, the woman he loves. (New Line Cinema)


GENRE(S): Drama  |  Romance  
WRITTEN BY: Ronald Harwood  
DIRECTED BY: Mike Newell  
RELEASE DATE: DVD: March 18, 2008 
Theatrical: November 16, 2007 
RUNNING TIME: 138 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

80
The New Yorker David Denby
It?s a well-crafted, handsome period piece, and pleasant to watch, but the intensity of an obsessional style--something that matches Florentino?s crazy single-mindedness--is beyond Newell?s range. The director of ?Donnie Brasco? and ?Four Weddings and a Funeral? doesn?t paint with the camera; he doesn?t seize on certain visual motifs, as he should, and turn them into the equivalent of a lover?s devotion to fetishes.
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67
Portland Oregonian Marc Mohan
When characters are required to grow old over the course of a decades-spanning story, as in Love in the Time of Cholera, it's still a hit-or-miss proposition whether the combination of makeup and performance skills will convince us that a character is 40 years older than the actor.
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63
Miami Herald Connie Ogle
Sometimes less truly is more, and Love in the Time of Cholera is proof.
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63
Philadelphia Inquirer Carrie Rickey
As one unfamiliar with the novel, I found it hard to tease out its meaning from this handsomely mounted, well-acted, aggressively elliptical adaptation.
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63
New York Daily News Jack Mathews
"Love" would be intolerably boring were it not for the frequent injections of humor, thanks largely to Hector Elizondo as Florentino's uncle, and for Bardem's ultimately winning performance.
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60
The Hollywood Reporter Sura Wood
Shot on location in vibrant Cartagena, the film's strong suit is aesthetic. Cinematographer Alfonso Beato, designer Wolf Kroeger and costume designer Marit Allen evoke aged exotic locales, rugged rural settings and dimly lit period interiors. A closing, aerial image has a breathtaking, spiritual beauty.
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50
Chicago Reader Andrea Gronvall
This romantic drama by director Mike Newell preserves the odd playfulness of Gabriel Garcia Marquez's international best seller but sacrifices its eroticism and intricate nonlinear plotting.
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50
The Globe and Mail (Toronto) Stephen Cole
Today, the 1985 novel is the No. 1-selling paperback in North America. Sadly, the movie is a bonfire where the novel was a blaze of fireworks.
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50
Chicago Tribune Michael Phillips
Newell has done some fine work in all sorts of genres, from ?Four Weddings and a Funeral? to ?Harry Potter and the Goblet of Fire,? but in ?Cholera? he seems to be chronicling a half-century of events, passions and desires as a tourist, not a native.
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50
USA Today Claudia Puig
Newell's rendering of the iconic novel is dull and creatively off-kilter, lacking the surreal magic and robust passion of Márquez's signature magical realism style and never fully engaging the viewer.
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50
New York Post Kyle Smith
If you've seen "Gone With the Wind," you've seen what Love in the Time of Cholera isn't.
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50
Variety John Anderson
Despite a magnificent performance by Javier Bardem, the film not only falls short of the novel's magic, but fails to generate much of its own.
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50
The Onion (A.V. Club) Keith Phipps
Newell's film arrives loaded with problems. The most superficial, but undeniably distracting, involves the way characters age at different rates and under makeup of varying believability.
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50
Seattle Post-Intelligencer William Arnold
More mediocre than magical.
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50
Washington Post Ann Hornaday
Lush, extravagant, sad and touching, Love in the Time of Cholera still feels weirdly insubstantial when all the febrile passion has abated. Like a fever it breaks, passes and is forgotten.
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50
San Francisco Chronicle Mick LaSalle
Eventually arrives at a lovely place, but it arrives limping. Small but nagging problems drag it down, such as weird acting choices, bizarre casting and strange aging makeup.
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50
Boston Globe Wesley Morris
Little of the fragile wisdom with which García Márquez imbued that idea has survived this timid Hollywood treatment.
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50
Los Angeles Times Carina Chocano
That, after all these years of playing hard-to-get, the novel has made it to the screen in the form of a plodding, tone-deaf, overripe, overheated Oscar-baiting telenovela smacks of just the kind of deliciously ironic prank an 80-year-old Colombian Nobel laureate could really get behind.
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42
Baltimore Sun Michael Sragow
The movie version of Love in the Time of Cholera doesn't have the drive or the dynamism to be an artistic nightmare. It's more like a dead dream, the kind that leaves nothing more behind in the light of day than a sickly cloud.
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40
Salon.com Stephanie Zacharek
Forget the heat of passion: The movie never breaks a sweat.
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40
Film Threat Pete Vonder Haar
Is love a disease, as Marquez possibly wanted us to believe? Maybe, but in the case of this adaptation, it?s more of a laughing sickness.
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40
The New York Times Stephen Holden
Faithful to the outline of the novel but emotionally and spiritually anemic, it slides into the void between art and entertainment, where well-intended would-be screen epics often land with a thud.
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38
Chicago Sun-Times Roger Ebert
Is there another great modern writer so hard to translate successfully into cinema? Saul Bellow? Again, it's all in the language. The only thing Saul and Gabo have in common is the Nobel Prize. Now that's interesting.
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38
TV Guide Ken Fox
Huge in scope and beautifully shot on location in South America, this ambitious production is undone by terrible casting choices.
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38
ReelViews James Berardinelli
Newell has followed up a respectable adaptation of a Harry Potter novel with an ignominious translation of something more delicate and literate. It's hard to recommend this movie to anyone except perhaps the MST3K crew.
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30
Village Voice Robert Wilonsky
Easily the worst adaptation of a major novel by a Nobel Prize?winning author. Easily.
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30
Austin Chronicle Toddy Burton
Not surprisingly, it?s better to just read the book.
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25
Entertainment Weekly Lisa Schwarzbaum
As for the splendid Spaniard Javier Bardem, now knocking socks off in "No Country for Old Men," his lot is worst of all. He's miscast as the romantic Florentino.
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25
Premiere Ryan Stewart
What doesn't work at all -- saving the worst for last -- is a ship-sinking performance by John Leguizamo as Lorenzo.
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What Our Users Said

Vote Now!The average user rating for this movie is 5.5 (out of 10) based on 21 User Votes
Note: User votes are NOT included in the Metascore calculation.

Stephen H. gave it an8:
The cinematic interpretation of Gabriel Garcia Marques' novel "Love in the Time of Cholera" is a wonderful exposition on the theme of the virginal soul: that essence of himself that the protagonist [played by Javier Bardem] saves for his true love. What the film lacks in passion it makes up for with a brilliant musical score, photography, sets and faithful attention to the novel's main theme. After all, who can really come close to the range of emotions, passionate intensity and overall texture of this great novel?

Aaron L. gave it an8:
A sweeping movie across generations, filled with poetry, beauty, and love. Tickling, thought provoking and ultimately romantic.

Sheila P gave it an8:
I read the book and found it to be superb. I thought the movie followed fairly closely. A book certainly always has more flesh than a movie but I absolutely do not agree with the low comments. I heard all positive comments upon exiting the theater. It was a well done, well crafted and beautiful film.

Jerry M. gave it a0:
If I had to choose between sitting through this movie again or cholera, I'd choose cholera - it's less painful. The story is missing large amounts of plot, skipping forward without explanation and the acting is on par with a bad telenovela. I found myself envying the characters who died in the movie.

Caladonia K. gave it a0:
Terrible. Empty and apathetic film.

Thomas Q. gave it a1:
Read the book, skip this treadfully bad film. Poorly conceived and even more poorly executd. Just bad, especially up against the WONDERFUL novel.

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