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81
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81
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Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
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Lars and the Real Girl
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Charlie Wilson's War
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Business of Being Born, The
68
Delirious
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War Dance
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Great Debaters, The
64
Cloverfield
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Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
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Lions for Lambs
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Reservation Road
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Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Summer Palace
Palm Pictures
FILM:
MPAA RATING: Not Rated
Starring
Lei Hao,
Xiaodong Guo,
Long Duan,
Lin Cui,
Xueyun Bai,
Ling Hu,
Chi Le,
and
Xianmin Zhang
Beautiful Yu Hong leaves her village, her family and her fiancé to study in Peking. She discovers a world of intense sexual awakening and foolishly falls in love with another student, Zhou Wei. Their relationship turns into a dangerous game reflecting the politically unstable country they live in. (Océan Films)
| GENRE(S): |
Drama
|
Romance
|
| WRITTEN BY: |
Ma Yingli
Feng Mei
Ye Lou
|
| DIRECTED BY: |
Ye Lou
|
| RELEASE DATE: |
DVD: March 11, 2008
Theatrical: January 18, 2008
|
| RUNNING TIME: |
140 minutes, Color |
| ORIGIN: |
China / France |
| LANGUAGE(S): |
Mandarin / German |
Alternate Title: Yihe yuan

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
The New York Times
A.O. Scott
In Summer Palace Lou nonetheless succeeds in finding a cinematic language that does more than summarize the important events of a confusing decade. He distills the inner confusion -- the swirl of moods, whims and needs -- that is the lived and living essence of history.

100
San Francisco Chronicle
G. Allen Johnson
The most important mainland Chinese film this decade.

90
Los Angeles Times
Kenneth Turan
For director Lou Ye, who also co-wrote the script and was a student in Beijing during that crucial year, Summer Palace is the story of his particular lost generation, a story he felt so deeply about he risked his career to tell it. Search out this vivid film in a theater. Don't let the sacrifices he made be in vain.

88
TV Guide
Ken Fox
It's a bit like a Chinese "Splendor In The Grass."

83
Portland Oregonian
Shawn Levy
A fascinating and frustrating film in turns, created out of scorching passions and built around a fascinating performance but rambling and choppy in the telling. It can overwhelm you and puzzle and repel you, sometimes within moments.

80
LA Weekly
Scott Foundas
Jolting narrative ellipses sometimes threatens to bring the whole house of cards tumbling down. What never lessens is the movie's rapturous eroticism, and the exquisite longing in each one of Yu Hong's sideways glances.

80
The New Yorker
David Denby
In truth, I’ve never seen so much lovemaking in an aboveground film, but the revelation, and great triumph, of Lou’s work is that these scenes are never pornographic--that is, never separated from emotion.

75
New York Post
V.A. Musetto
The bureaucrats in Beijing want to get rid of the sex and full-frontial nudity and scenes of cops beating protesters in Tiananmen Square. I would keep all that but cut out some of the flab in the second half of the 140-minute drama.

70
Chicago Reader
Shelly Kraicer
Lou's mobile camera captures the flushed energy of the faces and bodies of beautiful youths in love with all the verve and commitment of the early French New Wave.

70
The Hollywood Reporter
Kirk Honeycutt
At the heart of the film is a powerful performance by the beautiful and most promising Hao Lei as its tempestuous, complex heroine.

60
Variety
Derek Elley
Fourth feature by Mainland helmer Lou Ye ("Suzhou River," "Purple Butterfly") shoots for metaphysical drama but ends up saying very little beneath all the poetic voiceovers, sexual encounters and political seasoning.

50
Village Voice
Julia Wallace
The director is at his best portraying the dingy dorms and vivid idealism of college life; his film stalls when it meanders away from these particulars toward a sweeping but empty attempt at the epic.


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