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Year One
Stars indicate the most critically-acclaimed movies.
Lord of the Rings: The Return of the King, The

Universal acclaim
Based on 42 critic reviews
How did we calculate this?
Based on 926 votes
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Movie Info
Genre(s): Action | Drama | Fantasy
Written by:
Frances Walsh
Philippa Boyens
Peter Jackson
J.R.R. Tolkien (novel Return of the King)
Directed by: Peter Jackson
Release Date:
Theatrical: December 17, 2003
DVD: May 25, 2004
Running Time: 210 minutes, Color
Origin: USA / New Zealand
Summary
RATING: PG-13 for intense epic battle sequences and frightening images
Starring Elijah Wood, Sean Astin, Ian McKellen, Viggo Mortensen, John Rhys-Davies, Cate Blanchett, Orlando Bloom, and Liv Tyler
Sauron's forces have laid siege to Minas Tirith, the capital of Gondor, in their efforts to eliminate the race of men. The once-great kingdom, watched over by a fading steward, has never been in more desperate need of its king. But can Aragorn (Mortensen) answer the call of his heritage and become what he was born to be? In no small measure, the fate of Middle-earth rests on his broad shoulders. (New Line Cinema)
Also On Metacritic
FILM: The Lord of the Rings: The Fellowship of the Ring The Lord of the Rings: The Two Towers
GAMES: LOTR: Return of the King (PS2) The Hobbit (GameCube) War of the Ring (PC)
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Lisa Schwarzbaum
The conclusion of Peter Jackson's masterwork is passionate and literate, detailed and expansive, and it's conceived with a risk-taking flair for old-fashioned movie magic at its most precious.
Read Full Review >The Hollywood Reporter David Hunter
An epic success and a history-making production that finishes with a masterfully entertaining final installment.
Read Full Review >Newsweek David Ansen
The second installment was better than the first, and this one is best of all. It has spectacular action scenes and imaginary creatures, and it’s by far the most moving chapter. The performances have deepened.
Read Full Review >Time Richard Corliss
The second half of the film elevates all the story elements to Beethovenian crescendo. Here is an epic with literature's depth and opera's splendor -- and one that could be achieved only in movies. What could be more terrific?
Read Full Review >Variety Todd McCarthy
Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.
Read Full Review >Empire Alan Morrison
Those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll.
Read Full Review >ReelViews James Berardinelli
Labeling this as a "movie" is almost an injustice. This is an experience of epic scope and grandeur, amazing emotional power, and relentless momentum.
Read Full Review >New York Magazine Peter Rainer
Jackson is rare among the makers of epic movies in that he knows how to do the small stuff, too. The Return of the King has “heart”--how else could it pump out all that blood?
Read Full Review >New York Daily News Jack Mathews
The most emotionally satisfying because, in addition to having both more intimate drama and more spectacular battles, it resolves all of the issues raised before.
Read Full Review >New York Post Lou Lumenick
A majestic conclusion to a nine-plus-hours epic that stirs the heart, mind and soul as few films ever have.
Read Full Review >Chicago Tribune Michael Wilmington
Like all great fantasies and epics, this one leaves you with the sense that its wonders are real, its dreams are palpable.
Read Full Review >USA Today Claudia Puig
As good as each individual movie is, the third film vaults the work into the stratosphere of classic movies. Key characters are enhanced, new civilizations visited and battles fought more intensely, while feelings and motivations are plumbed more deeply and movingly.
Read Full Review >Los Angeles Times Kenneth Turan
As completely real on the psychological level as its up-to-the-moment visual effects have on the physical.
Read Full Review >The New York Times A.O. Scott
It's been a long time since a commercially oriented film with the scale of "King" ended with such an enduring and heartbreaking coda.
Read Full Review >Slate David Edelstein
It might be the cinema's most astonishing holy war film. The Lord of the Rings took seven years and an army of gifted artists to execute, and the striving of its makers is in every splendid frame. It's more than a movie--it's a gift.
Read Full Review >Charlotte Observer Lawrence Toppman
Jackson had the vision, persistence, insight and patience for this mighty job, plus the smarts to shape stage veterans and overlooked film actors into a seamless cast. He's made himself as immortal as a movie director can be.
Read Full Review >Miami Herald Rene Rodriguez
Feels like a miracle, a movie that exceeds even the most formidable expectations without straying from its singular path. All hail this King.
