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Messenger: The Story of Joan of Arc, The
Sony Pictures Entertainment

Messenger: The Story of Joan of Arc, The reviews
Critic Score
Metascore: 54 Metascore out of 100
User Score  
5.4 out of 10
based on 33 reviews
Read critic reviews
How did we calculate this?
based on 14 votes
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MPAA RATING: R for strong graphic battles, a rape and some language.

Starring Milla Jovovich, John Malkovich, Faye Dunaway, and Dustin Hoffman

As young girl in the 15th century, Joan (Jovovich) receives a vision that drives her to rid France of its oppressors.


GENRE(S): War  
WRITTEN BY: Luc Besson
Andrew Birkin
 
DIRECTED BY: Luc Besson  
RELEASE DATE: DVD: April 4, 2000 
Video: April 4, 2000 
Theatrical: November 12, 1999 
RUNNING TIME: 148 minutes, Color 
ORIGIN: France 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Chicago Tribune Michael Wilmington
Such a sour, mindlessly inflated experience that seeing it may temporarily put you off historical movies.
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80
LA Weekly F. X. Feeney
The Messenger may be a caricature of theology, but then Besson is a cartoonist of genius.
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80
TNT RoughCut Matt Kelsey
If all history lessons were this stylish, elementary school would have been a better place.
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75
Seattle Post-Intelligencer William Arnold
The horror and spectacle of medieval battle has never been re-created on film before with such ghastly beauty.
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70
Village Voice J. Hoberman
Inexplicable as it is, the Joan of Arc story encourages contemplation of ourselves as a species. The Messenger is more apt to prompt meditation on the nature of show business.
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70
Time Richard Schickel
A lively, nutty film, one full of clumsy, clanging battles filmed by the gifted, eccentric Besson with bloody brio.
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70
Los Angeles Times Kenneth Turan
Blends great cinematic energy with an awkwardly mixed multinational cast and aggressively over-modernized dialogue.
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70
Variety Todd McCarthy
The lack of a plausible leading lady is enough to sink what is otherwise an eye-catching, although heavily '90s-style, telling of one of history's most frequently filmed stories.
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70
Film.com Sean Means
While The Messenger feeds our appetite for visual panache, it starves the soul.
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67
Mr. Showbiz Michael Atkinson
It's Besson's stunning visual fluency that takes center stage, and in the end, that's not quite enough.
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63
Baltimore Sun Ann Hornaday
The story's more sober elements are regularly leavened by hip visual flourishes and even some quiet comedy.
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63
Philadelphia Inquirer Desmond Ryan
You might be occasionally dumbfounded by The Messenger, but you won't be bored.
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60
Washington Post Desson Thomson
Never was the case for psychotropic medication more acute than in Jovovich's performance.
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60
Chicago Reader Lisa Alspector
Luc Besson--and Andrew Birkin wrote the pandering, adolescent screenplay for this pseudosubversive hagiography, and nearly every scene screams out its sensationalist intent, though few actually achieve the status of spectacle.
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60
The New York Times Janet Maslin
Though Ms. Jovovich's performance dominates the film, she remains pedestrian and underwhelming.
60
Film.com Peter Brunette
It's all overblown: too much music, too much cutting, too much zooming, too much computerized special effects, too much clanky symbolism that never works.
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50
Slate Eliza Truitt
Milla Jovovich is not quite up to the task of playing a nuanced and thoughtful Joan.
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50
Miami Herald Rene Rodriguez
May be the grandest looking film ever made on the subject, but it lacks the most essential element of all: passion.
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50
Dallas Observer Andy Klein
The ludicrous casting of Hoffman is just the fatal bit of kindling on this Joan's fire.
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50
TV Guide Maitland McDonagh
Bresson's vision of the miseries of 15th century life -- which was undeniably nasty, brutish and short -- comes dangerously close to the comic squalor of "Monty Python and the Holy Grail."
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50
San Francisco Examiner Walter Addiego
By casting model-turned-actress (and his now-estranged wife) Milla Jovovich as the Maid of Orleans, Besson gives us an over-amped spectacle with an annoying, sometimes ridiculous cipher at its heart.
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50
Film.com John Hartl
It's a painful sit from beginning to end.
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50
Chicago Sun-Times Roger Ebert
The movie is a mess: a gassy costume epic with nobody at the center.
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50
USA Today Mike Clark
Has a three-way split personality, which happily includes an action-packed middle to ease the pain of its early protracted exposition and later action so slow that you'll be asking "Gotta match?" to the person next to you.
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50
New York Post Jonathan Foreman
Besson is unable to weave the comic scenes together with the serious gory ones, so both seem increasingly jarring and unbelievable.
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50
Christian Science Monitor David Sterritt
Besson's account of the Maid of Orleans presents itself as a celebration of a martyr's faith but shows more interest in the violence and hatred that surrounded her life.
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50
Salon.com Charles Taylor
A truly vulgar movie.
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42
Entertainment Weekly Owen Gleiberman
There's precious little in Luc Besson's solemnly inflated, battle-weary historical epic.
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40
Rolling Stone Peter Travers
For the 148 minutes it takes "The Messenger" to deliver its message, being John Malkovich or Milla Jovovich is really no fun at all.
40
Austin Chronicle Marc Savlov
Besson loves his violence almost as much as he loves his leading lady.
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38
New York Daily News Jack Mathews
Jovovich, Besson's 24-year-old ex-wife, hasn't a clue how to project shadings, interior emotions, character or personality. Everything's in a full screech.
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38
Boston Globe Jay Carr
A lot of striking pictures in this would-be feminist "Braveheart," but a film that's pretty flat and earthbound because of the limitations of the figure at its center.
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25
San Francisco Chronicle Edward Guthmann
Isn't some sober history lesson that bogs down in long speeches and tedious facts. It's about style, it's about fashion, it's about rock 'n' roll busting out in medieval France.
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What Our Users Said

