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Romance
Trimark Pictures

Romance reviews
Critic Score
Metascore: 49 Metascore out of 100
User Score  
3.9 out of 10
based on 26 reviews
Read critic reviews
How did we calculate this?
based on 10 votes
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Rate this movie

MPAA RATING: Not rated

Starring Caroline Trousselard, Sagamore Stevenin, Francois Berleand, and Rocco Siffredi

A provocative portrait of a young French woman, Marie (Trousselard), and her journey to gain control of her life. Marie embarks on an escalating sexual journey that tests her own physical and emotional limits, and which, through an ironic twist-of-fate, eventually leads to her fulfillment. (Trimark Pictures)


GENRE(S): Romance  
WRITTEN BY: Catherine Breillat  
DIRECTED BY: Catherine Breillat  
RELEASE DATE: DVD: February 8, 2000 
Video: February 8, 2000 
Theatrical: September 17, 1999 
RUNNING TIME: 99 minutes, Color 
ORIGIN: France 
LANGUAGE(S): French (with English subtitles) 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90
Film.com Ernest Hardy
One of the best films of this year...unlike anything you've seen on the big screen.
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80
Village Voice Amy Taubin
A dark and unsparing study of female masochism and a brittle sex comedy of manners, Romance is unsettled in tone, to say the least.
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80
Salon.com Ray Sawhill
A landmark -- the first movie to give a convincing, feature-length account of sex from a woman's point of view.
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75
Chicago Sun-Times Roger Ebert
I did not really enjoy this movie, and yet I recommend it. Why? Because I think it's on to something interesting. Here is a movie about a woman who never stops thinking. That may not be as good for you as it is for her.
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75
New York Post Jonathan Foreman
Despite many flaws...Romance is unquestionably an important film.
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75
New York Daily News Jami Bernard
No other mainstream movie has so openly tackled the subject of female sexual experience.
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70
LA Weekly Manohla Dargis
There's never been a movie director like Catherine Breillat, a fearless visionary and one hell of a woman.
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67
Entertainment Weekly Owen Gleiberman
The movie is a footnote as well, a minor reference back to the days when people yearned for a cinema that was serious and erotic at the same time.
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63
Chicago Tribune Michael Wilmington
A singularly cheerless trip, explicit but sterile, racy but dull.
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60
Newsweek David Ansen
For those who believe that movies are a proper place to explore the riddle of sex, no holds barred, this movie is de rigueur.
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60
Chicago Reader Jonathan Rosenbaum
The eroticism is powerful, and the documentary candor and directness of the sex scenes make this well worth seeing.
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53
Mr. Showbiz Michael Atkinson
Showing the sex seems to be the film's raison d'etre, which gets you only so far.
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50
Boston Globe Jay Carr
Lots of sex, but little joy.
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50
Rolling Stone Peter Travers
A cheerless exercise.
50
San Francisco Chronicle Edward Guthmann
It's like watching a bad update of an Antonioni film.
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50
San Francisco Examiner Wesley Morris
An au natural (read: graphic) tryst-a-thon whose fashion sense is outweighed only by its bulky sexual intellectualism.
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50
The New York Times Janet Maslin
Hovers between passion and philosophical argument without fully achieving its ambition to fuse the two.
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50
Christian Science Monitor David Sterritt
More cautionary than titillating...some of it (is) deliberately disturbing.
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40
TV Guide Maitland McDonagh
Visually stunning and breathtakingly frank, but thrill-seekers beware.
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30
Dallas Observer Jean Oppenheimer
The fact that Romance was written and directed by a woman doesn't make the film any better; it simply makes it objectionable on other grounds.
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30
Austin Chronicle Marjorie Baumgarten
Sex may, indeed, be all in the mind, but Romance fails to score in the mind's eye.
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25
Baltimore Sun Ann Hornaday
Catherine Breillat's pretentious, meandering, self-indulgent portrait of a libidinously deprived young woman is nothing more than pornography tricked out as feminist parable.
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20
Film.com John Hartl
Exists in some kind of limbo, between hard-core porn and European art film, and it's not likely to satisfy fans of either.
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20
Time Richard Corliss
It's mostly an ordeal--for actress and audience.
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20
Los Angeles Times Kenneth Turan
As pretentious as it is hard-core specific, this fiercely anti-erotic film makes even the chilly "Eyes Wide Shut" play like "The Big Easy."
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0
TNT RoughCut Christopher Brandon
The film so strongly fixates on strange, explicit sexual acts that it forgoes any emotional (i.e. romantic) aspects of sex.

What Our Users Said

Vote Now!The average user rating for this movie is 3.9 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.

L. R. gave it a2:
Erotic: No. Mysterious: No. Interesting: No. This is a film about a truly f...ed up woman and her need to be needed in the most superficial of ways. It should be shown at the French Psychiatric Film Critics annual meeting in Cannes.

Liz R. gave it a 2:
Pretentious and boring. Flat characterization & absurd narration which is cliched and often makes no sense at all. A retrograde step for women and women directors.

Andrew M. gave it a 1:
I didn't like this film. Whatever it tried to achieve it failed. No message, no feeling, no reaction. And the more explicit scenes did little more than raise me from my slumber.

Daniel S. gave it an 8:
If the average person sees the title "Romance" they obviously think the movie is going to be a nice, warm fuzzy movie, good for the family. What they don't realize is that in the beggining of the movie there's a giant red X over the title "Romance" meaning, there's NO romance! This is a smart and very deep film, more than anyone would except while seeing it, leaving the viewer with a certain uncertainty afterwards.

Richard gave it a 6:
The French talk too much. Marie might have solved her problems quicker if she stopped analyzing every little move and left the dumb schmuck. That said, the film is luridly fascinating, certainly for the more pornographic aspects, and even amid the endless analysis there are a couple of bulls-eyes that make you think critically about sex and relationships. Caroline Trousselard's performance is brave and raw, and I hope she did a couple of comedies afterwards.

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