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Secret Lives of Dentists, The

EMAILPRINTManhattan Pictures International

Secret Lives of Dentists, The reviews
76
6.8 User Score:

Generally favorable reviews

Based on 35 critic reviews
How did we calculate this?

Based on 7 votes
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Movie Info

Genre(s): Drama

Written by: Craig Lucas
Jane Smiley (novella The Age of Grief)

Directed by: Alan Rudolph

Release Date:
Theatrical: August 1, 2003
DVD: January 20, 2004

Running Time: 105 minutes, Color

Origin: USA

Summary

RATING: R for sexuality and language

Starring Campbell Scott, Hope Davis, Denis Leary, Robin Tunney, Gianna Beleno, Cassidy Hinkle, Lydia Jordan, and Jon Patrick Walker

With a blend of humor and realism, director Alan Rudolph prods at the complexities, paradoxes and tender beauties of marriage. (Manhattan Pictures International)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Entertainment Weekly Lisa Schwarzbaum

Don't let unpleasant personal dental associations stand in the way of seeing a luminous specimen of independent filmmaking.

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100

Christian Science Monitor David Sterritt

One of the best pictures so far this year, marking a high point of Rudolph's career and reconfirming the extraordinary talent Mr. Campbell has shown in earlier films. Dentistry will never seem the same.

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100

Seattle Post-Intelligencer Sean Axmaker

Think of easy jazz or soft soul, with Rudolph's cinematic improvisations soaring and circling the melody while adding quirky variations.

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90

LA Weekly Chuck Wilson

While it's Dave's madly humming brain that propels the film, Davis, whose every glance is a short story in itself, makes Dana's internal crisis equally resonant.

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90

Wall Street Journal Joe Morgenstern

This portrait of a failing marriage is one of the summer's great discoveries, and a marvel of mercurial intimacy.

90

Los Angeles Times Kevin Thomas

A stylish work from an accomplished, sophisticated filmmaker that bristles with intelligence and gleams with Scott's and Davis' multifaceted, astutely judged portrayals.

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90

Washington Post Ann Hornaday

Small, quiet movie that imperceptibly takes its viewers by their throats and doesn't let go

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88

Boston Globe Ty Burr

May not be the best movie ever made about the perils of family life, but it is among the most ruthlessly comic.

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88

USA Today Claudia Puig

An excellent adaptation of a wonderful work of fiction (The Age of Grief).

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88

Rolling Stone Peter Travers

Scott and Davis could not be better. You're in for something special.

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80

The Onion (A.V. Club) Scott Tobias

With Scott playing the perfect foil to Leary's exasperated sage, the fantasy sequences are hilariously caustic, but as they accumulate more rapidly, the distinction between real and imagined situations becomes disturbingly vague.

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80

New York Magazine Peter Rainer

Refreshingly uncategorizable: It’s somewhere between a marital-discord drama and a mystery thriller, but it also has its madcap moments.

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80

Slate David Edelstein

It's not a flawless adaptation, but it's a gutsy and deeply affecting one: The filmmakers manage to jazz up Smiley's tempo without losing her melancholy tone; and they find a way--without being untrue to the book--to make the stubbornly recessive protagonist seem a dynamo on the screen.

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80

Washington Post Desson Thomson

Roundly entertaining.

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80

The New York Times A.O. Scott

Intensely appealing.

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75

Chicago Sun-Times Roger Ebert

Tries hard to be a good film, but if it had relaxed a little, it might have been great.

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75

Baltimore Sun Michael Sragow

Campbell Scott creates a new movie anti-hero -- the weak silent type -- and goes all the way with it in The Secret Lives of Dentists.

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75

Chicago Tribune Mark Caro

A surprisingly insightful, non-judgmental meditation on a troubled marriage-with-kids.

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75

San Francisco Chronicle Mick LaSalle

A melancholy, well-observed film.

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75

Premiere Glenn Kenny

Intelligently written and beautifully acted throughout, it’s a good, and rare, example of what we used to refer to as a movie for adults. Adults, be advised.

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75

Charlotte Observer Lawrence Toppman

A rarely honest, funny movie.

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75

The Globe and Mail (Toronto) Rick Groen

The climax, however, is far superior here, open-ended and ambiguous and neatly linked to this film's recurring metaphor: Teeth, of course, which "outlast everything," which survive the death of the body just as marriage can survive the demise of love. They both endure, yellowed and rootless.

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70

The New Republic Stanley Kauffmann

It has almost no story: its claim on our interest is in the texture of family life, which is what really fills the screen.

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70

Chicago Reader Jonathan Rosenbaum

The film is equally good in handling the discrepancy between skilled and unskilled parents.

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70

Village Voice J. Hoberman

Unlike those in the not dissimilar “American Beauty,” Dentists' characters are needier than the actors who play them -- and therein lies the problem.

