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Soul Men

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Soul Men reviews
49
5.4 User Score:

Mixed or average reviews

Based on 23 critic reviews
How did we calculate this?

Based on 5 votes
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Movie Info

Genre(s): Comedy

Written by: Robert Ramsey
Matthew Stone

Directed by: Malcolm Lee

Release Date:
Theatrical: November 7, 2008
DVD: February 10, 2009

Running Time: 103 minutes, Color

Origin: USA

Summary

RATING: R for pervasive language, and sexual content including nudity

Starring Bernie Mac, Samuel L. Jackson, Sean Hayes, Sharon Leal, Jennifer Coolidge, Isaac Hayes, Affion Crockett, and John Legend

Louis and Floyd were a popular singing duo back in the day, but then they went their separate ways and never spoke again. When the death of their former group leader reunites them and sends them driving cross country for a tribute concert at the legendary Apollo Theatre, they will have only five days to bury the hatchet on a twenty-year-old grudge. (MGM)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75

ReelViews James Berardinelli

There's nothing quite like watching Samuel L. Jackson and Bernie Mac performing at a hoedown and getting into it with the audience.

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75

Chicago Sun-Times Roger Ebert

This movie has a lot of good music in it, some on the soundtrack, some on the screen. Jackson and Bernie Mac have enormous fun doing intricate dance moves together.

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70

The Hollywood Reporter Frank Scheck

This contemporary riff on "The Sunshine Boys" generally manages to succeed anyway, thanks to the entertaining performances by Mac and co-star Samuel L. Jackson and its generous doses of raucous humor and sweet soul music.

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70

Variety Brian Lowry

There's a nice chemistry between Mac and Samuel L. Jackson in this latest variant of the road movie, which contains comedic elements but actually works better as a drama.

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70

Village Voice Chuck Wilson

Mac and Jackson carry the show--particularly Mac, who's at his crackly, cranky best here. As swan songs go, Soul Men is pretty sweet.

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63

Chicago Tribune Michael Phillips

The funniest bit in the crude but diverting Soul Men really makes you miss Bernie Mac, who died in August, a few months after completing the picture.

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63

Philadelphia Inquirer David Hiltbrand

Jackson gets by mostly on bluster, but that doesn't matter because he serves mostly as a foil to Mac's popeyed shake-and-bake antics.

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63

USA Today Claudia Puig

The material doesn't consistently do justice to their talents, but the movie is worth seeing for their chemistry and for the Motown-infused soundtrack.

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63

Rolling Stone Peter Travers

Soul Men is a chance to salute these masters of mirth and music. Take it.

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63

TV Guide Jason Buchanan

It's a joy to watch soul legend Isaac Hayes in one of his final roles.

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63

Baltimore Sun Michael Sragow

Soul Men isn't much of a movie, but it bubbles along and reaches its percolating high point at the very end.

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60

The New York Times A.O. Scott

A raucous, rambling comedy, offering some laughs, some groans and a feast for fans of the musical idioms it mocks and celebrates.

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60

New York Daily News Elizabeth Weitzman

The script is basically a retread of every other AARP comedy, from "Grumpy Old Men" to "Wild Hogs." The laughs, in other words, are of the Viagra and kidney stone variety.

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50

Entertainment Weekly Owen Gleiberman

Soul Men could have done with less amped-up abrasiveness and more soft-shoe charm.

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50

Seattle Post-Intelligencer William Arnold

The movie also qualifies as a kind of low-rent, male version of "Dreamgirls," but -- while many of the numbers are pleasant -- it doesn't have the moxie to work as a musical.

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50

Boston Globe Wesley Morris

There are two reasons to put up with Soul Men, and that's the soul men themselves. Samuel L. Jackson and Bernie Mac appear to be having a good time, and for most of this raunchy, poorly orchestrated buddy comedy, that's enough.

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50

Chicago Reader J.R. Jones

Mac was a magnetic performer with a long history of redeeming mediocre movies; unfortunately this is another one.

