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Matrix, The
Warner Bros.

Matrix, The reviews
Critic Score
Metascore: 73 Metascore out of 100
User Score  
8.2 out of 10
based on 35 reviews
Read critic reviews
How did we calculate this?
based on 142 votes
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MPAA RATING: R for sci-fi violence and brief language

Starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano

A computer hacker (Reeves) learns that his entire life has been a virtual dream, orchestrated by a strange class of computer overlords in the far future. He joins a resistance movement (led by Fishburne) to free humanity from lives of computerized brainwashing.


GENRE(S): Suspense/Thriller  
WRITTEN BY: Andy Wachowski
Larry Wachowski
 
DIRECTED BY: Andy Wachowski
Larry Wachowski
 
RELEASE DATE: DVD: September 21, 1999 
Video: September 21, 1999 
Theatrical: March 31, 1999 
RUNNING TIME: 136 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
Portland Oregonian Shawn Levy
The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement.
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90
The Onion (A.V. Club) Keith Phipps
The Wachowskis do it so playfully well, keeping The Matrix's potentially confusing plot intelligible, intelligent, and suspenseful, that it doesn't matter.
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90
LA Weekly Manohla Dargis
Bill Pope's swooping, noir-inflected cinematography is wonderfully complemented by Owen Paterson's inventive production design, a great soundtrack and the best fight choreography this side of Hong Kong. And even if this isn't "Blade Runner," it is very cool shit.
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90
Mr. Showbiz Cody Clark
This wildly imaginative thriller is a futuristic head trip you most definitely want to take.
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90
TNT RoughCut Christopher Brandon
The Wachowski Brothers have created some of the most unrivaled and imaginative sci-fi in years.
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90
Los Angeles Times Kenneth Turan
A wildly cinematic futuristic thriller that is determined to overpower the imagination, The Matrix combines traditional science-fiction premises with spanking new visual technology in a way that almost defies description.
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90
Film Threat Ron Wells
I'll just say to anyone lamenting the state of American cinema since the 1970s, if you're curious where the next generation of auteurs is coming from, look in the art houses and look in The Matrix.
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88
Philadelphia Inquirer Steven Rea
With its mix of Lewis Carroll and William Gibson; Japanese anime and Chinese chopsocky; mythological allusions, and machine-made illusion, offers a couple of hours of escapist fun.
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88
ReelViews James Berardinelli
Kinetic, atmospheric, visually stunning, and mind-bending.
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80
TV Guide Maitland McDonagh
This dazzling pop allegory is steeped in a dark, pulpy sensibility that transcends nostalgic pastiche and stands firmly on its own merits.
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80
Washington Post Stephen Hunter
There's a kind of liberating, almost transforming energy in this film; it lights you up and sends you out all giddy with silliness.
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80
Slate David Edelstein
One of the more lyrical sci-fi action thrillers ever made, in which space and time become love slaves to the directors' witty visual fancies.
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80
Dallas Observer Bill Gallo
This full-tilt visual and aural bombardment is simply a lot of fun. It never lets up. Nor does it ever want to.
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80
Washington Post Michael O'Sullivan
One big, fat, honking comic book of a sci-fi-martial-arts adventure flick.
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78
Austin Chronicle Marc Savlov
Doesn't just raise the bar on sci-fi and action films, it rips that sucker off and sends it spiraling into the sun.
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75
Christian Science Monitor David Sterritt
The plot switches gears every time it threatens to run out of energy, which keeps the show as lively as it is preposterous.
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75
San Francisco Examiner Wesley Morris
Where most effects-laden extravanganzas aspire to be nothing more than a live-action comic book, The Matrix sees things with the venturesome clarity of a graphic novel.
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75
Chicago Tribune Marc Caro
The writing remains more intelligent than most thrillers, and the action is executed with such panache that even if you don't buy the reality of The Matrix, it's a helluva place to visit.
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75
Chicago Sun-Times Roger Ebert
A visually dazzling cyberadventure, full of kinetic excitement, but it retreats to formula just when it's getting interesting.
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75
The Globe and Mail (Toronto) Ray Conlogue
For those who have been waiting for movies to catch up with the graphic possibilities of comic books, wait no longer: The Matrix is among us.
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75
New York Daily News Jack Mathews
A dazzlingly original visual adventure.
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75
New York Post Rod Dreher
It's like animation come to three-dimensional life, and f/x addicts as well as sci-fi fans will not want to miss a split-second.
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70
Variety Todd McCarthy
An eye-popping but incoherent extravaganza of morphing and superhuman martial arts.
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70
Time Richard Schickel
Given a budget that encourages their kinesthetic skills, the filmmakers tend to go on a bit, but it's mostly a kind of quick, glancing hipness that's being indulged here.
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70
The New York Times Janet Maslin
The martial arts stunts that are its single strongest selling point.
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70
Newsweek David Ansen
With an arsenal of cool f/x at their disposal, the Wachowskis have come up with a dizzyingly enjoyable junk movie that has just enough on its mind to keep the pleasure from being a guilty one.
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70
Film.com Sean Means
Aerves up so much visual wizardry and thought-provoking ideas that even the inevitable Silver touch -- a finale with more bullets than the opening of "Saving Private Ryan" -- can't destroy the magic.
70
Salon.com Andrew O'Hehir
It may bore you to death or blow your mind -- and it's long and convoluted enough to do both -- but it holds nothing back.
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63
USA Today Mike Clark
Even if a lot of adults have problems following this picture 100%, look for computer-savvy teen-agers to guarantee this sometimes original but too often derivative time-killer a shelf life.
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60
Film.com Gemma Files
An exercise in outrageous style over substance.
60
Village Voice Dennis Lim
The cumulative effect is perversely deflationary: long before it's over, the film has flushed the paranoia from its system.
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58
Entertainment Weekly Lisa Schwarzbaum
The real soullessness here is built into the production, a polished adaptation of Hong Kong-style filmmaking that, with its cast of depressive characters, allows for little Hong Kong-style joy.
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50
Boston Globe Jay Carr
Snazzy visuals, of which she (Moss) is one, carry The Matrix past its klutzy script.
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50
Chicago Reader Jonathan Rosenbaum
There's not much humor to keep it all life-size, and by the final stretch it's become bloated, mechanical, and tiresome.
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25
San Francisco Chronicle Bob Graham
It's astonishing that so much money, talent, technical expertise and visual imagination can be put in the service of something so stupid.
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What Our Users Said

