Advanced Search >
Help Me Search

DVD

Upcoming Release Calendar
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade

Recent DVD/Video Releases

sort by namesort by score

Stars indicate the most critically-acclaimed movies.

Messenger: The Story of Joan of Arc, The

EMAILPRINTSony Pictures Entertainment

Messenger: The Story of Joan of Arc, The reviews
54
5.5 User Score:

Mixed or average reviews

Based on 33 critic reviews
How did we calculate this?

Based on 15 votes
Read user comments
Rate this movie >

Movie Info

Genre(s): War

Written by: Luc Besson
Andrew Birkin

Directed by: Luc Besson

Release Date:
Theatrical: November 12, 1999
DVD: April 4, 2000

Running Time: 148 minutes, Color

Origin: France

Summary

RATING: R for strong graphic battles, a rape and some language.

Starring Milla Jovovich, John Malkovich, Faye Dunaway, and Dustin Hoffman

As young girl in the 15th century, Joan (Jovovich) receives a vision that drives her to rid France of its oppressors.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Chicago Tribune Michael Wilmington

Such a sour, mindlessly inflated experience that seeing it may temporarily put you off historical movies.

Read Full Review >
80

LA Weekly F. X. Feeney

The Messenger may be a caricature of theology, but then Besson is a cartoonist of genius.

Read Full Review >
80

TNT RoughCut Matt Kelsey

If all history lessons were this stylish, elementary school would have been a better place.

Read Full Review >
75

Seattle Post-Intelligencer William Arnold

The horror and spectacle of medieval battle has never been re-created on film before with such ghastly beauty.

Read Full Review >
70

Village Voice J. Hoberman

Inexplicable as it is, the Joan of Arc story encourages contemplation of ourselves as a species. The Messenger is more apt to prompt meditation on the nature of show business.

Read Full Review >
70

Time Richard Schickel

A lively, nutty film, one full of clumsy, clanging battles filmed by the gifted, eccentric Besson with bloody brio.

Read Full Review >
70

Los Angeles Times Kenneth Turan

Blends great cinematic energy with an awkwardly mixed multinational cast and aggressively over-modernized dialogue.

Read Full Review >
70

Variety Todd McCarthy

The lack of a plausible leading lady is enough to sink what is otherwise an eye-catching, although heavily '90s-style, telling of one of history's most frequently filmed stories.

Read Full Review >
70

Film.com Sean Means

While The Messenger feeds our appetite for visual panache, it starves the soul.

Read Full Review >
67

Mr. Showbiz Michael Atkinson

It's Besson's stunning visual fluency that takes center stage, and in the end, that's not quite enough.

Read Full Review >
63

Baltimore Sun Ann Hornaday

The story's more sober elements are regularly leavened by hip visual flourishes and even some quiet comedy.

Read Full Review >
63

Philadelphia Inquirer Desmond Ryan

You might be occasionally dumbfounded by The Messenger, but you won't be bored.

Read Full Review >
60

Washington Post Desson Thomson

Never was the case for psychotropic medication more acute than in Jovovich's performance.

Read Full Review >
60

Chicago Reader Lisa Alspector

Luc Besson--and Andrew Birkin wrote the pandering, adolescent screenplay for this pseudosubversive hagiography, and nearly every scene screams out its sensationalist intent, though few actually achieve the status of spectacle.

Read Full Review >
60

The New York Times Janet Maslin

Though Ms. Jovovich's performance dominates the film, she remains pedestrian and underwhelming.

60

Film.com Peter Brunette

It's all overblown: too much music, too much cutting, too much zooming, too much computerized special effects, too much clanky symbolism that never works.

Read Full Review >
50

Slate Eliza Truitt

Milla Jovovich is not quite up to the task of playing a nuanced and thoughtful Joan.

Read Full Review >
50

Miami Herald Rene Rodriguez

May be the grandest looking film ever made on the subject, but it lacks the most essential element of all: passion.

Read Full Review >
50

Dallas Observer Andy Klein

The ludicrous casting of Hoffman is just the fatal bit of kindling on this Joan's fire.

Read Full Review >
50

TV Guide Maitland McDonagh

Bresson's vision of the miseries of 15th century life -- which was undeniably nasty, brutish and short -- comes dangerously close to the comic squalor of "Monty Python and the Holy Grail."

Read Full Review >
50

San Francisco Examiner Walter Addiego

By casting model-turned-actress (and his now-estranged wife) Milla Jovovich as the Maid of Orleans, Besson gives us an over-amped spectacle with an annoying, sometimes ridiculous cipher at its heart.

Read Full Review >
50

Film.com John Hartl

It's a painful sit from beginning to end.

