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Sweet Land
Forward Entertainment LLC

Sweet Land reviews
Critic Score
Metascore: 75 Metascore out of 100
User Score  
7.8 out of 10
based on 19 reviews
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How did we calculate this?
based on 19 votes
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MPAA RATING: PG for brief partial nudity and mild language

Starring Alan Cumming, Lois Smith, Ned Beatty, Alex Kingston, John Heard, Elizabeth Reaser, Tim Guinee, and Patrick Heusinger

Set in Southern Minnesota's farm country, Sweet Land is a poignant and lyrical celebration of land, love, and the American immigrant experience. (Libero LLC)


GENRE(S): Drama  
WRITTEN BY: Ali Selim  
DIRECTED BY: Ali Selim  
RELEASE DATE: DVD: July 10, 2007 
Theatrical: October 18, 2006 
RUNNING TIME: 110 minutes, Color 
ORIGIN: USA 
LANGUAGE(S): English / German / Norwegian 

Audience Award (Best Narrative Feature), 2006 Florida Film Festival; Audience Award (Best Narrative Feature) (tie), 2005 Hamptons International Film Festival

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Variety Ronnie Scheib
Intelligently written, brilliantly cast and thesped story of a German mail order bride in a Norwegian-American community in Minnesota just after WWI never hits a wrong note.
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100
Entertainment Weekly Owen Gleiberman
Sweet Land is a movie of extraordinary tenderness, in which Reaser and Guinee, using a language of looks, make you happy to think about what love once might have been.
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90
Village Voice Rob Nelson
Directing with a light comic touch and a palpable affection for the characters, Selim draws pitch-perfect acting from a large cast and achieves breathtaking levels of color and clarity from old-fashioned 35mm.
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90
The Hollywood Reporter Kirk Honeycutt
Demonstrating a mastery of the medium that belies his status as a first-time feature filmmaker, writer-director Ali Selim has crafted in Sweet Land a tale of pure Americana that speaks both to the immigrant experience and the nature of love.
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88
New York Post Lou Lumenick
This year's actress to watch is Elizabeth Reaser, who delivers a tour de force as a determined German mail-order bride who comes to 1920 Minnesota in Ali Selim's captivating indie Sweet Land.
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88
Charlotte Observer Lawrence Toppman
Top honors go to Guinee, who steadily builds his character from tiny details, and Reaser, who's understood through eyes and attitude while speaking a hodgepodge of German, Norwegian and English.
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83
Seattle Post-Intelligencer William Arnold
First-time director Ali Selim does an exceptional job throughout, his movie has the balance, uncluttered leanness and emotional impact of a Willa Cather short story, and it's no surprise that it has been nominated for Best First Feature in the 2007 Independent Spirit Awards.
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80
Los Angeles Times Kenneth Turan
A type of American independent we don't see often enough.
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80
Salon.com Andrew O'Hehir
It's winsome, sentimental and lovely in a minor-key way.
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75
Chicago Tribune Michael Wilmington
The film's most memorable performance is in another supporting role, by Alan Cumming as hapless Frandsen, Olaf's sympathetic neighbor and a hopelessly inept farmer.
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75
Boston Globe Wesley Morris
A lovely , old-fashioned farm romance quietly doubling as a comment on immigration and American identity.
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75
Portland Oregonian Marc Mohan
Sweet Land brushes against the true spirit of American independent cinema.
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75
San Francisco Chronicle Ruthe Stein
An unusual look at love and how it can unexpectedly develop. Those for whom the concept of an arranged marriage is foreign will get a little history lesson on the immigrant experience watching this sweetly engrossing film.
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70
The New York Times Jeannette Catsoulis
The film’s guileless, heartfelt style veers perilously close to corniness at times, but the superb cast dares you to mock.
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70
Chicago Reader J.R. Jones
Ali Selim, a highly successful director of commercials in Minneapolis, makes his feature directing debut with this simple and beautifully paced drama, letting the characters breathe and the land speak.
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67
Baltimore Sun Michael Sragow
Once you get past the movie's needlessly fragmented framing device and its protracted introduction to a xenophobic rural Minnesota town, the core story gains some traction in your mind.
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63
New York Daily News Elizabeth Weitzman
Selim's script doesn't hit new territory, but beautiful cinematography takes it just far enough.
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50
Washington Post Desson Thomson
Sweet Land is as empty and beautiful as the picturesque Minnesota terrain it's so clearly taken with.
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50
TV Guide Ken Fox
Mark Orton's overused fiddly score is nice enough, but can't disguise the essential emptiness of overlong scenes.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.8 (out of 10) based on 19 User Votes
Note: User votes are NOT included in the Metascore calculation.

M M. gave it a4:
Nicely shot and acted, sure, but boring. The boring story that i thought we all have heard about a thousand times, crept along like a slug in the garden. We all knew exactly what was going to happen, and then nothing unique arose in teh journey. I wanted to like it as it is about my ancestors essentially, and wanted to care about her struggles, but she seemed empty and without personality.

Anne gave it a9:
I loved this movie. My husband is Scandinavian, so right off the bat Olaf got to me. The Lutheran references were hilarious and the underlying theme of community and love was sweet.

Bluezboy8 gave it a9:
This work would best represent the true definition of American Pie. It recalls the European wave of immigration of the early 20th century, and would seem to hold a mirror to the present day. The story of the arranged union of Inga and Olaf moves at a pace that would probably be accurate for the times, and the preacher's discovery of the two dancing "during the daylight" was a realistic, and amusing symbol of cultural intolerance. The story moves in a somewhat predictable direction, but the cinematography and score fend off the notions of melodrama, and the messages of community, friendship, and commitment displayed in Sweet Land are purposely meant to be shared and absorbed by future generations.

Gene B. gave it a9:
We enjoyed this movie a great deal. I am not generally drawn to love stories but this film moved right a long and kept my attention.

Bob G. gave it a10:
I agree with Rene R on this forum board...I'm doing everything I can to spread the word about this film. Lovely, understated, and stirring. Deserves to be a huge success, not only at the box office, but at the award shows. (Just got its first nominations: Best First Feature and Best Actress at the Indepenent Spirit Awards.)

Brian G gave it a10:
Love this movie. Superbly acted, especially the actress playing Inga. I loved the way it was lit and filmed. I wish my grandparents were still alive so I could ask questions about living in this time period.

Rene R gave it a10:
This is a complete film - great story, fine natural performances & beautifully shot & edited. I can't stop thinking about it's subtle beauty & itimacy. I'm spreading the word to everyone I know who appreciates good film-making/storytelling.

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