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12 Rounds Stars indicate the most critically-acclaimed movies.
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Science of Sleep, The
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MPAA RATING: R for language, some sexual content and nudity
Starring Gael García Bernal, Charlotte Gainsbourg, Alain Chabat, Miou-Miou, Emma de Caunes, Aurélia Petit, Sacha Bourdo, and Pierre Vaneck
The Science of Sleep is a playful romantic fantasy set inside the topsy-turvy brain of Stephane Miroux (Bernal) an eccentric young man whose dreams constantly invade his waking life. (Warner Independent Pictures)
| GENRE(S): | Comedy | Drama | Fantasy | Foreign | Romance |
| WRITTEN BY: | Michel Gondry |
| DIRECTED BY: | Michel Gondry |
| RELEASE DATE: |
DVD: February 6, 2007 Theatrical: September 22, 2006 |
| RUNNING TIME: | 105 minutes, Color |
| ORIGIN: | France |
| LANGUAGE(S): | Spanish / English / French (with English subtitles) |
Original title "La Science des Rêves"
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 7.8 (out of 10) based on 58 User Votes
Note: User votes are NOT included in the Metascore calculation.
Liam W. gave it a3:
This movie is a huge disappointment. So much "art" was put into this, but it was basically bits of a music video inserted into a terrible plot. None of the characters are all that memorable or likable, and the story (If you could call it that) was shallow and pointless. Very overrated.
Matt C gave it a10:
Well, i do Strongly the believe the movie, alone, is a good and interesting movie. But to personally mention, I think the response depends on the situation you, the viewer, are in. For example, if you have feelings for someone and have interest in him/her, the movie probably will suck you into it's imaginative world. The film depicts the sadness but warmth feeling of 2 people's elevating yet confusing love for each other.It's a peaceful film. Full of imagination and creativity. It's its own little world. Although a good movie as it is, it may sadden you in specific parts. But that's what makes a good movie. Overall, To understand & enjoy the movie, you will have to be in subtle peace and relaxation and must just let the film convince you hat is happening is real.
John B. gave it an8:
This is a fantastic movie packed with quiet and subtle points as well as loud and obvious visual confusion. There is definitely plenty here to grab onto and think about. It is just a matter of sifting through the relentless changes in scenes from the mind of Stephanie, his dream world, and his reality. This mess made me feel like I missed something along the way, but perhaps and more likely, the movie was too deep to fully grasp, which isn't exactly a bad thing.
Joe gave it a9:
Doze off... hardly. I stayed up well past my bedtime to watch this almost perfect film. A must see for those of us who like to think during and after viewing a film.
D gave it a10:
Once again, Michel Gondry makes a film WAY to good for the fumbling masses. "Sleep" is unimaginably inventive, puts pretty much every other movie on the shelf to shame in terms of artistic vision. Gael Garcia Bernal is fantastic, and so is the rest of the awesome cast, who along with Gondry's inimitable brand of movie magic conjure up pretty much the most moving, enteraining, wildly hallucinatory and gloriously whimsical film you will see until, well, Gondry's next. If however, you have your nose pointed tersely in the air and wish to see a serious film that doesn't have all that bothersome ingenuity, genuine emotion and heartfelt innocence, proceed past the Science of Sleep to The Departed or the like, and let someone else have the cathartic experience viewing the latest Gondry masterpiece.
Andy gave it a7:
I'd give this a 6.5. It was entertaining at most times but boring occasionally as well. Outstanding visually but the film does seem a bit pretentious.
Alek T. gave it a9:
Charming, hilarious, and sad. It says a lot about how a person’s mentality and mental instability affect their capacity for relationships and happiness; Stephane’s overpowering imagination makes him lovable, but it also makes it impossible for him to be in love. This movie isn’t getting enough love. Maybe it just isn’t “obvious” enough. Why do people have such trouble with anything that strays from the classic narrative structure? Why is everyone so quick to label anything different as pretentious?

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