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Painted Veil, The
Warner Independent Pictures
FILM:
MPAA RATING: PG-13 for some mature sexual situations, partial nudity, disturbing images and brief drug content
Starring
Naomi Watts,
Edward Norton,
Liev Schreiber,
Sally Hawkins,
Toby Jones,
and
Diana Rigg
Based on the novel by W. Somerset Maugham and set against the visually stunning backdrop of China during one of its most dramatic periods of upheaval, The Painted Veil tells a unique love story of an estranged husband and wife who find redemption and unexpected grace in a very unlikely place. (Warner Independent Pictures)
| GENRE(S): |
Drama
|
Romance
|
| WRITTEN BY: |
Ron Nyswaner
W. Somerset Maugham (novel)
|
| DIRECTED BY: |
John Curran
|
| RELEASE DATE: |
DVD: May 8, 2007
Theatrical: December 20, 2006
|
| RUNNING TIME: |
125 minutes, Color |
| ORIGIN: |
USA |
| LANGUAGE(S): |
Mandarin / English |
Nominated, Best Male Lead (Norton) and Best Screenplay, 2007 Independent Spirit Awards
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
Mick LaSalle
The year's best romantic drama.
90
Salon.com
Stephanie Zacharek
Curran, his actors and screenwriter Ron Nyswaner have made an old-fashioned melodramatic epic that, as steeped as it is in the language and tradition of old movies, is never less than thrummingly alive.
89
Austin Chronicle
Marrit Ingman
Acted with such venomous restraint that it hurts to watch.
88
Philadelphia Inquirer
Steven Rea
The Painted Veil is rich with history and heartbreak. It's stirring stuff.
88
Premiere
Ethan Alter
If The Painted Veil ultimately lacks some of the novelty and ambition of the year's best pictures, it still ranks as one of 2006's quiet gems.
88
USA Today
Claudia Puig
The Painted Veil is a welcome addition to the slate of holiday movies, particularly for those drawn to intriguing tales of multi-dimensional characters in exotic settings.
83
Baltimore Sun
Michael Sragow
No one has caught the pride, remorse and pain of an unloved and possibly unlovable husband better than Edward Norton in The Painted Veil.
83
Entertainment Weekly
Lisa Schwarzbaum
The always surprising Watts creates a woman at once contemporary and retro. And Norton, as a producer as well as star, concedes enough space for Schreiber and the effortlessly fascinating Jones to earn their own spotlights.
75
Christian Science Monitor
Peter Rainer
The movie has a lush mysteriousness that represents a bygone, almost antique style of romanticism. It bears almost no resemblance to the current crop of mostly rat-a-tat movies. To view it is to enter a time warp, and there is some pleasure in stepping back into the languor.
75
Miami Herald
Connie Ogle
Norton isn't the first guy who comes to mind when you think ''period piece,'' but he's starred in two such films this year (in addition to The Painted Veil, he stars in "The Illusionist"), and he is terrific in both.
75
TV Guide
Ken Fox
John Curran's pretty melodrama rubs off a few of the barbed edges from W. Somerset Maugham's 1925 novel about love and infidelity in a time of cholera, but no matter: the centerpiece is Naomi Watts' outstanding portrayal of an adulteress redeemed.
75
Rolling Stone
Peter Travers
The Painted Veil has the power and intimacy of a timeless love story. By all means, let it sweep you away.
75
ReelViews
James Berardinelli
A lot takes place during The Painted Veil's two-hour running length, but most of what happens occurs within the hearts and minds of the leads.
75
New York Daily News
Elizabeth Weitzman
The Painted Veil may begin too slowly, but it also ends too soon.
75
Chicago Tribune
Michael Phillips
The Chinese locations ache with beauty. And when Watts and Norton focus, intently, on Maugham's often dazzlingly vindictive characters, The Painted Veil really does feel like a story worth filming a third time.
