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Year One
Stars indicate the most critically-acclaimed movies.
Mission to Mars
EMAILPRINTBuena Vista Pictures

Generally unfavorable reviews
Based on 36 critic reviews
How did we calculate this?
Based on 16 votes
Read user comments
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Movie Info
Genre(s): Sci-fi
Written by:
Graham Yost
Jim Thomas (also story)
John Thomas (also story)
Lowell Cannon (story)
Directed by: Brian De Palma
Release Date:
Theatrical: March 10, 2000
DVD: September 12, 2000
Running Time: 113 minutes, Color
Origin: USA
Summary
RATING: PG for sci-fi violence and mild language.
Starring Gary Sinise, Don Cheadle, Connie Nielson, Jerry O'Connell, Kim Delaney, and Tim Robbins
The extraordinary story of the astronauts of the Mars Recovery Mission, the nearly insurmountable dangers that confront the heroic crew on their journey through space, and the amazing discovery they make when they finally reach Mars. (Touchstone Pictures)
Also On Metacritic
FILM: Femme Fatale Mission: Impossible Redacted Scarface Snake Eyes The Black Dahlia
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Tribune Michael Wilmington
One of the most gorgeous science-fiction movies ever - and probably also one of the most realistic in detail and scientific extrapolation
Read Full Review >New York Daily News Jami Bernard
Earthlings beware: The dialogue and characters have less weight than bodies freed from gravity's grip.
Read Full Review >Time Richard Corliss
This isn't "2001," by a long shot, but for 2000, it'll do nicely.
Read Full Review >Seattle Post-Intelligencer William Arnold
Here and there an inspired shot makes the film come alive, and at least three of its sequences had me positioned well on the edge of my seat.
Read Full Review >Boston Globe Jay Carr
There are times when it moves into the guilty pleasure zone.
Read Full Review >Philadelphia Inquirer Gary Thompson
It's low-energy, and it's also depressing to know that people are still listening to Van Halen 20 years from now.
Read Full Review >Slate David Edelstein
He does gorgeous work, but in Mission to Mars he's only going through the motions.
Read Full Review >Baltimore Sun Chris Kaltenbach
Plot-wise, this is strictly paint-by-numbers stuff.
Read Full Review >Christian Science Monitor David Sterritt
The picture is equally long on eye-dazzling camera work and New Age sentimentality.
Read Full Review >Charlotte Observer Lawrence Toppman
Trying to make sense of this shaggy dog story is like climbing a mountain with glass-smooth sides and quarter-inch toeholds.
Read Full Review >Los Angeles Times Kenneth Turan
It's a wonderful piece of filmmaking, but once any mouth is opened the magic is immediately tarnished.
Read Full Review >Film.com Robert Horton
For a good 40 minutes or so in the middle of this movie, De Palma is in his element.
Read Full Review >Portland Oregonian Shawn Levy
Dazzling to look at but dreadful to listen to, the film is a tug-of-war of coolness and dreck.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
In the presence of profound questions, the filmmaker goes profoundly shallow.
Read Full Review >The New York Times A.O. Scott
There doesn't seem to be an original moment in the entire movie, and the score is so repetitive that it could have been downloaded directly from EnnioMorricone.com.
Read Full Review >TV Guide Maitland McDonagh
The script is heavy on platitudes about friendship, but since there isn't a single fully fleshed character in sight, who cares?
Read Full Review >Film.com Tom Keogh
All such good intentions collapse by the third act, when Mission to Mars becomes a tediously late pastiche of chimerical nonsense from the early 1980s.
Read Full Review >Village Voice J. Hoberman
Halfway through, De Palma literally explodes his narrative to orchestrate a superb deep-space float-opera replete with runaway modules, high-tech lassos, dramatic self-sacrifice, and, in the most surprising maneuver, a montage-driven modicum of actual suspense.
Read Full Review >Newsweek David Ansen
It's a gorgeous bad movie, the folly of a great visual stylist.
Read Full Review >Film.com John Hartl
The final scenes, which suggest an earnest science lesson presented by a weepy extraterrestrial in an alien planetarium, play like the work of an amateur filmmaker.
Read Full Review >Miami Herald Rene Rodriguez
A $100 million production of a 10-cent script, is so clunkily written, so bereft of any engaging ideas or emotions, you'd think De Palma would have sneered at it on first reading and passed
Read Full Review >Chicago Reader Jonathan Rosenbaum
There are a few pretty good design effects en route, but not enough to compensate for all the embarrassments.
