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Year One
Stars indicate the most critically-acclaimed movies.
Secrets & Lies

Universal acclaim
Based on 27 critic reviews
How did we calculate this?
Based on 27 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by: Mike Leigh
Directed by: Mike Leigh
Release Date:
Theatrical: September 27, 1996
DVD: February 1, 2005
Running Time: 136 minutes, Color
Origin: France / UK
Summary
RATING: R for language
Starring Brenda Blethyn, Marianne Jean-Baptiste, Timothy Spall, Phyllis Logan, Claire Rushbrook, Elizabeth Berrington, Michele Austin, and Lee Ross
A middle-aged London factory worker (Blethyn) is shocked when the mixed-race daughter she gave up at birth decides to track her down. At first she denies she is her mother. All family members become emotional, as everyone's secrets are exposed.
Also On Metacritic
FILM: All or Nothing Happy-Go-Lucky Topsy-Turvy Vera Drake
Also On The Web: Internet Movie Database
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
ReelViews James Berardinelli
Represents the director at his best -- unsentimental yet powerful, funny and poignant, and, in the end, undeniably satisfying.
Read Full Review >USA Today Mike Clark
Blethyn is so astonishing that you forget you're seeing a performance.
Read Full Review >Chicago Tribune Michael Wilmington
Leigh is an artist not at all blind to the world's darkness and pain. But the generosity and togetherness he and his company show in Secrets and Lies is something the movies -- and the world -- truly need. [25 October 1996, Friday, p.A]
The New Republic Stanley Kauffmann
Leigh, the writer, ties up things somewhat neatly and is a touch homiletic. Leigh, the director of cast and camera, is masterly. [Sept. 30, 1996]
Los Angeles Times Kenneth Turan
If film means anything to you, if emotional truth is a quality you care about, this is an event that ought not be missed.
Read Full Review >Chicago Sun-Times Roger Ebert
It moves us on a human level, it keeps us guessing during scenes as unpredictable as life, and it shows us how ordinary people have a chance of somehow coping with their problems, which are rather ordinary, too.
Read Full Review >San Francisco Chronicle Edward Guthmann
Leigh goes right to the core of his character's lives and mines the place where we're weakest, most alone and sometimes the cruelest.
Read Full Review >TNT RoughCut Jason Puskar
A masterful mix of wit and humor, sympathy and sadness.
Read Full Review >Washington Post Rita Kempley
A magnificent melodrama that draws both tears and laughter from the everyday give-and-take of seemingly ordinary souls.
Read Full Review >The Onion (A.V. Club) Keith Phipps
There's not a weak performance in Secrets And Lies, a fact made more notable by the seeming ease with which the cast performs as an ensemble.
Read Full Review >Film.com Tom Keogh
By creating characters from emotional wellsprings rather than concepts, Leigh thrills us with the possibilities that emerge when people are merely in the same room.
Chicago Reader Jonathan Rosenbaum
The acting is so strong--with Spall a particular standout--that you're carried along as by a tidal wave.
Read Full Review >Film.com Sean Means
Breathtaking, heartbreaking.
The New York Times Elvis Mitchell
Unfolds beautifully, with a rueful, knowing intelligence that rises above easy assumptions. [27 September 1996, p.C1]
Newsweek David Ansen
The results are wondrous, wrenching and crazily funny to behold.
Read Full Review >San Francisco Examiner G. Allen Johnson
Leigh has a gift for demonstrating character from the outside in.
Read Full Review >Film.com John Hartl
So meticulously acted that you feel you're reading the characters' minds.
Dallas Observer Arnold Wayne Jones
Secrets & Lies is all about wounds and our tendency to embrace placebos rather than the harder courses of treatment.
Read Full Review >Entertainment Weekly Owen Gleiberman
A crowd-pleaser, all right, but, for all its appeal, a naggingly sanctimonious one.
Read Full Review >Baltimore Sun Ann Hornaday
Crammed, cheek to jowl, with bleak moments, high hopes, sweetness and naked emotion.
Read Full Review >Slate Sarah Kett
Leigh at his best is a renderer of moments--the wisest and deepest observer, probably, among living directors.
Read Full Review >Austin Chronicle Marjorie Baumgarten
Secrets & Lies, despite my dwelling on its problems, is a really solid and enjoyable movie. It's just not what I would call "best of the fest."
Read Full Review >Variety Staff [not credited]
Unquestionably a finely observed, deeply felt work, though with some nagging problems in pacing and structure.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.1 (out of 10) based on 27 User Votes
Note: User votes are NOT included in the Metascore calculation.
Pat C. gave it a9:
It's a struggle to follow this movie in the early going as it tracks two sets of characters who do not initially interact. Finally what is going on reveals itself. From then on, one is witness to an important story exceptionally well told. Upon reflection the accomplishment of this film is exemplary. The last line of spoken dialogue, filled with peace, is as perfect a masterpiece of closure as any ever committed to film. A must see for those who differentiate the best from the rest. Despite the difficult setup I cannot recommend it highly enough.
Shanice T gave it a10:
Phenomenal film! Brilliant screenplay, direction, and acting.
Macky gave it a10:
The Best Movie I have ever seen, PERIOD! Unbelivable acting, great story, deeply moving. If you care about people more than special effects see this movie.
Lil S gave it an8:
Blockbuster did not have it as usual. Netflix did.
Philippa H. gave it an8:
A brilliant film. The acting was very realistic on all accounts. Shows the pain of hiding the truth and living in lies. Yet ruth has the power of liberation!
ed j. gave it a10:
Why isn't this on DVD????
Alexander J. gave it a 10:
Almost perfect. The ending rather disappointing. But until then, Brenda Blethyn et al succeed in breaking your heart.
