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4 Months, 3 Weeks and 2 Days
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86
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85
Edge of Heaven, The
83
Paranoid Park
80
Encounters at the End of the World
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78
Hellboy II: The Golden Army
75
Boy A
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Mongol
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Kung Fu Panda
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Gonzo: The Life and Work of Dr. Hunter S. Thompson
72
Priceless
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Transsiberian
71
To the Limit
71
Tropic Thunder
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Standard Operating Procedure
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When Did You Last See Your Father?
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Indiana Jones and the Kingdom of the Crystal Skull
63
Planet B-Boy
63
Sisterhood of the Traveling Pants 2, The
63
Kit Kittredge: An American Girl
63
This Christmas
62
Mister Foe
61
Stuck
61
On the Rumba River
61
Incredible Hulk, The
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Stone Angel, The
57
Journey to the Center of the Earth 3D
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Sukiyaki Western Django
54
You Don't Mess with the Zohan
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What We Do Is Secret
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Milarepa
49
Pirates Who Don't Do Anything: A VeggieTales Movie, The
48
Death Defying Acts
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Strangers, The
46
Jack Brooks: Monster Slayer
45
Zombie Strippers
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37
War, Inc.
35
Star Wars: The Clone Wars
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33
Elite Squad
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Perfect Holiday, The
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Hell Ride
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Stars indicate the most critically-acclaimed movies.
|
Messenger: The Story of Joan of Arc, The
Sony Pictures Entertainment
FILM:
MPAA RATING: R for strong graphic battles, a rape and some language.
Starring
Milla Jovovich,
John Malkovich,
Faye Dunaway,
and
Dustin Hoffman
As young girl in the 15th century, Joan (Jovovich) receives a vision that drives her to rid France of its oppressors.
| GENRE(S): |
War
|
| WRITTEN BY: |
Luc Besson
Andrew Birkin
|
| DIRECTED BY: |
Luc Besson
|
| RELEASE DATE: |
DVD: April 4, 2000
Video: April 4, 2000
Theatrical: November 12, 1999
|
| RUNNING TIME: |
148 minutes, Color |
| ORIGIN: |
France |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Wilmington
Such a sour, mindlessly inflated experience that seeing it may temporarily put you off historical movies.

80
LA Weekly
F. X. Feeney
The Messenger may be a caricature of theology, but then Besson is a cartoonist of genius.

80
TNT RoughCut
Matt Kelsey
If all history lessons were this stylish, elementary school would have been a better place.

75
Seattle Post-Intelligencer
William Arnold
The horror and spectacle of medieval battle has never been re-created on film before with such ghastly beauty.

70
Village Voice
J. Hoberman
Inexplicable as it is, the Joan of Arc story encourages contemplation of ourselves as a species. The Messenger is more apt to prompt meditation on the nature of show business.

70
Time
Richard Schickel
A lively, nutty film, one full of clumsy, clanging battles filmed by the gifted, eccentric Besson with bloody brio.

70
Los Angeles Times
Kenneth Turan
Blends great cinematic energy with an awkwardly mixed multinational cast and aggressively over-modernized dialogue.

70
Variety
Todd McCarthy
The lack of a plausible leading lady is enough to sink what is otherwise an eye-catching, although heavily '90s-style, telling of one of history's most frequently filmed stories.

70
Film.com
Sean Means
While The Messenger feeds our appetite for visual panache, it starves the soul.

67
Mr. Showbiz
Michael Atkinson
It's Besson's stunning visual fluency that takes center stage, and in the end, that's not quite enough.

63
Baltimore Sun
Ann Hornaday
The story's more sober elements are regularly leavened by hip visual flourishes and even some quiet comedy.

63
Philadelphia Inquirer
Desmond Ryan
You might be occasionally dumbfounded by The Messenger, but you won't be bored.

60
Washington Post
Desson Thomson
Never was the case for psychotropic medication more acute than in Jovovich's performance.

60
Chicago Reader
Lisa Alspector
Luc Besson--and Andrew Birkin wrote the pandering, adolescent screenplay for this pseudosubversive hagiography, and nearly every scene screams out its sensationalist intent, though few actually achieve the status of spectacle.

60
The New York Times
Janet Maslin
Though Ms. Jovovich's performance dominates the film, she remains pedestrian and underwhelming.
60
Film.com
Peter Brunette
It's all overblown: too much music, too much cutting, too much zooming, too much computerized special effects, too much clanky symbolism that never works.

50
Slate
Eliza Truitt
Milla Jovovich is not quite up to the task of playing a nuanced and thoughtful Joan.

50
Miami Herald
Rene Rodriguez
May be the grandest looking film ever made on the subject, but it lacks the most essential element of all: passion.

50
Dallas Observer
Andy Klein
The ludicrous casting of Hoffman is just the fatal bit of kindling on this Joan's fire.

50
TV Guide
Maitland McDonagh
Bresson's vision of the miseries of 15th century life -- which was undeniably nasty, brutish and short -- comes dangerously close to the comic squalor of "Monty Python and the Holy Grail."

50
San Francisco Examiner
Walter Addiego
By casting model-turned-actress (and his now-estranged wife) Milla Jovovich as the Maid of Orleans, Besson gives us an over-amped spectacle with an annoying, sometimes ridiculous cipher at its heart.

50
Film.com
John Hartl
It's a painful sit from beginning to end.

50
Chicago Sun-Times
Roger Ebert
The movie is a mess: a gassy costume epic with nobody at the center.

50
USA Today
Mike Clark
Has a three-way split personality, which happily includes an action-packed middle to ease the pain of its early protracted exposition and later action so slow that you'll be asking "Gotta match?" to the person next to you.

50
New York Post
Jonathan Foreman
Besson is unable to weave the comic scenes together with the serious gory ones, so both seem increasingly jarring and unbelievable.

50
Christian Science Monitor
David Sterritt
Besson's account of the Maid of Orleans presents itself as a celebration of a martyr's faith but shows more interest in the violence and hatred that surrounded her life.

50
Salon.com
Charles Taylor
A truly vulgar movie.

42
Entertainment Weekly
Owen Gleiberman
There's precious little in Luc Besson's solemnly inflated, battle-weary historical epic.

40
Rolling Stone
Peter Travers
For the 148 minutes it takes "The Messenger" to deliver its message, being John Malkovich or Milla Jovovich is really no fun at all.
40
Austin Chronicle
Marc Savlov
Besson loves his violence almost as much as he loves his leading lady.

38
New York Daily News
Jack Mathews
Jovovich, Besson's 24-year-old ex-wife, hasn't a clue how to project shadings, interior emotions, character or personality. Everything's in a full screech.

38
Boston Globe
Jay Carr
A lot of striking pictures in this would-be feminist "Braveheart," but a film that's pretty flat and earthbound because of the limitations of the figure at its center.

25
San Francisco Chronicle
Edward Guthmann
Isn't some sober history lesson that bogs down in long speeches and tedious facts. It's about style, it's about fashion, it's about rock 'n' roll busting out in medieval France.


The average user rating for this movie is 5.4 (out of 10) based on 14 User Votes
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