Read Full Review >Baltimore Sun Michael Sragow
It rises, all on its own, to the realm of masterwork.
Read Full Review >Seattle Post-Intelligencer William Arnold
First and foremost, it soars because its grand design and numerous story problems were worked out half a century ago by a guy named Tolkien, and Jackson was smart enough to realize this.
Read Full Review >Washington Post Desson Thomson
This movie is not only a thrilling experience, it closes the book on a truly satisfying trilogy.
Read Full Review >Dallas Observer Gregory Weinkauf
This film is a miracle, an extravaganza equal to its predecessors and in some ways more stunning. It is a profound testament to the extraordinary power of moving images and sound.
Read Full Review >Film Threat Clint Morris
A masterful moment in cinema. Jackson has created a film that's deemed to be liked –- even loved -- by almost anyone of all ages. It's destined to become a classic series.
Read Full Review >LA Weekly Scott Foundas
The deep satisfaction of The Return of the King is in surrendering ourselves to the finale, in letting Jackson's superb storytelling (with due credit to co-screenwriters Fran Walsh and Philippa Boyens) surround us like a blazing campfire tale -- which it does, gloriously.
Read Full Review >Chicago Reader Andrea Gronvall
Ties everything together with a dazzling synthesis of pagan animism, heroic quest mythology, orientalism, Pre-Raphaelite imagery, 1950s sci-fi creature features, and Hollywood war epics.
Read Full Review >Premiere Glenn Kenny
A phantasmagorical slab of epic entertainment that satisfies on every conceivable level.
Read Full Review >Portland Oregonian Shawn Levy
From the acting to the special effects to the landscapes to the cinematography, editing and music, to the details of decor, wardrobe and armaments, we never once feel that we are in anything but the hands of an absolute master of the medium.
Read Full Review >Wall Street Journal Joe Morgenstern
The invisible wizard Peter Jackson makes use of every scene to show us the meaning of magnificence. Never has a filmmaker aimed higher, or achieved more.
Washington Post Stephen Hunter
Then, finally, there are the endings, all six of them...For us outsiders, it seems like too much of a good thing...But all those are minor rants: The big fact is that The Return of the King puts you there at Waterloo, or Thermopylae or the Bulge, any desperate place where men ran low on blood and iron and ammo, but not on courage.
Read Full Review >Salon.com Andrew O'Hehir
I love Jackson's "Rings" saga despite his propensity for whimsical animation whenever he tries to strike a chord of dread or menace.
Read Full Review >The Onion (A.V. Club) Keith Phipps
All in all, it's a fitting conclusion to the series, and yet there are disappointments built in. For one, Jackson has opted not to film Tolkien's downbeat "Scouring Of The Shire" epilogue.
Read Full Review >Boston Globe Ty Burr
Yet what I felt when the lights came up at the end of this visionary, titanic, relentless experience was something different: a strange relief that it was, at last, over.
Read Full Review >Chicago Sun-Times Roger Ebert
There is little enough psychological depth anywhere in the films, actually, and they exist mostly as surface, gesture, archetype and spectacle. They do that magnificently well, but one feels at the end that nothing actual and human has been at stake.
Read Full Review >Rolling Stone Peter Travers
This is a film in which ideas resonate as well as action. Gandalf’s words to Pippin about death have a muscular poetry.
Read Full Review >The New Yorker Anthony Lane
Peter Jackson has not really made a movie of The Lord of the Rings; he has sprung clear of it to forge something new. He has drawn a deep breath, and taken the plunge. [5 January 2004, p. 89]
Village Voice J. Hoberman
In short, this Krakatoa is at once exhausting and riveting. It's a technological marvel, and for those not with the program, a bit of a bore.
Read Full Review >Austin Chronicle Marc Savlov
It’s odd and unfortunate, however, that The Return of the King just barely misses the eye-misting emotional wallop of the series’ previous installment, The Two Towers, which had a lyrical subtlety underpinning the vast vistas of growing chaos (and Christopher Lee hardly hurt matters) and hobbits-in-peril.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
The [final] battle is vast, and undoubtedly required thousands of hours of matching puppetry, robotics and computer code, but it is not without tedium.
Read Full Review >Philadelphia Inquirer Steven Rea
The Return of the King is too long...The various story lines...come together in stilted, episodic ways. The narrative is less-than-seamless.
Read Full Review >San Francisco Chronicle Mick LaSalle
Though an estimable success overall, The Return of the King has several scenes too many and too great a concentration on battles.
