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Madea Goes to Jail

Mixed or average reviews
Based on 13 critic reviews
How did we calculate this?
Based on 17 votes
Read user comments
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Movie Info
Genre(s): Comedy | Crime | Drama
Written by: Tyler Perry
Directed by: Tyler Perry
Release Date:
Theatrical: February 20, 2009
DVD: June 16, 2009
Running Time: 103 minutes, Color
Origin: USA
Summary
RATING: PG-13 for mature thematic material, drug content, some violence and sexual situations
Starring Tyler Perry, Derek Luke, Keshia Knight Pulliam, David Mann, Tamala Mann, Ronreaco Lee, Ion Overman, and Vanessa Ferlito
After a high-speed freeway chase puts Madea in front of the judge, her reprieve is short-lived as anger management issues get the best of her and land her in jail. A gleeful Joe couldn't be happier at Madea's misfortune. But Madea's eccentric family members the Browns rally behind her, lending their special "country" brand of support. Meanwhile, Assistant District Attorney Joshua Hardaway is on the fast track to career success. But Hardaway lands a case too personal to handle - defending young prostitute and former drug addict Candace Washington - and asks his fiancée and fellow ADA Linda Holmes to fill in on his behalf. When Candace ends up in jail, Madea befriends the young woman, protecting her in a "motherly" way as only Madea can. (Lionsgate)
Also On Metacritic
FILM: Daddy's Little Girls Madea's Family Reunion Meet the Browns The Family That Preys Tyler Perry's Why Did I Get Married?
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Reader J.R. Jones
Quicker on the uptake than any of Eddie Murphy's fat ladies, quicker even than Flip Wilson's Geraldine Jones.
Read Full Review >Chicago Tribune Sam Adams
If the movie is a mess, it's a purposeful mess, cannily, if not artfully, pushing all the right buttons to ensure Perry will be back for another round.
Read Full Review >New York Daily News Elizabeth Weitzman
Though he plays two other roles, Perry only really cuts loose when he dons Madea's housecoat, turning her into a devilishly funny voice of reason. Likewise, the movie tenses up when she's offscreen, becoming the sort of moralistic soap opera we've seen from Perry before.
Read Full Review >Washington Post Philip Kennicott
Both slapstick and social drama, and it is certainly the most confident mix of the two that Perry has managed to achieve with this particular part of his vast media franchise.
Read Full Review >The Onion (A.V. Club) Nathan Rabin
Madea's physical comedy is loud enough to wake the dead, but its drama is just as excessive. In a neat bit of economy, Perry stages a wedding that doubles as a breakup, and triples as the villain's crowd-pleasing comeuppance. Now that is some serious multitasking.
Read Full Review >Boston Globe Wesley Morris
There is, however, Viola Davis, who might win an Oscar tomorrow for her one scene in "Doubt." Her part here - a minister combing the street for crack-whores to rescue - is about three times as large.
Read Full Review >Salon.com Stephanie Zacharek
It's great that Perry has seized opportunity for himself and for the performers he employs. But has he succeeded only in creating a kind of ghetto for black-themed entertainment that's of sub-par quality -- one that, admittedly, makes him a lot of money?
Read Full Review >The Hollywood Reporter Kirk Honeycutt
For all its staleness, the melodramatic main story does contain enough good acting and resonant scenes.
Read Full Review >The New York Times A.O. Scott
There is something both satisfying and frustrating about Madea Goes to Jail. Mr. Perry dutifully gives his audience what it wants, but you can't help feeling that he might also have more to offer: more coherent narratives, smoother direction, better movies.
Read Full Review >LA Weekly Melissa Anderson
Check off all of Perry’s motifs: vilification of the black bourgie princess, tough-love Christian messages, Academy Award–nominated actresses (Viola Davis, this time) managing to maintain their dignity.
Read Full Review >Variety Joe Leydon
Wildly uneven effort, which is notably more strained and slapdash than such earlier efforts as "Madea's Family Reunion" and "Tyler Perry's Meet the Browns."