Vote Now!The average user rating for this movie is 8.2 (out of 10) based on 142 User Votes
Note: User votes are NOT included in the Metascore calculation.

Mike M gave it a10:
Best movie Ive ever seen besides Braveheart. The fight scenes were amazing. Loved the rotating camera and slow motion effects. The story line was really good. Anyone that does not give this movie a ten obviously has bad taste in movies or just didn't really understand the movie!.

[Anonymous] gave it a6:
Simulated reality does not make much sense in this movie - the human battery concept is ridiculous for any number of reasons: 1. It takes more power to keep people alive than the power that you could theoretically receive from them. 2. Nuclear power anyone? Are the robots so eco-conscience that they can only use solar power? 3. Why not just lobotomise the human 'batteries'? IF you argue that the 'real world' is just a deeper level of a virtual reality, and that the actual real world is never discovered, then the film might make sense [particularly since Neo has some of his Matrix powers available in the 'real world' in the subsequent movies]. Yet, the film does nothing terribly interesting in this department, but instead fills the void with silly pseudo-philosophy such as, 'There is no spoon'. Having said that, if its a silly, self-important, high-budget kung fu movie with guns that you want; this is for you!

Mark J. gave it a10:
Its funny how some people give this movie a low rating. I don't think they fully understand the concept of a simulated reality. There are many actual scientific hypothesis regarding the subject, many of which seem extremely logical and involve Quantum Computers trying to calculate every possible combination and outcome of everything. Another considers the progression of technology and computer systems, and how they are already running complex simulations to help us decide the best course of action in many situations and where resources should be allocated. The matrix falls under the category of "Brain-computer interface" or "direct neural interface" and correlates directly with Neuroprosthetics which is an actual area of neuroscience. This is the first film to consider technologies impact on primitive culture, and the behavior which could result from direct technological integration into semi-intelligent organic life.

Dom K gave it a0:
Only morons like this film. Ok, the principal concept is a good one, but that is completely ruined by an extremely poor script with appalling dialogue and ill-thought out story. One of my favourite worst lines is when Neo first sees a "squiddy" and asks what it is. The reply: "It's a killing machine designed for only 1 thing". (And what would that be, the viewer thinks, killing, per chance?) But, no! It is to "Seek and destroy". In case it needs pointing out, that's two things. You may think I'm being pedantic, but this is not an isolated example. It's full of bad lines and pathetic attempts to be all philosophical. Fans often say how "thought provoking" and "deep" it is. Can you actually say what thoughts it manages to provoke? The only thought it provoked in me was "Why have I paid £5 to see this?" And "Ur an idiot if u hate this film": I've READ Alice in Wonderland, not watched it (it was a book before it was a Disney cartoon, you know) and seen Akira many times. Studying Japanese culture will not make this absolute turd of a film any good. It's just extremely poor.

Andrew R. gave it a10:
Phenomenal don't believe any of the ratings under a 7, they're simply trying to keep you from being unplugged.

Leo R. gave it a10:
The greatest action movie of all time, my favorite movie, its so perceptive so mind boggling you will watch it more than once to then fall more in love with the matrix a world without borders or boundaries. I love this movie.

Noah S gave it a10:
The Matrix is without a doubt one of the best movies ever made. Period. I will explain though. Most people have an issue with the movie for one of two reasons: the special effects and the plot. First, I'm not a huge martial arts guy, so I'm definitely nowhere close to being an expert on this, but the action scenes were pretty awesome. The combination of slick and fast hand-to-hand with a load of guns thrown in...awesome. The music to the fights completed the experience. The second issue most people have with the Matrix is something I am quite familiar with: the plot. The plot of the Matrix is fantastic. That is because of two things: One, it is a fresh idea. The Matrix's plot is not a clone of anything. And two, the plot is incredibly deep, having multiple levels for every part in it. The agents, Neo being freed, the idea of the Matrix itself, all great. If you don't like sci-fi, then that's fine. You probably won't like this movie. You definitely won't like the sequels. But don't knock them for being "stupid" or "moronic." Because they simply aren't. And on a last note, the acting is exactly suited to this movie. The people in this movie act exactly how their characters should. Keanu Reeves was cast BECAUSE he acts the way he does on camera. It was perfect for the part. Hugo Weaving is SUPPOSED to be dry and humorless. Keep in mind the context of the characters when you judge acting. If you have any complaints, I'll be willing to defend the greatness of this movie. A 10 out of 10.

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