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63
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47
27 Dresses
29
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39
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81
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84
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47
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68
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69
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64
Cloverfield
30
Cover
68
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92
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43
Final Season, The
41
First Sunday
51
Golden Compass, The
49
Good Night, The
65
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63
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52
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7
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60
I Want Someone to Eat Cheese With
15
In the Name of the King: A Dungeon Siege Tale
81
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70
Lars and the Real Girl
47
Lions for Lambs
41
Mad Money
71
Manda Bala (Send a Bullet)
xx
Moondance Alexander
53
Music Within
77
Nanking
44
Nina's Heavenly Delights
24
One Missed Call
74
Orphanage, The
30
Over Her Dead Body
39
P.S. I Love You
37
P2
46
Reservation Road
55
Resurrecting the Champ
57
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85
Savages, The
78
Starting Out in the Evening
83
Sweeney Todd: The Demon Barber of Fleet Street
57
Teeth
92
There Will Be Blood
38
Trailer Park Boys: The Movie
32
Untraceable
63
Walk Hard: The Dewey Cox Story
68
War Dance
71
Water Horse: Legend of the Deep, The
43
Youth Without Youth
92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Simpatico
Fine Line Features
MPAA RATING: R for some strong sexuality, and for language
Starring
Nick Nolte,
Jeff Bridges,
Sharon Stone,
Catherine Keener,
and
Albert Finney
At first glance, Lyle Carter (Bridges) seems to have it all. Then he receives a collect call from Vinnie (Nolte), and a dark event from the past threatens to destroy his current success. (Fine Line Features)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Sam Shepard (play)
Matthew Warchus
David Nicholls
|
| DIRECTED BY: |
Matthew Warchus
|
| RELEASE DATE: |
DVD: August 22, 2000
Video: August 22, 2000
Theatrical: December 17, 1999
|
| RUNNING TIME: |
106 minutes, Color |
| ORIGIN: |
France |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
83
Portland Oregonian
Diana Abu-Jaber
Possesses the open-ended, continual off-kilterness of Shepard theater.

70
LA Weekly
Chuck Wilson
Demands full attention, if only for the pleasure of watching great actors mine Shepard's harsh, beautiful language for all it's worth.

70
TNT RoughCut
Spencer H. Abbott
Many may find the ultimate drive behind the main characters (especially Nolte's) to be a misguided, feeble and disappointing payoff at best.
70
Variety
Dennis Harvey
An unbeatable cast lends satisfying emotional texture.

70
TV Guide
Maitland McDonagh
This stylized tale of guilt and retribution is a surprisingly sleek and affecting drama.

63
Chicago Tribune
Michael Wilmington
A somewhat bewildering and unsatisfying film that nevertheless contains more inspired moments and brilliant scenes than many movies we call successes.

60
Salon.com
Charles Taylor
Warchus seems as at ease with the complexity of the style as he is with directing actors.

50
Los Angeles Times
Kevin Thomas
While it's entertaining, it's not as persuasive as it needs to be to succeed fully.

50
Time
Richard Schickel
Curiously, if fitfully, intriguing.

50
New York Daily News
Jack Mathews
Star-packed fiasco.

50
Dallas Observer
Jean Oppenheimer
Proves only intermittently engaging as its twisted plot loses energy and becomes confusing in the latter half.

50
The New York Times
Stephen Holden
Far from being a typical Hollywood desecration of a difficult play, it stays true to the work's quirky, renegade spirit.

50
USA Today
Staff [Not Credited]
It's an awkward jumble whose only value is as a forum for movie junkies to track the progress of half-a-dozen screen careers at once.

50
San Francisco Chronicle
Edward Guthmann
A confounding and unsatisfying film.

42
Seattle Post-Intelligencer
Paula Nechak
As has been the case with most of Shepard's plays, transfer to the movies spells doom.

40
Rolling Stone
Peter Travers
A promise unfulfilled.
38
New York Post
Lou Lumenick
A non-starter.

38
Miami Herald
Rene Rodriguez
Feels static and constricted, its intensity dulled by overreliance on dialogue.

38
Chicago Sun-Times
Roger Ebert
A long slog through perplexities and complexities.

32
Mr. Showbiz
Richard T. Jameson
The switch of medium hasn't reinvigorated the soil or resulted in a film with any compelling reason for being.

30
Village Voice
Michael Atkinson
A decked-out mediocrity with a high-octane cast.

25
Entertainment Weekly
Lisa Schwarzbaum
Stumbling adaptation of a Sam Shepard play about men, horses, chance, and lies.

25
Charlotte Observer
Lawrence Toppman
Atmosphere goes only so far in a story where the major characters fade from memory.

20
Film.com
Gemma Files
Tired, overcomplicated mix of macho bullshit.

10
Chicago Reader
Jonathan Rosenbaum
An extravagant waste of resources.


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