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Upcoming Release Calendar
38
12 Rounds Stars indicate the most critically-acclaimed movies.
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Machinist, The
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MPAA RATING: R for violence and disturbing images, sexuality and language
Starring Christian Bale, Jennifer Jason Leigh, Aitana Sánchez-Gijón, John Sharian, Michael Ironside, Larry Gilliard Jr., Reg E. Cathey, Anna Massey, and James DePaul
Trevor Reznik has not slept for a year. His every waking minute has become an unremitting nightmare of confusion, paranoia, guilt, anxiety and terror - each of which is part of an escalating series of clues that will lead to the source of his mysterious affliction. (Paramount Classics)
| GENRE(S): | Drama | Suspense/Thriller |
| WRITTEN BY: | Scott Kosar |
| DIRECTED BY: | Brad Anderson |
| RELEASE DATE: |
DVD: June 7, 2005 Theatrical: October 22, 2004 |
| RUNNING TIME: | 98 minutes, Color |
| ORIGIN: | Spain |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 7.9 (out of 10) based on 35 User Votes
Note: User votes are NOT included in the Metascore calculation.
Tim H gave it a4:
If you've seen any episode of Serling's Twilight Zone, you've already seen The Machinist.
Craig A. gave it a10:
Hmmm... critics divided. General public not. This is an awesome film. Fight club meets Memento directed by Alfred Hitchcock. Watch it immediately.
Jeffrey L. gave it a9:
I have a simple requirement for a movie to earn high marks: that the story be sufficiently interesting, the writing and acting sufficiently honest and convincing that they keep me thorougly immersed in the film. Few movies accomplish this. A single manipulative plot twist, or unconvincing characterization--as are abundant, for example, in Woody Allen's monumentally insipid recent hit "Match Point"--will catapult me pellmell out of the movie and back into the room where I happen to be watching. The Machinist lacked any of these shortcomings, and made for thoroughly engrossing, albeit intensely disturbing movie. I'm taking the time to write these comments because I feel so badly for filmmakers who do such a great job, then fail to receive the recognition they deserve, while pretentious, shallow drivel such as Match Point receives undeserved praise. More disturbing to me than the film were the off-the-mark critical reviews. The people who have rated this movie highly got it right. Therefore, I'll give it one bonus point, for a 9, rather than an 8.
Andrew gave it a10:
Ignore the haters. The Memento comparisons are warranted, but this is a far superior film. Memento was more of a whodunit disguised as a psychological thriller. This IS a psychological thriller. In Memento (a film I thought was alright, but terribly overrated) you are one step ahead of the protagonist through much of the film and the ending was fairly ho-hum. The Machinist, on the other hand, really delivers the goods. You are just as lost, confused, and helpless as Christian Bale (doing his best work since American Psycho.) Throughout the movie, I found myself asking the same questions he was asking himself. Why can't this guy sleep? What's the deal with his mysterious co-worker Ivan? Is he a hallucination? Is this whole thing a hallucination? Why is it always 1:30? Are his co-workers really messing with him or is he just paranoid? How do the hooker and the waitress fit into all of this? The ending is both satisfying and surprising. You won't see it coming (not entirely, at least) but it fits the plot in a logical way. None of that non-sensical surprise ending crap. This could have become a trainwreck of a movie but Brad Anderson handled it deftly. Unless you're one of those people who can't take movies where you won't know what the hell is going on most of the time, definatley check this one out. One of the best movies I've seen in a long time. If you enjoy this one, check out Session 9 as well. Keep the hits coming Mr. Anderson.
Halifax R. gave it a2:
This is Memento for half-wits. It's mostly shots of Christian Bale looking at his emaciated body in the mirror. The film is a slow and painful plodding toward a twist ending. And sure, there's a twist, but it comes perfectly gift wrapped in in slow-motion after-school special cheese that in no way justifies the preceding hours of over-serious, over-stylized boredom. Everyone's impressed that Christian Bale lost one third of his body weight for a role but this movie is so hollow and poorly written it comes off as a depressing publicity stunt.
Chad S. gave it an8:
"The Machinist" is like a malevolent "Hulk". This film hides its secrets better than most films with twist endings. You may guess who Trevor's assailant is, but not necessarily the reason as to why he's on his tail. Although "The Machinist" isn't billed as a horror film, it comes pretty close to being one. With a little tweaking, it could've been a superior example of the genre, certainly better than "Hide and Seek". Trevor Reznik is Travis Bickle with a different psychological disorder, and is decidedly not Jake LaMotta. Christian Bale gives a winning performance, but so would any capable malnourished actor, or for that matter, an Auschwitz Jew.
Linda L. gave it a10:
The negative remarks by critics puzzle me: If this had been a Sean Penn movie they'd all be talking "Oscar." This film is intense, disturbing, moving; Christian Bale's performance is profound. it's one of those movies whose puzzles and upsetting questions (sort of like "Memento," but less gimmicky) have you worried that it'll end before you figure it out. Yet the resolution is satisfying (dramatically, at least).
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