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Man Without a Past, The
Sony Pictures Classics
MPAA RATING: PG-13 for some violence
Starring
Markku Peltola,
Kati Outinen,
Annikki Tähti,
Juhani Niemelä,
Kaija Pakarinen,
Sakari Kuosmanen,
Esko Nikkari,
and
Outi Mäenpää
The second installation of Aki Kaurismäki's "Finland Trilogy," this touching and amusing film portrays a man who must start his life anew when he is brutally mugged and loses his memory. (Sony Pictures Classics)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Aki Kaurismäki
|
| DIRECTED BY: |
Aki Kaurismäki
|
| RELEASE DATE: |
DVD: October 7, 2003
Video: October 7, 2003
Theatrical: April 4, 2003
|
| RUNNING TIME: |
97 minutes, Color |
| ORIGIN: |
Finland / Germany / France |
| LANGUAGE(S): |
Finnish (with English subtitles) |
Original title "Mies Vailla Menneisyyttä"; Nominated, Best Foreign Language Film, 75th Annual Academy Awards
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
Kaurismaki is Finland's greatest filmmaker, and never has he more artfully balanced his patented blend of deadpan humor, low-key melodrama, and toe-tapping music.
100
Chicago Tribune
Michael Wilmington
A powerful film made with minimal means, it's a story of poor people on the fringes of society, done without sentimentality or condescension but with wicked humor.
100
Chicago Reader
Barbara Scharres
Finnish director Aki Kaurismaki perfects his trademark formula of deadpan humor and arctic circle pathos in this brilliantly ironic 2002 comedy.
100
Entertainment Weekly
Lisa Schwarzbaum
The message, if there must be one, of this marvelous, stubbornly personal movie is that there is a spark in every soul.
90
Los Angeles Times
Kenneth Turan
Offers up a subversive comic sensibility, one that somehow combines Buster Keaton's deadpan stare with Frank Capra's tireless optimism and filters them both through a black-ice Finnish point of view. Welcome to Aki World.
90
Variety
David Rooney
Enormously satisfying, superbly crafted.
90
Washington Post
Desson Thomson
Everything has a Chaplinesque feeling, from the largely silent scenes to the highly visual, tragicomic situations...But The Man Without a Past is entirely free of the tramp's cloying sentimentality.
90
Time
Richard Corliss
Droll, reticent, flawlessly filmed fable of generosity.
90
The New York Times
Dana Stevens
Like the great films of the 1930's and early 40's, it is at once artful and unpretentious, sophisticated and completely accessible, sure of its own authority and generous toward characters and audience alike -- a movie whose intended public is the human race.
90
Slate
David Edelstein
The revered Finnish director Aki Kaurismäki has hit on a way to give you grim social realism and movie-ish sentimentality in one fell swoop.
88
Chicago Sun-Times
Roger Ebert
At the end of The Man Without a Past, I felt a deep but indefinable contentment. I'd seen a comedy that found its humor in the paradoxes of existence, in the way that things may work out strangely, but they do work out.
88
New York Post
Megan Lehmann
Brilliantly idiosyncratic.
88
Philadelphia Inquirer
Steven Rea
A dour-faced but sublime comedy about the kindness of strangers -- and about the strangeness of people who find themselves in oddball moments of grace.
88
The Globe and Mail (Toronto)
Rick Groen
Kaurismaki is a master at infusing his movies with apparently contradictory qualities. The best of them -- and The Man Without a Past is surely that -- are hard to describe precisely because they seem to exist, to balance precariously, in the tension between opposites.
83
Seattle Post-Intelligencer
William Arnold
Simply enjoy its witty and expertly crafted scenes, its controlled performances, its eccentric but mostly admirable characters, its succession of bleak but cozily Nordic panoramas and its surprisingly optimistic view of the world.
83
Portland Oregonian
Shawn Levy
Something in the simplicity of its vision gives The Man Without a Past a dimension of heroic grandeur -- and that effect, too, seems to tickle Kaurismaki's funny bone.
80
Film Threat
Rich Cline
This is a very simple story, but it builds beautifully to an endearing and witty romance.
80
The Onion (A.V. Club)
Scott Tobias
Quietly asserts its eccentric romanticism with an assured, matter-of-fact blend of humor and pathos.
80
Washington Post
Ann Hornaday
It's a gentle, surprising little movie whose rewards lie in what its characters don't say as much as in what they do.
80
The New Yorker
Anthony Lane
No weirder than Kaurismäki's previous efforts. Indeed, compared with “Leningrad Cowboys Go America,” this venture tells an alarmingly straight tale. [7 April 2003, p.96]
80
LA Weekly
Andrew Mann
If Aki Kaurismaki were the Eagles, which he is not, The Man Without a Past might be considered a kind of "best of" album.
75
Boston Globe
Wesley Morris
It's a quiet little gag homage both to Boris Karloff and to the set up of shelf-loads of pulp novels and films noir. And Peltola, with his flat, serious face and damp, oil-black hair, happens to look, at times, like Richard Widmark and Kirk Douglas.
75
New York Daily News
Jack Mathews
A solid delight, the sort of cinematic concoction you might expect from a time-warp collaboration between Preston Sturges and Jim Jarmusch.
75
Baltimore Sun
Michael Sragow
The Man Without a Past has the slenderness of a folk-tale -- also the clarity and charm.
75
ReelViews
James Berardinelli
The Man Without a Past is a modern fairy tale. It certainly is divorced from reality. Despite this -– or perhaps because of it -– it's a satisfying motion picture.
75
San Francisco Chronicle
Edward Guthmann
A master of minimalism, Finland's Aki Kaurismaki makes films that are so dry, so delicately ironic that they seem on the verge of crumbling in front of us -- but they never do.
70
Village Voice
J. Hoberman
This may not be Kaurismäki's masterpiece, but it is a movie of sustained stylistic integrity -- and it has the power to make you laugh.
70
TV Guide
Ken Fox
Warm and utterly beguiling fable.
67
Austin Chronicle
Kimberley Jones
I suspect that, like the Coen brothers, David Lynch, and Wes Anderson -– our American masters of idiosyncrasy -– Kaurismäki has a limited appeal. Those who get him, really get him.
 The average user rating for this movie is 8.1 (out of 10) based on 16 User Votes
Note: User votes are NOT included in the Metascore calculation.
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Chad S. gave it an 8:
