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Rachel Getting Married

EMAILPRINTSony Pictures Classics

Rachel Getting Married reviews
82
5.2 User Score:

Movie Info

Genre(s): Drama  |  Romance

Written by: Jenny Lumet

Directed by: Jonathan Demme

Release Date:
Theatrical: October 3, 2008
DVD: March 10, 2009

Running Time: 114 minutes, Color

Origin: USA

Summary

RATING: R for language and brief sexuality

Starring Anne Hathaway, Bill Irwin, Anna Deavere Smith, and Debra Winger

When Kym returns to the Buchman family home for the wedding of her sister Rachel, she brings a long history of personal crisis, family conflict and tragedy along with her. The wedding couple’s abundant party of friends and relations have gathered for a joyful weekend of feasting, music and love, but Kym—with her biting one-liners and flair for bombshell drama—is a catalyst for long-simmering tensions in the family dynamic. (Sony Picture Classics)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Entertainment Weekly Owen Gleiberman

A triumph -- Demme's finest work since "The Silence of the Lambs," and a movie that tingles with life.

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100

The Onion (A.V. Club) Scott Tobias

It may be painful at times, but Rachel Getting Married sure is one heck of a party.

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100

The Globe and Mail (Toronto) Rick Groen

Intriguing, disturbing, uplifting evocation. In fact, to watch this film is to engage in participatory art -- for better and for worse, through sickness and in health, we're drawn deeply in.

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100

New York Daily News Elizabeth Weitzman

A film that is both deceptively modest and deeply resonant.

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100

New York Magazine David Edelstein

I've never seen a movie with this mixture of fullness and desolation. Rachel Getting Married is a masterpiece.

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100

Chicago Sun-Times Roger Ebert

A friend asked: "Wouldn't you love to attend a wedding like that?" In a way, I felt I had. Yes, I began to feel absorbed in the experience. A few movies can do that, can slip you out of your mind and into theirs.

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100

Seattle Post-Intelligencer Sean Axmaker

True to the characters and their conflicts, the resolution is neither neat nor expected. True to Demme, it's honest and generous and very human.

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100

Baltimore Sun Michael Sragow

Hathaway carries you on an emotional whirligig that can be horrifying and funny, hopeful and devastating.

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90

Film Threat Matthew Sorrento

As successful as this family drama is, Demme proves himself to be quite a multitasker. With the skill of an ethnographer and the passion of a sentimentalist, he celebrates the traditions of marriage in a handful of tender set pieces.

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90

Newsweek David Ansen

Most of the time, Demme's deliberately unstable mixture of moods and genres produces electric results. Rachel Getting Married takes a familiar subject--the raw nerves of American family life with--and draws fresh blood.

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90

Los Angeles Times Kenneth Turan

Best and most unexpected of all, Rachel Getting Married dares to mix the bitter with the sweet. It understands that life-altering situations like weddings not only bring out the worst in human behavior but also the finest.

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90

The New York Times A.O. Scott

It’s a small movie, and in some ways a very sad one, but it has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare.

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90

Variety Ronnie Scheib

Brimming with energy, elan and the unpredictability of his "Something Wild," Jonathan Demme's triumphant Rachel Getting Married may just lay the wedding film to rest, being such a hard act to follow.

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88

Rolling Stone Peter Travers

The acting is of the highest caliber. Winger, magnificent and too long between films, is a volcano of repressed anger.

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88

Philadelphia Inquirer Carrie Rickey

Jonathan Demme's superb rule-bending, heartrending and family-mending drama - ends with a wedding, it resists conventions as brazenly as does the bride's sister.

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88

Miami Herald Rene Rodriguez

A portrait of a family reeling with pain and resentment -- and rising to the challenge of dealing with it head-on.

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88

New York Post Lou Lumenick

As Kym, Hathaway runs an astonishing gamut of emotions, from anger to fragility and from hurt to regret - without ever seeming actress-y, like Nicole Kidman. Start clearing that mantelpiece, Anne.

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88

Chicago Tribune Michael Phillips

A triumph of ambience, Rachel Getting Married is the first narrative feature since the 1980s from director Jonathan Demme that feels like a party--bittersweet, but a party nonetheless.

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83

Portland Oregonian Marc Mohan

The longer it goes on, the more you're swept up into the jet stream of good feeling.

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80

Washington Post Michael O'Sullivan

The sprawling cast, the naturalistic, overlapping dialogue (here by screenwriter Jenny Lumet, daughter of director Sidney) and the swirling action: it seemed pure Robert Altman.

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80

Empire Nick De Semlyen

One of Hollywood's forgotten masters and one of its brightest new actresses team for what could well be an Oscar wild card.

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80

Chicago Reader J.R. Jones

It's not a terribly disciplined exercise--the rehearsal dinner and wedding ceremony go on so long I felt like I was watching "The Deer Hunter"--but the performances are outstanding, especially Hathaway's and Debra Winger's in a small but devastating turn as her chilly, resentful mother.

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80

Slate Dana Stevens

Hathaway transcends her usual complacency in this role and resists the temptation of using Kym's (and her own) wounded-bird appeal to let the character off the hook.

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80

The Hollywood Reporter Deborah Young

A film whose lightness of touch rides a wave of family conflict to perfectly balance smiles and tears.

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80

Wall Street Journal Joe Morgenstern

The life that swirls around Kym before, during and after her sister's densely populated, wonderfully detailed wedding seems to have been caught on the fly in all its sweetness, sadness and joy. (In its free-form style the film constitutes an elaborate homage to Robert Altman.)

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78

Austin Chronicle Kimberley Jones

The upshot to a ticking bomb is that it only explodes the once, but Rachel's sister, Kym (Hathaway), goes off again and again.

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75

Boston Globe Wesley Morris

The movie's few false notes come from Lumet's script, which can be overly explanatory. Because Demme is opting for present-tense realism, the characters are forced to fill us in on who did what when to whom, why, and how.

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75

ReelViews James Berardinelli

At times, the movie gets bogged down in minutia but the emotions evoked and captured are as honest and brutal as one is likely to find on film.

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75

USA Today Claudia Puig

At its best in scenes featuring Hathaway's mercurial character. It's a triumphant and darkly nuanced role for her and a departure from the more lighthearted comedic performances she has given.

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75

Christian Science Monitor Peter Rainer

With a minimum of actorly fuss, Winger shows us the rage and hurt inside this overcontrolled woman. It's a great piece of acting – high drama at the service of the highest talent.

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70

Salon.com Stephanie Zacharek

The picture may end a little too breezily, but Demme knows we have to be left with some hope for these wandering souls. Someday, they'll find their way home; it just may not be the same thing as going home.

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63

Charlotte Observer Lawrence Toppman

Alfred Hitchcock once said, "Drama is life with the dull bits left out." Well, Rachel Getting Married is drama with the dull bits left in.

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60

Village Voice Ella Taylor

A middlebrow domestic drama beating its wings against an experimental frame.

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50

The New Yorker Anthony Lane

A minor work, but so menaced by distress that the characters take every opportunity to dance the dark away.

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50

San Francisco Chronicle Mick LaSalle

A fine ensemble piece, but a maddening and unjustified length.

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30

Time Richard Schickel

The result is a mess. Kym, in Hathaway's unsympathetic performance, is an annoyingly sour observer of the proceedings, a time bomb everyone hopes will not explode before the marriage is completed.

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What Our Users Said

The average user rating for this movie is 5.2 (out of 10) based on 160 User Votes

Note: User votes are NOT included in the Metascore calculation.

Bob F gave it a5:
Very good acting and, I suppose, a good look at a family in distress. Too long and too many scenes that drift into meaningless wastes of time. The good is outweighed by the boredom. OK at best.

Jeremy K gave it a4:
Extraordinarily disappointing as I had built up some confidence in David Edelstein - who incredulously called this myopic misfire a "masterpiece" - but find myself utterly underwhelmed by this amateur-hour soap opera dresssed up as an edgy indie film. There is no doubt some craftiness to the direction and use of ensemble acting - but what a soulless cheeseball of a movie. We despise all the characters (sometimes guilting them by association) and the way the over-the-top antics of the main characters who are of so little consequence, not only to each other, but to the detriment of the viewers curiosity about - what happens next? "Who are these people and who cares?" is a more appropriately realistic intuition. A nauseating exercise in watching an out of touch director portray a cliched dysfunctional family, peppered with all the usual (only more agonizing to sit through) drama and squabbles while you get the distinct feeling that on and off screen, this group couldn't be more stuffed with themselves in their self-congratulations - as though something even remotely worthwhile had been fashioned. They're wrong and it's 2 hours of your life you'll never recover. I suppose it earns a four because of the intensity of my disdain for this film (much the same intensity of dislike I had for Paul Haggis' "Crash"-- that must be worth something, mustn't it? This my friends is a film made by and for the fat, happy and utterly ignorant.(Oh, and that's an expression, not an attack on the overweight). Skip it or see it and let the gagfest begin..

Tim S gave it a2:
The acting is good and convincing. The movie is arty, indeed. But it doesn't save it from being excrutiatingly boring. Deep films which are also dynamic and interesting do exist; this one fails to keep attention.

Trevor gave it a1:
wtf... I find it hard to believe this received the critical reviews it did. You would think professional movie critics would be able to see through faux-art contrivances that fill this movie from beginning to end, but apparently not. This film epitomises the phrase "all style and no substance". There really is no plot to speak of; imagine watching someone random person's wedding video, and you'll come pretty close to approximating what it was like to watch. The attempt to include every conceivable race and culture in the wedding party / ceremony is totally contrived. One of the most annoying, pointless films you are likely to see.

Valentina C gave it a10:
I've just seen this film and i thought it was beautiful. Not only the plot and the acting was good, but notice the cinematography. Please do.

M B gave it a0:
Was this Demme's attempt at Dogma? He should leave it to Von Trier and the other Europeans. If the majority of American families act like this - we truly are at the end of the Empire.

marla c gave it a2:
I should have listened to the viewers - where did i read this was a good movie? YUCKO! way too contrived - OMG this was horrible - too much talking - no action - what a bad soap opera.

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