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Management
EMAILPRINTSamuel Goldwyn Films

Mixed or average reviews
Based on 26 critic reviews
How did we calculate this?
Based on 14 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Comedy | Romance
Written by: Stephen Belber
Directed by: Stephen Belber
Release Date:
Theatrical: May 15, 2009
DVD: September 29, 2009
Running Time: 93 minutes, Color
Origin: USA
Summary
RATING: R for language
Starring Jennifer Aniston, Steve Zahn, and Woody Harrelson
When Sue checks into the roadside motel owned by Mike's parents in Arizona, what starts with a bottle of wine "compliments of Management" soon evolves into a multi-layered, cross-country journey of two people looking for a sense of purpose. (Samuel Goldwyn Films)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Sun-Times Roger Ebert
Management works as a sweet rom-com with some fairly big laughs.
Read Full Review >Philadelphia Inquirer Steven Rea
Aniston and Zahn are sweet together - their respective characters have built up psychic armor to keep the outside world at bay, and each breaks down the other's in revealing ways.
Read Full Review >Variety Joe Leydon
Picture benefits greatly from appealing performances by Jennifer Aniston and Steve Zahn, who deftly apply darker emotional shadings to their characters when necessary, and equally fine work from a small ensemble of solid supporting players.
Read Full Review >Washington Post Michael O'Sullivan
Zahn is the single biggest reason why Management is a delightfully screwball romantic comedy and not a crazed-stalker film. And why it works. Like watching a puppy chase its own tail, it's a pleasure watching Mike try to win Sue over.
Read Full Review >New York Daily News Elizabeth Weitzman
Jennifer Aniston and Steve Zahn? Who thought that would be a good match? So it's to everyone's credit that by the time the movie is over, you'll wonder why they were never paired together before.
Read Full Review >Slate Dana Stevens
Management remains for the most part as endearing as its leads. Steve Zahn is a wonderful actor who's spent too long in the "hey, it's that guy" best-friend role.
Read Full Review >USA Today Claudia Puig
It's a sweetly strange yet uneven comedy, with a charming lead performance by Steve Zahn offset by a lackluster one from Jennifer Aniston.
Read Full Review >The New York Times Stephen Holden
Mike may be a bumbling sad sack, but Mr. Zahn gives him just enough spunky appeal to lend this unlikely fly-by-afternoon coupling and its consequences a shred of credibility.
Read Full Review >The Hollywood Reporter Peter Brunette
Ultimately delivers the goods, even if the goods aren't very fresh.
Read Full Review >The Onion (A.V. Club) Nathan Rabin
Like its protagonist, Management is dopey and impractical, but strangely winning all the same.
Read Full Review >Rolling Stone Peter Travers
Playwright Stephen Belber (Match), in his directing debut, comes close to the sweet spot. He's not there yet. But he'll be worth watching next time.
Read Full Review >Miami Herald Connie Ogle
It's pretty much a waste of everyone's time, especially yours.
Read Full Review >LA Weekly Aaron Hillis
Each new superfluous Jennifer Aniston rom-com is already met with low expectations, but add some overcooked, middlebrow Indiewood quirk and you've got cinema's purest shade of beige.
Read Full Review >ReelViews James Berardinelli
A standard-order romantic comedy with many of the expected twists and complications. It suffers from the flaw of not giving the lead characters enough time together.
Read Full Review >Salon.com Stephanie Zacharek
Management is ultimately undone by its own bland idiosyncrasies. It's nothing but a mismanaged opportunity.
Read Full Review >Wall Street Journal Joe Morgenstern
A sentimental -- and modestly enjoyable -- fantasy of mutual need.
Read Full Review >Los Angeles Times Betsy Sharkey
Though it doesn't always work, it's an idea with its heart in the right place and, paired with nonshock comedy, it's a nice change of pace.
Read Full Review >Chicago Reader Andrea Gronvall
This quirky indie romance is beguiling at first but later succumbs to artifice.
Read Full Review >Chicago Tribune Michael Phillips
Padding disguised as a feature-length screenplay, adapted from Belber's one-act.
Read Full Review >San Francisco Chronicle Mick LaSalle
Painless and predictable, with an amusing if overwrought featured performance by Woody Harrelson.
Read Full Review >TV Guide Josh Ralske
Sadly, Management is formulaic indie romantic comedy at its core.
Read Full Review >Christian Science Monitor Peter Rainer
Sometimes a movie thinks it's one thing (charming) when it's really something else (creepy). Such is the case with writer-director Stephen Belber's Management.
Read Full Review >New York Post Kyle Smith
The film is a failure if it can't convince us that these two people belong together. It can't, and barely tries.
Read Full Review >Boston Globe Ty Burr
Sometimes a cute-stalker movie can win the audience's heart. Management only makes you ponder the line between true love and a restraining order.
Read Full Review >Portland Oregonian Shawn Levy
It's dull and crude and silly and without a lick of quality.
Read Full Review >Entertainment Weekly Owen Gleiberman
Isn't it time Steve Zahn grew up? Ever since the '90s, this walking quirk of an actor has pushed his dazed solipsistic zaniness (he's like Michael J. Fox’s hillbilly cousin), but he's 41 now, and it no longer looks cute on him.
Read Full Review >What Our Users Said
The average user rating for this movie is 5.7 (out of 10) based on 14 User Votes
Note: User votes are NOT included in the Metascore calculation.
johnny2cents gave it a3:
Painful. This movie tries really hard to be quirky and many other things butt succeeds at none. You would have to be on LSD to believe that this coupling would ever be possible. It is way too far fetched from reality to accept even in a movie that is trying to be ...well I'm still not sure what it wanted to be. Think it may have needed a little more Woody, I mean the Harrelson character.
Mr.Aniston 89 gave it a10:
It's a beautiful movie !! Great funny and romantic story, good actors !! Aniston is a sexy woman !!
Kat G gave it a1:
YECH!! Not even worth a slot on the Netflix queue.
carolyn l gave it a3:
The whole premise for this movie is asinine . Sue's acceptance of Mike's need to touch her butt is juvenile and simple adds to the pathetic rationale for the main storyline of this movie .
Chad S. gave it a6:
Romantic comedies often corroborate on the New Wave notion that "the history of cinema is boys photographing girls." What filmmaker Jean Luc Goddard meant, without apology, was that film is, and always will be, largely a patriarchal construct. In other words, the guy, more often than not, gets his girl. For girls, it's harder. No matter how many fish sticks and tater tots Dawn Wiener(Heather Matarazzo) heats up for Steve(Eric Mabius) in Todd Solondz's "Welcome to the Dollhouse", the hunky lead singer of her older brother's clarinet-driven band will never give the plain girl a fighting chance. The cinema is rigged so ordinary men can pursue, and win over, women who are clearly out of their league. With a tradition of conquering underdogs on his side, Mike tells Sue, "You have a great butt," which should earn him a drink tossed in his face, but instead, the professional woman bends over, like the Maggie Gyllenhaal character in Steven Shainberg's "Secretary". Even though Sue is more accomplished than Mike, the submissive position that she assumes, has the unintended effect of revealing how the male hero always has control over the girl he's pursuing, regardless of how great the odds are stacked against him. "Management" is just a little more brazen about the fix than most films. According to this movie, groping works; stalking works too...on both coasts. What "Management" lacks is a genuine romantic moment. Skydiving into a pool is funny, but not romantic, as is serenading Sue with a Bad Company song. When Sue puts her hand on Mike's butt, the film romanticizes her own objectification. At the very least, Mike should tell Sue that she's beautiful.
