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Mighty Heart, A
Paramount Vantage
FILM:
MPAA RATING: R for language
Starring
Dan Futterman,
Angelina Jolie,
Archie Panjabi,
Irfan Khan,
Denis O'Hare,
Will Patton,
and
Gary Wilmes
Angelina Jolie stars as Mariane Pearl, wife of slain journalist Daniel Pearl, in director Michael Winterbottom's adaptation of Mariane's memoir "A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl," recounting the abduction and murder of her husband by Pakistani militants.
| GENRE(S): |
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
John Orloff
Mariane Pearl (book)
|
| DIRECTED BY: |
Michael Winterbottom
|
| RELEASE DATE: |
DVD: October 16, 2007
Theatrical: June 22, 2007
|
| RUNNING TIME: |
100 minutes, Color |
| ORIGIN: |
UK / USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
Peter Rainer
Stunning.
100
Charlotte Observer
Lawrence Toppman
The title comes from the memoir by Mariane Pearl, wife of kidnapped Wall Street Journal reporter Daniel Pearl. It applies equally to Winterbottom, who has made the rarest movie among this summer's releases: a taut police procedural that examines all sides of an issue and forces us to re-think our own.
90
Los Angeles Times
Kenneth Turan
Moving and frighteningly real.
88
TV Guide
Ken Fox
Though absurdly criticized for being too "white" to play Mariane Pearl, Jolie gives an excellent performance. She portrays Mariane as gutsy, smart, passionate and highly efficient.
88
Rolling Stone
Peter Travers
The film belongs to Jolie. She won an Oscar for 1999's "Girl, Interrupted," but this is by far her best performance.
88
The Globe and Mail (Toronto)
Rick Groen
The film takes its cue from the widow, neither sermonizing or even villainizing, content to serve quietly as an admirable exercise in restraint and a moving example of the grace under pressure that is the essence of courage.
88
Chicago Sun-Times
Roger Ebert
What is best about A Mighty Heart is that it doesn't reduce the Daniel Pearl story to a plot, but elevates it to a tragedy. A tragedy that illuminates and grieves for the hatred that runs loose in our world, hatred as a mad dog that attacks everyone. Attacks them for what seems, to the dog, the best of reasons.
88
USA Today
Claudia Puig
Emotionally and viscerally compelling and retains a suspenseful, edge-of-the-seat quality.
83
Portland Oregonian
Shawn Levy
The most striking thing about it is what it's not...a richly atmospheric film that races surefootedly through complexities of data and emotion like a spy movie and not at all like a sentimental sob story.
83
Seattle Post-Intelligencer
William Arnold
Visceral, alive and very scary.
80
Wall Street Journal
Joe Morgenstern
The film's point of view is inevitably that of an outsider, which Danny Pearl was, and menace is the essence of this shattering story, which has been told with skill and urgent conviction. A Mighty Heart makes the terms of the terrorist threat palpable.
80
The New York Times
Manohla Dargis
Effectively fashioned, as jolting as it is polished, as well as a surprising, insistently political work of commercial art.
80
The Hollywood Reporter
Ray Bennett
Expertly fashioned documentary-style drama.
80
LA Weekly
Ella Taylor
Michael Winterbottom has made an enormously moving document of the tense days between Pearl's capture and the news that he was dead.
80
Salon.com
Stephanie Zacharek
That sense of one small, private world shattering within the larger and even more unstable one around it is the essence of Michael Winterbottom's unmooring, bleakly beautiful film version of A Mighty Heart.
75
Premiere
Glenn Kenny
What does not work, in a movie where almost everything, including dramatic rhetoric, has been kept on a modest scale up to this point, is the heavy-handed way Winterbottom (and Jolie) contrast the pain of loss with the pain of begetting toward the end.
75
New York Daily News
Jack Mathews
The story feels as urgent as the latest bad news out of the Middle East.
75
San Francisco Chronicle
Ruthe Stein
Heart-wrenching film.
75
New York Post
Lou Lumenick
Remarkably apolitical, considering that it comes from the director of the Bush-bashing "The Road to Guantanamo."
75
Chicago Tribune
Michael Phillips
A worthy film on a great, tragic subject.
75
ReelViews
James Berardinelli
The film is fascinating and at times disturbing, but Winterbottom's arms-length style mutes any emotional impact.
75
The Onion (A.V. Club)
Scott Tobias
Jolie simply exercises Mariane's persistent will, and honors her in the process.
70
Washington Post
Ann Hornaday
A taut, meticulously crafted police procedural.
70
The New Yorker
Anthony Lane
The result, like many of Winterbottom's films, lies an inch short of disarray; we CAN keep pace with the investigation, but only just, and that sense of splintering honors the unpredictability of the setting.
70
Variety
Justin Chang
In his first studio venture, Michael Winterbottom coaxes forth a staggering wealth of detail from this terse, methodical account of Pearl's kidnapping and murder in Pakistan.
70
New York Magazine
David Edelstein
The movie is clipped, blunt, and grimly realistic. It is practically a POLICIER , although the suspense is mitigated by our knowledge that the investigation will end badly.
70
Newsweek
David Ansen
Like many of Winterbottom's movies, it falls a step short of its full potential. Its tact is both its strength and its weakness. The climax feels rushed: it's the rare movie these days that feels too short.
70
Chicago Reader
J.R. Jones
Functions primarily as a suspense film, and it manages to be gripping even though the outcome is already known.
70
Slate
Dana Stevens
This is one of those roles where casting can't help but trump acting. Like Elizabeth Taylor as Cleopatra, Angelina Jolie IS Mariane Pearl--and that marquee-size "is" gets in the way, not of her performance, but of our ability to suspend disbelief and watch it.
70
Time
Richard Schickel
This movie does not fully separate itself from our admittedly low -- even slightly shameful -- expectations, does not become the pure documentary it might perhaps better have been.
67
Entertainment Weekly
Lisa Schwarzbaum
Despite the best of intentions, an actress who makes her own headlines gets in the way of the big picture.
63
Miami Herald
Rene Rodriguez
The overriding tone of A Mighty Heart is neither indignant nor sentimental: The film is consistently cool, almost to a fault.
63
Philadelphia Inquirer
Carrie Rickey
For the most part, Michael Winterbottom's well-intended film, the true story of an idealistic journalist and his gallant wife disinvites emotion by focusing on process at the expense of passion.
63
Boston Globe
Ty Burr
I almost wish A Mighty Heart were about the Captain, and I'd bet director Michael Winterbottom does, too. The character contains all the contradictory impulses of this region of the world that the West tries and miserably fails to boil down to black and white.
60
Film Threat
Pete Vonder Haar
The movie is engrossing and well-acted throughout (especially Khan), but ultimately leaves us less optimistic about the prospects for peace.
58
Baltimore Sun
Michael Sragow
A Mighty Heart has the surface tension of a first-rate docudrama but neither the passion nor the vision to encompass its powerhouse subject.
50
Village Voice
J. Hoberman
Angelina Jolie is the major alienation effect in A Mighty Heart, although she's not the only one. The hectic pizzazz with which hired gun Michael Winterbottom directs this tale of terrifying terrorism is another distraction.
50
Austin Chronicle
Marrit Ingman
The elliptical narrative also recalls Fernando Meirelles' somewhat similarly themed "The Constant Gardener," a film ultimately more heartfelt and accessible to mainstream audiences because its maker is unafraid of grief and explores it more deeply.
 The average user rating for this movie is 7.4 (out of 10) based on 27 User Votes
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