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Miller's Crossing

EMAILPRINT20th Century Fox

Miller's Crossing reviews
66
8.8 User Score:

Generally favorable reviews

Based on 18 critic reviews
How did we calculate this?

Based on 16 votes
Read user comments
Rate this movie >

Movie Info

Genre(s): Drama

Written by: Joel Coen
Ethan Coen

Directed by: Joel Coen
Ethan Coen

Release Date:
Theatrical: October 5, 1990

Running Time: 115 minutes, Color

Origin: USA

Summary

RATING: R

Starring Gabriel Byrne, Marcia Gay Harden, John Turturro, Jon Polito, J.E. Freeman, Albert Finney, and Steve Buscemi

In an unnamed Eastern city in 1929, the friendship between the local political boss (Finney) and Tom (Byrne), the man behind the man, is severed when they fall for same woman. Tom joins ranks with Johnny Caspar, Leo's enemy and rival, in a race for political power, resulting in a bloody, citywide gang war.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

USA Today Mike Clark

Cold and cut to the bone, the film is a primer in screen virtuosity. Standard action film clichés, like a face getting hit with a chair, get turned inside out; both film and actors somehow manage to seem realistic and stylized at the same time. [21 Sept 1990, Life, p.6D]

100

Washington Post Rita Kempley

As disturbing and densely beautiful as its opening image, a lofty forest that dwarfs the gangsters as they laugh over their kill.

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100

The Globe and Mail (Toronto) Jay Scott

A masterpiece, but of a unique kind... A gorgeously filmed, supremely well-acted, intricately written film noir about now.

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100

Variety Staff (Not Credited)

Substance is here in spades, along with the twisted, brilliantly controlled style on which filmmakers Joel and Ethan Coen made a name.

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100

Austin Chronicle Marjorie Baumgarten

Barry Sonnenfeld's stunning cinematography and the sharply etched characterizations make this film one for the ages.

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88

Christian Science Monitor David Sterritt

The movie is artful to a fault, with too many characters sitting in perfectly arranged, immaculately lighted rooms and talking a lot. It contains near-classic sequences, though, and splendid performances. [28 Sept 1990]

83

Entertainment Weekly Lawrence O'Toole

If, however, you're looking for compelling characters, all the lights are blazing here but nobody's at home.

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80

Empire Staff (Not Credited)

A very clever, stylish story of friendship, loyalty and betrayal.

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80

Washington Post Desson Thomson

Crossing should be watched not because it's their finest achievement (that's still to come), but because the brothers are keeping things refreshingly different and building a career, their minds still very much fixed on originality.

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80

Time Richard Corliss

The Coens are artists too, and their cool dazzler is an elegy to a day when Hollywood could locate moral gravity in a genre film for grownups. [24 Sept 1990, p.83]

75

Chicago Sun-Times Roger Ebert

What it doesn't have is a narrative magnet to pull us through - a story line that makes us really care what happens, aside from the elegant but mechanical manipulations of the plot.

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75

Chicago Tribune Dave Kehr

The Coens have technique and they have taste; what they do not yet have is the ability to move beyond their handsome imagery to the human center of their material. [5 Oct 1990, Friday, p.C]

70

TV Guide Staff (Non Credited)

It takes place in an artificial world constructed largely from the mythology of other movies, and, though it's both seamless and stylish, some find it a little too self-conscious for its own good.

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60

Los Angeles Times Sheila Benson

Heart may be what the movie needs most, but a bit of clarity wouldn't hurt either. Even here in gangsterland, where random characters are cherished and non sequiturs are considered wisecracks, there is a difference between complications and impenetrability, and this plot is a bloody thicket.. [5 Oct 1990, Calendar, p.F-10]

50

San Francisco Chronicle Mick LaSalle

An elegant-looking picture, carefully made and beautifully put together, but when the gloss wears off, you're left with an experience that doesn’t quite satisfy. [5 Oct 1990, Daily Datebook, E10]

40

Chicago Reader Jonathan Rosenbaum

The double crosses are so intricate and the cynicism so enveloping that it becomes increasingly difficult to care about the characters

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30

The New York Times Vincent Canby

Weightless. It is also, unfortunately, without much point at all... A movie of random effects and little accumulative impact.

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0

The New Republic Stanley Kauffmann

A lifeless, tedious picture... A complete dud. [29 Oct 1990, p.26]

What Our Users Said

The average user rating for this movie is 8.8 (out of 10) based on 16 User Votes

Note: User votes are NOT included in the Metascore calculation.

Nerijus D. gave it a9:
A very good film indeed, but more realism would've been appreciated.

Dirk D. gave it a10:
Wow, this is an excellent example of an almost perfect movie. Camera work, story, music, acting, scenery and the dialogues were executed brilliant! A must-see and a modern masterpiece!

Jay H. gave it a6:
I guess I am missing something here. It is a skillfully made film, the cinematography is remarkable and the score is excellent. It has great style and atmosphere. But it's about a bunch of low life jerks killing each other. I could not get into any of the characters, in spite of a great cast.

Andew P. gave it a10:
Miller's Crossing is an excellent movie, it carries well developed characters and puts them into messy situations. There is noting negative I can say except for the film get boring at times, but that is a petty complaint compared to all the delightfully dark content in the film. A must see for any Coen brothers or Movie fan out there!

Bill S gave it a10:
This movie is an entertaining beauty with real depth. As close to perfect as film gets. Acting, direction, cinematography, screenplay, and sound are all superb. Second and third viewings are even better than the first. A masterpiece.

Chris P. gave it a9:
This film is one of the Coen brothers best. The film captures the 20's with captivating language and stylized set design. It takes us on a journey with Tom(Byrne), a cryptic man who has issues with boozing and gambling. His world is turned upside down and his loyalties to his boss(Finney) and lady are in conflict. Superb performances from the entire cast. The role of Tom seems to be written for Byrne and John Turturro puts on another stellar performance in another Coen brother film.

J H gave it a10:
Great movie. Music, acting and language is superb. You will not find anything like it anywhere.

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