75
Seattle Post-Intelligencer
William Arnold
It's by far the most faithful of the three versions, and beyond this integrity it also offers an ensemble of graceful performances and an epic evocation of 1920s China -- though, like its predecessors, it's far from a perfect crystallization of the novel.
70
Chicago Reader
Andrea Gronvall
This handsome period drama is a big step up for director John Curran (We Don't Live Here Anymore), who shot in China with predominantly Chinese crews. Norton and Schreiber seem too American to be English colonials, but Watts navigates a challenging transformation (in a role first played by Greta Garbo in 1934.
70
Village Voice
Ella Taylor
Bolstered by a strong ensemble-- "Infamous's" Toby Jones as a deputy commissioner gone native, and a wonderfully wrinkled Diana Rigg as a Mother Superior, speaking up for disillusioned decency--and by the ecstatic cinematography of Stuart Dryburgh, The Painted Veil lifts Maugham's story clear of its prissy, attenuated spirituality, and into genuine passion.
70
The Hollywood Reporter
Kirk Honeycutt
The film is unusual in that it is a co-production with the Chinese. Whatever difficulties this imposed on the Western filmmakers, the reward is a period film that feel authentic to its time and place.
70
The New York Times
Manohla Dargis
Whether through craft or constitution, Mr. Norton invests Walter with a petty cruelty that makes his character’s emotional thaw and Kitty’s predicament all the more poignant.
70
New York Magazine
David Edelstein
The movie makes for a good old-fashioned wide-screen wallow. Norton isn’t remotely credible, but Toby Jones is dandy as a sleazeball with a core of decency, and Watts is so open, so soulfully petulant, so transcendentally pretty, that even Maugham might reconsider the pleasures of the flesh.
67
Portland Oregonian
Shawn Levy
Despite the rich, atmospheric textures, Norton's artificiality, Watts' unlikability, and a plot comprised of one melodramatic wrinkle after another all contrive to frustrate our empathy.
67
The Onion (A.V. Club)
Scott Tobias
While the film remains intelligent and transporting, a gorgeous travelogue into another time and place, it nonetheless feels like it's going through the motions, applying period gloss to a story that needs to be more tactile.
63
New York Post
Lou Lumenick
Despite a fierce lead performance by Naomi Watts, The Painted Veil is a quaintly bloodless, picture-postcard adaptation of W. Somerset Maugham's 1925 China-set novel - more Merchant Ivory than David Lean.
63
The Globe and Mail (Toronto)
Liam Lacey
The whole affair seems curiously bloodless and often more torpid than torrid.
63
Boston Globe
Wesley Morris
Curran is a talented director, especially where his actors are concerned. His previous movie, "We Don't Live Here Anymore," an adaptation of two Andre Dubus stories, was another literary adultery drama featuring Watts. The Painted Veil doesn't achieve the fire that characterized that film.
63
Charlotte Observer
Lawrence Toppman
The result is a beautiful painting come to stately, intermittent life.
60
Empire
Angie Errigo
Handsomely crafted, with meticulous performances, yet it plays out drily and in monotone.
60
Los Angeles Times
Carina Chocano
The Painted Veil has all the elements in place to be a great epic, but it fails to connect, to paraphrase Maugham's contemporary E.M. Forster, the prose with the passion. It's impeccable, but leaves you cold.
60
Variety
Todd McCarthy
Intelligent scripting, solid thesping and eye-catching location shooting aren't enough to make a compelling modern film of The Painted Veil.
50
Wall Street Journal
Joe Morgenstern
Terrific actors give glum performances.
50
Washington Post
Stephen Hunter
The result is a movie that feels weirdly disconnected from reality.
50
Film Threat
Matthew Sorrento
Overall, Norton's effect and Watts' able portrayal are not enough to move the misogyny of the narrative.
 The average user rating for this movie is 8.5 (out of 10) based on 76 User Votes
Note: User votes are NOT included in the Metascore calculation.
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