Read Full Review >TV Guide Maitland McDonagh
Despite its length, the film only starts feeling as long at the end -- or, more correctly, ends. Serious fans of the novels will be prepared for the serial codicils, but the uninitiated are likely to think the film is over several times before it actually is.
Read Full Review >Film Threat Kevin Carr
If The Return of the King was 2 1/2 hours long, it would have rocked. It would have been better than The Two Towers, which is the best film in the series.
Read Full Review >Christian Science Monitor David Sterritt
Add a lot of dull acting -- except Sir Ian McKellen and Andy Serkis -- and you have an uneven movie with yawns aplenty.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.6 (out of 10) based on 926 User Votes
Note: User votes are NOT included in the Metascore calculation.
Ryan S gave it a0:
This movie, along with the entire series, is a slap in the face to J.R.R. Tolkien. Besides for changing the characterizations of nearly all the major characters (aka Pippin, the idiot in the book, tricks Treebeard, one of the smartest characters, into invading Isengaurd????????) changing the basic mythology about dwarfs and elves ( The first scene in the two towers i EXACTLY OPPOSITE as it is in the book. You couldn't make it more opposite if you were actively trying to destroy Tolkien's work.) It also adds a pointless and time consuming romance between Aragorn and Arwyn that was just plain cheesy. And finally, in the book, if any character could kill a OLIPHAUNT you would have expected it to be one of the MAIN characters such as Gandalf or Aragorn or even Frodo. But no. Instead, Legalas, in the books one of the supporting characters but in the movies he might as well have been the star considering the airtime he gets compared to other supporting characters such as Gimli, kills an OLIPHAUNT. I have never seen anything more ridiculous in my life. Meanwhile, scenes that ACTUALLY HAPPENED in the books such as Pippin defeating TWO CAVE TROLLS is cut in favor of more shots of Legolas's face and more romance crap between Aragorn and Arwyn. And don't even get me started on the camera work. It's like all the cameramen took a bunch of speed before shooting and were unable to prevent the camera from shaking uncontrollably. All in all I'd have to say congratulations Peter Jackson you managed to turn a masterpiece into a sensationalized, special effects ridden piece of Hollywood crap that any real fan of the books would be utterly disgusted with.
Aaron R gave it a10:
I recently re-watched the entire trilogy. I can safely say, that these are my all time favorite movies. RotK has some of the best action scenes I've ever had the pleasure to watch. The love between Aragorn and Arwyn is so beautiful and well crafted that I myself started to love Arwen. Every character was fleshed out so much so that there is no question as to them being real. You really feel that this is more of a true story then a fantasy epic. The sets? My god, I want a scal model of Minas Tirith. These sets were so well designed, so well painted, that it was just, amazing. Special effects were easily the best I have ever seen. The Oliphaunts were my favorite effect next to the Fell beast, which was also an amazing effect. Finally, the story, its a fitting end to the best trilogy that i can think of. At four hours long (the credits accounting for the last twelve minutes or so), it doesn't rush, nor does it feel drawn out. This trilogy, not just the film, but the entire trilogy, set the bar for how book-to-movie adaptations should be made. Thank you, Mr. Peter Jackson, thank you for giving me my most cherished film series of all time.
Anna L gave it a10:
An amazing finale to an epic trilogy. The first two out of necessity lacked the satisfactory feel of really ending, whereas this final film had the privilege of finishing all character arcs and loose ends and presents Tolkein's finest book in all its majesty. Even if it was 10 times longer I would have watched it to the end.
Tony l gave it a10:
Hands down best movie for all ages once you've seen the first two. This movie has a shot at being the best of all time.
Xavier E gave it a10:
The greatest film I've ever seen.
Ruisert The Gael gave it a5:
Well, Jackson managed to not foul this one up quite as bad as Two Towers, but still, it has to pick up and continue all the problems from TT. I was not about to spend decent money on this in a theater, since I pretty much knew it was going to inherit all the junk leftover from TT, and probably add to it. At least it did NOT have Arwen take the sword from Aragorn and show him how to use it right, like I feared it might... Add to that the half dozen or more times when Jackson re-wrote some of the best scenes from the book and pretty much ruined them, well. I'm just glad I can read.
Christopher E gave it a3:
Half way through this movie, my girlfriend and I lost interest and started talking instead - luckily, we were at the drive-in.