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70

Variety Todd McCarthy

Director Alan Rudolph achieves fresh as well as humorous insights into family life and strategies for keeping a damaged relationship from expiring. But a tiresome final act proves trying.

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67

Portland Oregonian Shawn Levy

Campbell Scott and Hope Davis, both of whom work with such subtlety and depth, rescue the film from Rudolph's seemingly native inability to keep it steadily on course.

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67

Austin Chronicle Kimberley Jones

It all adds up to a portrait in decency, which isn’t nearly as sexy as the title would suggest.

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63

Philadelphia Inquirer Steven Rea

Scott and Davis bring heart-rending sadness and telling detail to their roles, and imbue Secret Lives with something real and true.

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63

New York Post Megan Lehmann

Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.

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63

Miami Herald Rene Rodriguez

Leary's presence quickly grows tiresome, and The Secret Lives of Dentists would have been a better movie without him. But Scott and Davis keep you interested in the Hursts' dilemma

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63

New York Daily News Jami Bernard

Ultimately, it's a compassionate view of marriage and its stressors. But the filmmaker and actors do their jobs only too well. Watching "Secret Lives" can be as uncomfortable as sitting in the dentist's chair.

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60

TV Guide Staff (Not Credited)

Director Alan Rudolph, whose reputation rests on ensemble pieces, lets Scott's performance -- as skilled as his pyrotechnical turn in "Roger Dodger" (2002), but composed entirely of subtle notes -- anchor the film.

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60

Empire Patrick Peters

The cast are terrific, but byt he end, the film is struggling to stay together as much as the family it depicts.

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40

Dallas Observer Gregory Weinkauf

A very dull movie.

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What Our Users Said

The average user rating for this movie is 6.8 (out of 10) based on 7 User Votes

Note: User votes are NOT included in the Metascore calculation.

armando s gave it a9:
This is a very enjoyable movie-both funny and serious at the same time-it gets into the head of the protaganist in interesting ways-recommended.

Ryan Perez gave it an 8:
Alan Rudolph’s root canal into the lives of dentists is amazingly smart and perceptive about marriage. Not enough good things can be said about Campbell Scott’s demanding performance. He sweats out every conflicting emotion with believable anxiety. Hope Davis is as good as ever, playing a woman unsatisfied with domestic life. The film also gets special points for creating the most scarily accurate picture of what its like for the flu to circulate through a family. The most common complaint with "Secret Lives of Dentists" is that the Leary mirage detracts from the drama, but this is only true for the last stretch where the fever dreams become garishly intrusive and over the top. For the first half, the acerbic aberration is Leary’s funniest role since “The Ref.”

Bill J. gave it a 2:
Utterly boring! 60 minutes in and I had to look at the DVD box to see how much longer to this was over. I like the quote below which hits the nail on the head, no story, except that of the boring day-to-day travails of a two boring people adults living out their meaningless and inconsequential lives: The New Republic / Stanley Kauffmann: It has almost no story: its claim on our interest is in the texture of family life, which is what really fills the screen.

Chris D. gave it a 3:
My dad, who's a dentist, and i were equally befuddled as to why this movie is so well received. we were the only persons in the theatre and for good reason. the film is a dog.

Chad S. gave it a 9:
A film with pretensions for greatness like this one does, shouldn't evoke music video, even a good one like Billy Joel's "We Didn't Start the Fire". As David's conscience, Dennis Leary is fun, albeit redundant, since the audience can assess David's life from the con side for themselves. The marriage plot runs the risk of being overshadowed by a buddy movie. It doesn't. Even the heavy-handed metaphor of a runaway flu that strikes the entire Hurst clan can't undermine the pitch-perfect scenes of crazy children, and a crazy father who can't figure out what went wrong. "The Secret Lives of Dentists", in an extended scene, captures the excruciation of infidelity, better than any film in recent memory, maybe ever. There's too much good stuff here to call this film flawed.

Barry R. gave it an 8:
"The Secret Lives of Dentists" is an interesting and well acted movie. It stars Campbell Scott (George C's son who you may remember from "The Spanish Prisoner") and Hope Davis (who played Jack Nicholson's daughter in "About Schmidt"). Denis Leary, in an appealing role as Scott's alter ego or subconscious, does an excellent job in this offbeat part. Scott is a superb actor who can say and do more with his non-speaking lines than most do with them. Reminiscent of the Diane Lane character in "Unfaithful" where her face conveyed such intimate thoughts, Scott is able to communicate so well with so little dialogue. Hope Davis, a more mature and sexy lady than previoiusly seen, does a wonderful job as Dentist/Housewife/Mother in an extremely well-written script in a film ably directed by Alan Rudolph. I recommend this film as a study in the human condition and how denial can be as much of a force as confrontation. It is a movie that is both gripping and entertaining. It gets an 8.0 and my appreciation for an enjoyable 105 minutes in the theater.

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