Vote Now!The average user rating for this movie is 5.4 (out of 10) based on 14 User Votes
Note: User votes are NOT included in the Metascore calculation.

Pat C. gave it a 3:
Jovovich faithfully re-creates the legendary maid, but in a butch kind of way, making it less believable the maid was a real person. The Joan in "Bill & Ted's Excellent Adventure" would probably have been more motivational to the troops. This film is continually at odds over what pragamtically occurred vs. what the hand of God reportedly wrought. Dunaway is clueless. Malkovich's smoldering dementia turns thoughtful, as if he is realizing the movie is out of his depth and he is nuts for showing up in it. Hoffman is comatose as an expressionless nose poking out of a burlap robe. The story, the meaning, and the lead character were all predestined to go up in smoke, and this picture was completed with the enthusiasm of a cast and crew that had a premonition somebody would be taken to the woodshed afterwards.

Yoon C. gave it a 0:
Luc Besson tries to outdo Hollywood by making the dumbest historical epic yet. Joan here is like the obnoxious heroine of La Femme Nikita, a perpetual PMS queen. It's Joan of Arc as bitch that barks. Major actors in minor scenes are all wasted shamefully.

Dave C. gave it a 3:
Horribley shot, pretentious, boring and ugly. The TV series was better than this.

Lorks-A-Lordy, My Mulroneycakes Is On Fire gave it a 1:
There was a version of this a few years back with Ingrid Bergman - which was largely a love letter to Ingrid. Now we have this, which is largely a love letter to Milla Jovovich, made worse by the fact that a) Milla doesn't look the part, b) Milla doesn't act the part, & c) it's twenty years long. Also, it couldn't BE less historically accurate if it added a rainstorm at the end and let Joan survive. Where did that "The Messenger" come from, by the way? Over here it's just called "Joan of Arc". Still rubbish, though.

L. Fas gave it a 7:
I liked the action and the filming. I did not like the silly church scene drinking the wine. Hoffman was a dud I thought Joan was played well. She seemed simple and naive. She yelled and screamed, but I think that is how she probably was. The spiritual aspect was subtle The final torch scene was filmed very well.

Allen W. gave it a 0:
As a historian, I provide a review (soon to be back online) of this wretchedly inaccurate film as part of the site where I publish translations and other research into Joan of Arc's life: http://archive.joan-of-arc.org/

[Anonymous] gave it a 4:
Man, did this movie stink.

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