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Stars indicate the most critically-acclaimed movies.
Rules of Engagement

Mixed or average reviews
Based on 31 critic reviews
How did we calculate this?
Based on 3 votes
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Movie Info
Genre(s): Suspense/Thriller
Written by:
James Webb (story)
Stephen Gaghan
Directed by: William Friedkin
Release Date:
Theatrical: April 7, 2000
DVD: October 10, 2000
Running Time: 128 minutes, Color
Origin: USA
Summary
RATING: R for scenes of war violence, and for language
Starring Tommy Lee Jones, Samuel L. Jackson, Ben Kingsley, Blair Underwood, Anne Archer, and Guy Pearce
Retired Marine Colonel and attorney Hays Hodges (Jones) defends his old friend and comrade-in-arms Col. Terry Childers (Jackson), a highly decorated 30-year Marine veteran, who has been court-martialed for ordering his troops to fire on a hostile crowd storming the U.S. embassy in Yemen which results in the deaths of many civilians.
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Lisa Schwarzbaum
The drama ultimately retreats to safer, duller, more illogical, and more reactionary impulses and stereotypes.
Read Full Review >San Francisco Chronicle Bob Graham
But the single most compelling performance may belong to Australian actor Guy Pearce.
Read Full Review >LA Weekly John Patterson
Worth it, though, for the conviction and ramrod-erect bearing that pros Jackson and Jones bring to their roles.
Read Full Review >Rolling Stone Peter Travers
Friedkin turns on the juice and Jones and Jackson let it rip.
Chicago Sun-Times Roger Ebert
Works splendidly as a courtroom thriller about military values as long as you don't expect it to seriously consider those values.
Read Full Review >Charlotte Observer Lawrence Toppman
The setup doesn't make sense from the get-go.
Read Full Review >New York Post Jonathan Foreman
As mechanical and predictable as a cuckoo clock, it shouldn't work half as well as it does.
Read Full Review >Chicago Reader Jonathan Rosenbaum
Friedkin does a superb job of serving up the well-appointed script by James Webb and Stephen Gaghan.
Read Full Review >Chicago Tribune Michael Wilmington
Written with such murderous gravity, certainty and gloomy solemnity - such an absence of real life or feeling - that it tends to kill our interest.
Read Full Review >USA Today Mike Clark
The sentiments here are thoroughly semper fi, but the result occasionally works at cross-purposes.
Read Full Review >Baltimore Sun Chris Kaltenbach
This military courtroom drama is full of questions, but woefully short of answers.
Read Full Review >Film.com John Hartl
What rescues the movie, time and again, is the strength of Jones' and Jackson's performances.
Read Full Review >Miami Herald Rene Rodriguez
It's bottom-feeder entertainment wrapped up in high-minded airs.
Read Full Review >Variety Todd McCarthy
A broad and obvious approach to ambiguous material that's virtually all plot mechanics with little nuance or characterization.
Read Full Review >Los Angeles Times Kenneth Turan
Passable, moderately diverting dramatic entertainment.
Read Full Review >New York Daily News Jack Mathews
Sometimes, movies would work better if you couldn't see them.
Read Full Review >The New York Times A.O. Scott
There's not much going on here, and there is little suspense.
Read Full Review >TV Guide Maitland McDonagh
It's a deftly executed crowd-pleaser, but it's dishonest to the core.
Read Full Review >Washington Post Desson Thomson
It is the verdict of this court that it be led to a stockade reserved exclusively for cheap, pandering movies and duly shot.
Read Full Review >Austin Chronicle Marjorie Baumgarten
It's amazing the filmmakers never really concern themselves with satisfying the audience's rules of engagement.
Read Full Review >Boston Globe Jay Carr
Strenuously as it tries, and pulse-poundingly successful as the embassy rescue scene is, Rules of Engagement never engages us.
Read Full Review >Mr. Showbiz Richard T. Jameson
Pearce is shot in such distorting closeups that he looks like an overdeveloped athlete who's been getting steroid injections in his cheeks.
Read Full Review >TNT RoughCut Susannah Breslin
Formulaic and pretty darn plodding.
Portland Oregonian Barry Johnson
Plays like an episode of "JAG," the naval courtroom TV series. A L-O-N-G episode.
Read Full Review >Seattle Post-Intelligencer William Arnold
By the time the film plummets to its rock bottom, we find ourselves in a flag-waving no-brainer of the first order, and one of the most thoroughly confused morality tales in recent memory.
Read Full Review >San Francisco Examiner Wesley Morris
A wildly dull, predictable script whose holes seem to be courtesy of random sniper fire.
Read Full Review >Christian Science Monitor David Sterritt
Spoiled by its simplistic portrait of people from the Mideast as incorrigibly violent and untrustworthy.
Read Full Review >Village Voice Michael Atkinson
The clichés lap like bay waves, from the salutes to the brotherly brawl to the olive-oil tear streaks semipermanently painted down Jackson's cheeks.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.6 (out of 10) based on 3 User Votes
Note: User votes are NOT included in the Metascore calculation.
