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97
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49
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93
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37
War, Inc.
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54
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66
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54
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39
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45
Zombie Strippers
97
4 Months, 3 Weeks and 2 Days
93
WALL-E
86
Flight of the Red Balloon, The
85
Edge of Heaven, The
83
Paranoid Park
80
Encounters at the End of the World
79
Visitor, The
78
Hellboy II: The Golden Army
75
Boy A
74
Mongol
73
Kung Fu Panda
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
72
Priceless
72
Transsiberian
71
To the Limit
71
Tropic Thunder
70
Standard Operating Procedure
66
When Did You Last See Your Father?
65
Indiana Jones and the Kingdom of the Crystal Skull
63
Planet B-Boy
63
Sisterhood of the Traveling Pants 2, The
63
Kit Kittredge: An American Girl
63
This Christmas
62
Mister Foe
61
Stuck
61
On the Rumba River
61
Incredible Hulk, The
57
Stone Angel, The
57
Journey to the Center of the Earth 3D
55
Sukiyaki Western Django
54
You Don't Mess with the Zohan
54
Get Smart
54
What We Do Is Secret
53
Mister Lonely
52
Milarepa
49
Pirates Who Don't Do Anything: A VeggieTales Movie, The
48
Death Defying Acts
47
Strangers, The
46
Jack Brooks: Monster Slayer
45
Zombie Strippers
44
Henry Poole is Here
39
Young People F**king
37
War, Inc.
35
Star Wars: The Clone Wars
34
Happening, The
33
Elite Squad
32
Perfect Holiday, The
25
Hell Ride
20
Expelled: No Intelligence Allowed
xx
Whaledreamers
xx
Christmas on Mars: A Fantastical Film Freakout Featuring the Flaming Lips
xx
Kiss the Bride
xx
Beer for My Horses
Stars indicate the most critically-acclaimed movies.
|
Rushmore
Buena Vista Pictures
FILM:
MPAA RATING: R for language and brief nudity
Starring
Jason Schwartzman,
Bill Murray,
Olivia Williams,
Seymour Cassel,
Brian Cox,
and
Mason Gamble
A beautiful young teacher (Williams) attracts the attention of a homely tenth grade scholarship student (Schwartzman) who quickly falls in love with her. The student turns to his friend's father (Murray) for advice on how to woo the teacher. The situation becomes complicated when Murray himself becomes involved with the teacher.
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Wes Anderson
Owen Wilson
|
| DIRECTED BY: |
Wes Anderson
|
| RELEASE DATE: |
DVD: June 29, 1999
Video: June 29, 1999
Theatrical: February 5, 1999
|
| RUNNING TIME: |
93 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
Mick LaSalle
With its dry, throwaway humor and constant stream of chuckles, it creates its own category of stealth comedy.

100
Film.com
John Hartl
For me, the experience was much like seeing Mike Nichols' "The Graduate" and George Lucas' "American Graffiti" before the hype machines kicked in.
100
Salon.com
Andrew O'Hehir
A work of loopy, original comic genius.

100
Entertainment Weekly
Lisa Schwarzbaum
Murray, meanwhile, turns in a thrillingly knowing, unforced performance--an award-worthy high point in a career that continues, Max Fischer style, to defy the obvious at every turn.

100
New York Daily News
Elizabeth Weitzman
One of the freshest, richest, most original films to come out of Hollywood in a very long time.

100
Christian Science Monitor
David Sterritt
Anderson fulfills the promise of his inventive "Bottle Rocket" with this quirky, often hilarious comedy, and Murray gives his most uproarious performance since the groundbreaking "Groundhog Day."

100
Chicago Reader
Jonathan Rosenbaum
Stylistically fresh and full of sweetness that never cloys, this is contemporary Hollywood filmmaking at its near best.

95
TNT RoughCut
Brian M. Raftery
The scene-stealer here is Bill Murray, who, after 25 years of near-hits, finds his most fully realized character yet.

90
Village Voice
J. Hoberman
I can't remember a teenage romance this engagingly offbeat since "Lord Love a Duck."

90
Mr. Showbiz
Kevin Maynard
It's the funniest, saddest performance of the year in a film of uncompromising wit and heart.

90
Newsweek
Jeff Giles
A marvelous comedy from deep in left field -- immaculately written, unexpectedly touching and pure of heart.

90
Washington Post
Desson Thomson
Rushmore is an almost indefinable genre of its own. A comedy with a menacing edge? An ironic romance? Hard to call.

90
The Onion (A.V. Club)
Scott Tobias
Fast, exhilarating new comedy.

90
Washington Post
Rita Kempley
Weird, warm, monumentally entertaining comedy.

90
The New York Times
Elvis Mitchell
It's too smart to be maudlin.

90
Variety
Todd McCarthy
Wickedly funny.

89
Austin Chronicle
Marc Savlov
Filled with brilliant, stand-out performances.

88
The Globe and Mail (Toronto)
Liam Lacey
One of the most original, good-hearted comedies in a long time, Rushmore is the sort of movie where the strangest sequences of discords somehow keep managing to reach giddily improbable resolutions.

88
Chicago Tribune
Michael Wilmington
A true original: a film that stands apart from the crowd, goes its own way and all but dares you not to like it.

88
San Francisco Examiner
G. Allen Johnson
A weird, wonderful and funny work that stands as a true original. As if that weren't enough, director and co-writer Anderson has given Bill Murray his best role in years.

80
Film.com
Elizabeth Weitzman
Battling back with droll seriousness, Murray imbues his sad-sack loner with a touching, funny dignity, and comes up with his best work in a very long time.
80
Time
Richard Schickel
An often deft, frequently droll little movie.

80
LA Weekly
Manohla Dargis
A beautifully off-center movie.

75
USA Today
Susan Wloszczyna
With the astonishingly assured newcomer Jason Schwartzman to bounce off of, Murray has his best comic foil since those feisty rodents in Groundhog Day and Caddyshack. [5 February 1999, Life, p.11E]
75
Philadelphia Inquirer
Steven Rea
One of the great things about this unpredictable, exhilaratingly goofy fable is how it shows that even the clueless - and the tragically morose - have a shot at redemption.

70
Film.com
Peter Brunette
One of the weirdest, hardest-to-place studio films I've seen in years.
70
TV Guide
Sandra Contreras
This film is the product of artists working at the peak of their powers.

63
Chicago Sun-Times
Roger Ebert
Seems torn between conflicting possibilities: It's structured like a comedy, but there are undertones of darker themes, and I almost wish they'd allowed the plot to lead them into those shadows.

63
ReelViews
James Berardinelli
Rushmore is one of those films that's so inconsequential that its memory threatens to fade away before the end credits have finished rolling.

60
Dallas Observer
Michael Sragow
By the end, were it not for Murray, watching Rushmore would be like reading an article on "Why adolescents need Prozac."

50
Los Angeles Times
Kenneth Turan
You can't have Rushmore without Max, and though Anderson obviously planned it this way, the kid is finally too off-putting to tolerate.


The average user rating for this movie is 8.3 (out of 10) based on 46 User Votes
Note: User votes are NOT included in the Metascore calculation.
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