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50

San Francisco Chronicle Mick LaSalle

Needless to say, Soul Men has a lot to overcome in its effort to be funny.

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40

Washington Post Michael O'Sullivan

Misbegotten buddy-bonding comedy of errors.

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40

Salon.com Stephanie Zacharek

Couldn't be more unhip -- it just never hits the groove.

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40

Austin Chronicle Josh Rosenblatt

Whenever Soul Men is in need of a jolt of energy, these two poets of profanity are always ready with rapid-fire, mean-spirited rants that would make the writers of "Deadwood" blush.

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38

New York Post Lou Lumenick

If you insist on seeing Soul Men, stick around during the closing credits for the best part of the movie, an interview with Mac.

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0

The Onion (A.V. Club) Nathan Rabin

For all its crudeness and desperation, Soul Men can't scare up a single laugh.

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What Our Users Said

The average user rating for this movie is 5.4 (out of 10) based on 5 User Votes

Note: User votes are NOT included in the Metascore calculation.

Jay H. gave it a5:
Disappointing and not as funny as I was hoping. It's not bad but I saw so much lost potential. The cast does fine, some good music but it isn't at all memorable. Very routine stuff.

Gary gave it a1:
Eerie to see the late Bernie Mac one last time on the big screen. He was a very good comedian. But unfortunately this is not a very good movie.

Chad S. gave it a6:
Talk about being a consummate professional, before filming began on Michael Radford's "Il Postino", Italian actor Massimo Troisi said, "Wait a minute/wait a minute," to the heart surgeon instead of the fictitious "Mr. Postman". Talk about being a trooper; Troisi suffered a massive coronary because of his selfless dedication. The postman died. In a motion picture about sixties-era soul music that features a posthumous performance by a then-ailing man, the 1964 Marvelettes hit "Please Mr. Postman" and the five-time Oscar nominated film from 1996 seems relevant to mention. Without a doubt, Bernie Mac's untimely death is responsible for many wince-inducing moments that lend a ghoulish fascination to the filmic proceedings. In one pointed scene, he emerges from a coffin like Screamin' Jay Hawkins. In another, he's mixing sleeping pills and alcohol like David Ruffin. Gallows humor, or ironical foreshadowing, call it what you want; seeing Mac before his Mac attack definitely raises the game of this servicable tribute to old-school rhythm and blues. So is The Real Deal more of a Stax, or a Motown act? My money is on Stax(the cameo of stacked porn star Vanessa Del Rio plays like a referential inside joke) as being the label that "Soul Men" pays homage to(also, the late Issac Hayes recorded for the independent Memphis record company), since "Dreamgirls" already essayed the Berry Gordy-run empire. When it comes to black artists in the music biz, especially concerning the little matter about royalties, everybody knows that many R & B pioneers were ripped off. What's notable about "Soul Men" is that the people doing the stealing from black artists are other black people. Like comedian Chris Rock, the star of "The Bernie Mac Show" never was one to shy away from talking hard truths to America, and this includes criticism about his own kind. In particular, the film's attack on sampling in rap is revelatory, when Floyd Henderson(Bernie Mac) and Louis Hinds(Samuel L. Jackson) take issue with an upstart rapper's "borrowing" of a Real Deal bassline. Back in the late-eighties, Alternative hip-hoppers De La Soul sampled the sixties pop group The Turtles' "You Showed Me" for their music collage track "Transmitting Live from Mars", and seriously pissed them off. They sued. Floyd and Louis, like Howard Kaylan and Mark Volman(of The Turtles), concur with ex-Icicle Works frontman Ian McNabb's assertion about "rappers stealing everything"(from "Great Dreams of Heaven"). In many instances, the music industry specialized in the thievery of black artists, but "Soul Men" has the honesty and integrity to demonstrate that thievery is often colorblind(remember: Stax's founders Jim Stewart & Estelle Axton were white, and Atlantic Records stole their masters).

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