Read Full Review >Entertainment Weekly Owen Gleiberman
It's a tale soggy with the kind of race/class lessons that Madea, the director-star's battle-ax alter ego, doles out far more handily (and entertainingly) in a single church-lady-from-hell zinger.
Read Full Review >Austin Chronicle Josh Rosenblatt
I've been watching movies my entire life, and I can honestly say I've never been more confused in a theatre than I was while watching Tyler Perry's Madea Goes to Jail.
Read Full Review >What Our Users Said
The average user rating for this movie is 4.5 (out of 10) based on 17 User Votes
Note: User votes are NOT included in the Metascore calculation.
B H gave it a2:
I'm not sure why Madea's name is in the title of this movie. I believe it was done as a marketing scheme because chances are that no one would have given this video a second glance given the real story. Movie fans will likely be very wary of the next Madea movie after feeling like they've been cheated and tricked by this one.
meela n. gave it a6:
This movie was classic tyler perry, it was comedy and drama, very good. Madea should have stayed in jail longer though...lol she is the best!
Jay H gave it a2:
Tyler Perry at his worst. The production values are below par, even the make-up isn't good. Over acted, extremely predictable and the Madea character isn't funny, she's obnoxious. Poor structure, badly written. Awful.
kevin g gave it a0:
The previews were misleading. This was a movie for Tyler Perry to get on his soap box. This is a movie about black peoples problems.And how unfair Society is.NOT FUNNY and BAD ACTING. Perry's A family that prey's together is a excellent movie though.
SK gave it a0:
Terrible... This was actually 2 movies in 1 where neither had anything to do with each other. One being the obvious Madea comedy and the other an over the top drama. I was waiting the entire time for how these two plots would weave intricately together and show how the two lives would affect each other. Instead they just ended up at the same jail and had a couple minor scenes together. In fact, the whole idea of "Madea goes to jail" is misleading. She was probably in jail for about 20 minutes of the movie and half the time was spent in a cliche montage as the days of a calendar get counted off. For as little as the jail had to do with anything, it might as well have been called, "Madea drives a car" or "Madea gets angry". Sadly "Ernest goes to jail" had more of a plot and purpose than this movie.
Chad S. gave it a0:
Accidents will happen. With veteran actress Kathy Bates on board, this filmmaker's approach to hodgepodge plotting and abrupt tonal shifts resulted in a moderately entertaining film that stood a fighting chance of reaching an audience beyond its fervent base. In retrospect, "The Family That Preys" was an accident; a guilty pleasure for people who had previously thought they were immune to overwrought melodrama. This one, however, is for Madea cultists; this one is for the base. Non-fans won't change their minds about the homegrown auteur's most polarizing character, who serves no other purpose, it seems, but to reassess such Eddie Murphy lowlights as "Norbit", and "The Nutty Professor 2: The Klumps". To an outsider, the man occupying those frumpy frocks appears to have no comic chops whatsoever. He transforms a segment of American moviegoers into French cineastes. In "Madea Goes to Jail", as the title makes explicit, God's favorite drag queen is back, along with the ham-fisted Christian moralizing that draws a straight line between the believers and the haters. "Madea Goes to Jail" is so unspeakably awful, to quote Elvis Costello circa "Armed Forces": "I just don't know where to begin." For starters, that cute little Rudy Huxtable from "The Cosby Show", plays a fifty-dollar hooker(Keisha Knight-Pulliam) with a grudge against her childhood friend, who let some fraternity boys gang-rape her at college(the movie is like a cross between Richard Linklater's "Tape" and the Duke men's lacrosse scandal). It's a toss-up as to what's worse: Josh's monotonous arguments with Linda(Ion Overman) over the whiny prostitute, or his teary-eyed breakdown on a park bench. And of course, when Candace goes to jail, she just happens to share the same cell as her street-walking friend. How absurdly convenient; it's like summer camp.