Read Full Review >
50

Chicago Sun-Times Roger Ebert

The movie is a mess: a gassy costume epic with nobody at the center.

Read Full Review >
50

USA Today Mike Clark

Has a three-way split personality, which happily includes an action-packed middle to ease the pain of its early protracted exposition and later action so slow that you'll be asking "Gotta match?" to the person next to you.

Read Full Review >
50

New York Post Jonathan Foreman

Besson is unable to weave the comic scenes together with the serious gory ones, so both seem increasingly jarring and unbelievable.

Read Full Review >
50

Christian Science Monitor David Sterritt

Besson's account of the Maid of Orleans presents itself as a celebration of a martyr's faith but shows more interest in the violence and hatred that surrounded her life.

Read Full Review >
50

Salon.com Charles Taylor

A truly vulgar movie.

Read Full Review >
42

Entertainment Weekly Owen Gleiberman

There's precious little in Luc Besson's solemnly inflated, battle-weary historical epic.

Read Full Review >
40

Rolling Stone Peter Travers

For the 148 minutes it takes "The Messenger" to deliver its message, being John Malkovich or Milla Jovovich is really no fun at all.

40

Austin Chronicle Marc Savlov

Besson loves his violence almost as much as he loves his leading lady.

Read Full Review >
38

New York Daily News Jack Mathews

Jovovich, Besson's 24-year-old ex-wife, hasn't a clue how to project shadings, interior emotions, character or personality. Everything's in a full screech.

Read Full Review >
38

Boston Globe Jay Carr

A lot of striking pictures in this would-be feminist "Braveheart," but a film that's pretty flat and earthbound because of the limitations of the figure at its center.

Read Full Review >
25

San Francisco Chronicle Edward Guthmann

Isn't some sober history lesson that bogs down in long speeches and tedious facts. It's about style, it's about fashion, it's about rock 'n' roll busting out in medieval France.

Read Full Review >

What Our Users Said

The average user rating for this movie is 5.5 (out of 10) based on 15 User Votes

Note: User votes are NOT included in the Metascore calculation.

Pat C. gave it a 3:
Jovovich faithfully re-creates the legendary maid, but in a butch kind of way, making it less believable the maid was a real person. The Joan in "Bill & Ted's Excellent Adventure" would probably have been more motivational to the troops. This film is continually at odds over what pragamtically occurred vs. what the hand of God reportedly wrought. Dunaway is clueless. Malkovich's smoldering dementia turns thoughtful, as if he is realizing the movie is out of his depth and he is nuts for showing up in it. Hoffman is comatose as an expressionless nose poking out of a burlap robe. The story, the meaning, and the lead character were all predestined to go up in smoke, and this picture was completed with the enthusiasm of a cast and crew that had a premonition somebody would be taken to the woodshed afterwards.

Yoon C. gave it a 0:
Luc Besson tries to outdo Hollywood by making the dumbest historical epic yet. Joan here is like the obnoxious heroine of La Femme Nikita, a perpetual PMS queen. It's Joan of Arc as bitch that barks. Major actors in minor scenes are all wasted shamefully.

Dave C. gave it a 3:
Horribley shot, pretentious, boring and ugly. The TV series was better than this.

Lorks-A-Lordy, My Mulroneycakes Is On Fire gave it a 1:
There was a version of this a few years back with Ingrid Bergman - which was largely a love letter to Ingrid. Now we have this, which is largely a love letter to Milla Jovovich, made worse by the fact that a) Milla doesn't look the part, b) Milla doesn't act the part, & c) it's twenty years long. Also, it couldn't BE less historically accurate if it added a rainstorm at the end and let Joan survive. Where did that "The Messenger" come from, by the way? Over here it's just called "Joan of Arc". Still rubbish, though.

L. Fas gave it a 7:
I liked the action and the filming. I did not like the silly church scene drinking the wine. Hoffman was a dud I thought Joan was played well. She seemed simple and naive. She yelled and screamed, but I think that is how she probably was. The spiritual aspect was subtle The final torch scene was filmed very well.

Allen W. gave it a 0:
As a historian, I provide a review (soon to be back online) of this wretchedly inaccurate film as part of the site where I publish translations and other research into Joan of Arc's life: http://archive.joan-of-arc.org/

[Anonymous] gave it a 4:
Man, did this movie stink.

Read more user comments >

Popular on CBS sites: College Signing Day | Olympics | Lost | iPhone | Cell Phones | Video Game Reviews | Free Music

About CBS Interactive | Jobs | Advertise

© 2010 CBS Interactive Inc. All rights reserved. | Privacy Policy (UPDATED) | Terms of Use