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43
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92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Margot at the Wedding
Paramount Vantage
FILM:
MPAA RATING: R for sexual content and language
Starring
Nicole Kidman,
Jack Black,
Jennifer Jason Leigh,
and
John Turturro
Margot at the Wedding is a sharply observed portrait of a family in distress. Noah Baumbach's latest project is an unflinchingly honest story about coming to terms with one's family and oneself, a journey that is both funny and heartbreaking. The film stars Nicole Kidman, Jennifer Jason Leigh, and Jack Black. (Paramount Vantage)
| GENRE(S): |
Comedy
|
Drama
|
| WRITTEN BY: |
Noah Baumbach
|
| DIRECTED BY: |
Noah Baumbach
|
| RELEASE DATE: |
DVD: February 19, 2008
Theatrical: November 16, 2007
|
| RUNNING TIME: |
92 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Phillips
Baumbach?s achievement stings. It also has the sureness of tone and direction of a Chekhov story.

91
Entertainment Weekly
Lisa Schwarzbaum
Which brings us back to Kidman, who really IS sensational here.

90
The Hollywood Reporter
Michael Rechtshaffen
Noah Baumbach has followed up his acclaimed 2005 breakthrough "The Squid and the Whale" with another wryly observed, giddily cringe-inducing, bracingly original winner.

90
Film Threat
Niki Foster
A brilliantly executed film that, like many real-life family reunions, is alternately painful, funny, and moving.

88
Rolling Stone
Peter Travers
Dissenters who see this film as a wallow in self-absorption aren't paying attention. Baumbach is acutely attuned to the droll mind games of smart people who only think they're impervious to feeling.

88
Premiere
Glenn Kenny
Margot is a fleet, strangely enjoyable film, animated by the acuity of Baumbach's perceptions and -- this helps a lot -- the frequent laugh-out-loud wit of his dialogue.

83
The Onion (A.V. Club)
Scott Tobias
Margot has a kitchen-sink realism that's genuinely unsettling, like a John Cassavetes movie populated by the hyper-articulate. If nothing else, Baumbach deserves credit for refusing to cozy up to the audience.

83
Seattle Post-Intelligencer
Sean Axmaker
While Margot's casual cruelty and the scenes of squirmy discomfort are sometimes painful to watch, the rendering of this disastrous family reunion is seriously, savagely droll.

80
Washington Post
Desson Thomson
Watching Kidman, Leigh and -- in his nutty, damn-the-torpedoes way -- Black as they torment, confound and torture one another amounts to a vicarious thrill ride in human behavior.

80
LA Weekly
Scott Foundas
Margot at the Wedding gives its characters (and us) something to laugh about.

80
Los Angeles Times
Kenneth Turan
One of the dark pleasures of "Margot" is watching Kidman and Leigh inhabit these two roles with a fierce passion.

80
Chicago Reader
Jonathan Rosenbaum
Hysterically hyperbolic and unpleasant if still witty dissection of family traumas.

80
Newsweek
David Ansen
The cruelly funny Margot at the Wedding shares many of the virtues of "Squid"--it's psychologically astute, sociologically dead on, refreshingly unformulaic--but it's a considerably tougher, less ingratiating movie. People who insist on likable, "sympathetic" protagonists may find it a bitter pill to swallow.

80
The New York Times
A.O. Scott
Frequently brilliant, finally baffling film.

75
Christian Science Monitor
Peter Rainer
Obviously a movie made by smart and talented people but sometimes you can outsmart yourself.

75
Miami Herald
Rene Rodriguez
Bitter, brittle, condescending and petty, the titular character of Margot at the Wedding, fabulously played by Nicole Kidman, is a successful short story writer who resents other people's happiness.

75
Boston Globe
Ty Burr
A broader work than Baumbach's last movie, and it's funnier, too, even as you gasp at the misbehavior.

75
Philadelphia Inquirer
Carrie Rickey
Some call Margot a comedy. For me, it is a tragedy impaled by comic moments.

75
Chicago Sun-Times
Roger Ebert
So it goes with the family in this movie. All of its members are engaged in a mutual process of shooting one another down. Watching Margot at the Wedding is like slowing for a gaper's block.

75
San Francisco Chronicle
Mick LaSalle
This is Baumbach's best yet.

75
Portland Oregonian
Marc Mohan
The overall effect of the movie is to make you wish there were a statute of limitations on how long maladjusted adults are allowed to blame their parents before it's OK to holler, "Get over it, people!"

70
Variety
Todd McCarthy
This study of a disastrous reunion of two sisters feels more like a collection of arresting scenes than a fully conceived and developed drama.

70
Village Voice
Jim Ridley
Hard as it may be to imagine a comedy that inflicts all the psychic torment of "Cries and Whispers," Baumbach has pulled off a more psychologically acute--and funnier--version of the Bergman pastiches that Woody Allen attempted 30 years ago, with a jumpy, nerve-rattling rhythm all his own.

70
Slate
Dana Stevens
It's too bad Baumbach's movie is already shot, edited, and up there on the screen, because after a few rounds with a red pencil, it could really have been something worth watching.

63
Charlotte Observer
Lawrence Toppman
There's plenty to admire in the performances and atmosphere, but the writer-director needed someone to pull him up short.

60
Empire
Liz Beardsworth
A sharply observed but bleak examination of family dysfunction, anchored by solid performances.

60
New York Magazine
David Edelstein
Margot at the Wedding doesn?t develop; it just skips from one squirmy scene to the next.

50
ReelViews
James Berardinelli
While there are a lot of similarities between Rohmer's body of work and Baumbach's latest, the most crucial aspect linking the films is a difference: Rohmer's love of conversation and languorous pace engages the intellect; Baumbach provides a good alternative to an over-the-counter sleep aid.

50
The New Yorker
David Denby
The characters observe no boundaries, and neither does the movie--Baumbach hasn?t worked out the struggle between speaking and withholding, as Bergman did. People simply blurt out scathing remarks, so there?s little power in the revelations and betrayals. ?Margot? is sensually as well as dramatically impoverished.

50
New York Daily News
Jack Mathews
For Kidman, it is a one-note performance dictated by the script. Leigh had more dimension to work with and gives the film's most honest performance. Meanwhile, Black, whose job is mostly to deliver comic relief, is completely lost - that is to say, not funny - in the material.

50
TV Guide
Maitland McDonagh
It's a shame to see such dedicated performers flay their psyches in the service of such fundamentally shallow material.

50
USA Today
Claudia Puig
Watching this movie feels a bit like being trapped on a weekend holiday with an unpredictable and seriously unhappy group of people.

50
The Globe and Mail (Toronto)
Rick Groen
These characters don't seem illuminating at all ? just damned annoying and, ultimately, dead boring.

40
Austin Chronicle
Steve Davis
The next time he (Baumbach) attempts something similar, he might take care to lessen the bile and amplify the heart.

30
Time
Richard Schickel
This is moviemaking for people who don't much like movies unless they are -- you know -- "serious." It is visually inert. It appears to be taking up small-scaled, yet emotionally resonant issues, but does not actually define them sharply or bring them to firm conclusions.

25
New York Post
Lou Lumenick
I've had root canals that were more enjoyable than Margot at the Wedding, Noah Baumbach's hugely pretentious, ugly and annoying follow-up to "The Squid and the Whale."

0
Baltimore Sun
Michael Sragow
Margot at the Wedding is a Christmas gift for high-class depressives: a compendium of malaise fit for an L.L. Bean catalog.


The average user rating for this movie is 6.0 (out of 10) based on 46 User Votes
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