Read Full Review >Dallas Observer Robert Wilonsky
One can only assume all the, ah, good stuff landed on the cutting-room floor, because it sure as hell didn't make it to Mars.
Read Full Review >Rolling Stone Peter Travers
What DePalma has never made is a dull movie. Until now.
New York Post Jonathan Foreman
It features well-below-par writing, acting, direction, special effects and music, while oozing a nauseating New Age sentimentality that undermines any tension in the underlying story.
Read Full Review >San Francisco Chronicle Bob Graham
Something so sappy, no one would believe me if I told them. It has to be seen to be disbelieved.
Read Full Review >Austin Chronicle Marc Savlov
De Palma's film is a mess from its anxious start all the way through to its new-agey end, relying heavily on cribs from Kubrick and Cameron and even the recent "Apollo 13."
Read Full Review >Washington Post Michael O'Sullivan
I'm not sure if it was that or the cloying script, but after a couple of hours of spinning around listening to this drivel I felt like I was going to barf.
Read Full Review >TNT RoughCut Marcus Sakey
Even more frightening are the miserable performances elicited from A-list talent, particularly Tim Robbins and Gary Sinise, both Oscar-nominated actors who perform with all the heartfelt conviction of Hawaiian-shirt-clad teenagers in a high school rendition of "South Pacific."
Read Full Review >LA Weekly Manohla Dargis
Otherwise fine actors such as Don Cheadle and Gary Sinise spend nearly two hours of film time stand-ing around like department-store dummies mouthing dialogue so wooden it's petrified.
Read Full Review >Salon.com Andrew O'Hehir
Startlingly inept from start to finish -- it's atrociously written, poorly shot and edited and fatally unfocused.
Read Full Review >Mr. Showbiz Kevin Maynard
As intriguing as the premise sounds, Mission to Mars hasn't a single moment of real suspense.
Read Full Review >San Francisco Examiner Wesley Morris
It's an experience as frustrating as watching Jeff Gordon drive a stock car through a bowl of oatmeal.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.8 (out of 10) based on 16 User Votes
Note: User votes are NOT included in the Metascore calculation.
Gustavo H.R. gave it a 7:
One of the most underrated - and beautiful sci-fi films of the new century. Exquisitely shot, beautifully scored and suspensful, M2M is a fine entertainment.
Pat C. gave it a 3:
The special effects can't even begin to save this monstrosity. Like Moulin Rouge, it is so tragic to see such a beautiful set wasted so badly. A dagger in the heart of the space program if our congressmen ever see it. As martian movies go, it's better than Red Planet but not as good as Total Recall. But take a lesson from 2001: If you don't have a good answer to the mystery of the cosmos, don't give any answer at all.
Yoon C. gave it a 3:
Perhaps this movie can be defended as a postmodernist parody of sci-fi conventions. After all, DePalma isn't one of the most earnest directors around. Still, what comes across is a flaky new age vision of cosmic unity and other such nonsense. The movie rips off 2001, Solaris, and most of all, TV commercials of every stripe; indeed, at times it IS a tv commercial for M&M and Dr. Pepper. There are some good things like the use of lighting in the opening scene; I don't believe I've seen nighttime illuminated so crisply. But, there are outrageous things as well. An astronaut marooned on Mars for months survives on oxygen generated by a tomato plant! One wants to be generous and see the whole thing as intended comedy but it sure doesn't feel like one.
Gilbert Mulroneycakes And The Spiders From Mars gave it a 7:
Brian de "Now-Great, Now-Rubbish" Palma does it again. Watchable enough.
Donald G. gave it a 10:
Critics of this film want a better script; they want a rational, deeply psychological-verbal script. But Mission To Mars tells its story through the visual framework of camera and editing. I rate it a 10 because I think its a masterpiece of an attempt to get beyond all the human racism of characters with supposedly 'unique' feelings and especially complex psyches. What this film offers us is an imaginative and visually stunning mythos concerning the greater family of life in which the much cherished 'human psychology' obsession is radically down-played. It is to science fiction film what Mozart's Magic Flute is to opera. Congratulations and thanks ...to all concerned and especially Mr. De Palma.
Ryan M. gave it an 8:
This film depends on everything it has, which is a whole lot.
Cole L. gave it a 7:
A sci-fi flick, but it holds itself up straight with everthing it has. Which is not a lot.
