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Talented Mr. Ripley, The

EMAILPRINTParamount Pictures

Talented Mr. Ripley, The reviews
76
7.6 User Score:

Generally favorable reviews

Based on 35 critic reviews
How did we calculate this?

Based on 32 votes
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Movie Info

Genre(s): Drama

Written by: Patricia Highsmith (novel)
Anthony Minghella

Directed by: Anthony Minghella

Release Date:
Theatrical: December 24, 1999
DVD: June 27, 2000

Running Time: 139 minutes, Color

Origin: USA

Summary

RATING: R for violence, language and brief nudity

Starring Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett, and Phillip Seymour Hoffman

In the 1950's, a young American, Mr. Ripley (Damon), is sent to Europe to retrieve a spoiled millionaire playboy (Law). When the errand fails, Ripley kills the playboy and assumes his life.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Chicago Sun-Times Roger Ebert

The movie is as intelligent a thriller as you'll see this year.

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100

San Francisco Examiner Wesley Morris

It's that rare movie with a sense of timeliness that is eternal, and a protagonist whose soul-crushed angst, even at its most fatal, speaks to the little boy/girl lost in everyone.

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100

San Francisco Chronicle Bob Graham

This thriller is so expertly -- and perversely -- poised that audience members may find themselves secretly rooting for the duplicitous Ripley.

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91

Entertainment Weekly Lisa Schwarzbaum

Minghella makes an enticing, intelligent, well-shaped picture about the extreme perils of class envy and sexual panic.

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90

TNT RoughCut Christopher Brandon

The talented Mr. Minghella is aping Alfred Hitchcock as effectively as Tom Ripley is doing Dickie Greenleaf.

90

Film.com Ernest Hardy

A dark film that raises more questions than it answers -- and it's meant to.

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90

Film.com John Hartl

In the hands of Minghella and his star, Matt Damon, Ripley has become a more complex character, in some ways more understandable and approachable, in other ways as enigmatic as ever.

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89

Austin Chronicle Russell Smith

Just the thing to clear your Capra-glutted holiday movie palate.

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88

Miami Herald Rene Rodriguez

Delivers all the expected moments of high suspense --that is worthy of Hitchcock

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88

Christian Science Monitor David Sterritt

The picture has fine ensemble acting and superb Italian scenery. It would have more power if it were shorter and tighter.

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88

USA Today Mike Clark

In a possible breakthrough role, Law would seem to be the big winner.

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88

Boston Globe Jay Carr

A slick, twisty, top-of-the-line crime thriller with gorgeously sensual textures and a screenful of wickedly faceted performances.

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88

Baltimore Sun Ann Hornaday

The only thing missing from this rich production is an emotional charge, which Highsmith could create on the page but which Minghella doesn't quite capture on screen.

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83

Portland Oregonian Shawn Levy

It's a refreshing sensation, even if it makes you feel a touch seasick at first, and the fittingly eerie conclusion to a lavish and unsettling movie.

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83

Seattle Post-Intelligencer Paula Nechak

It demands people pay attention and look inward to find the private compass that will navigate us through murky sensibilities that are as capable of seducing us as they are Tom Ripley.

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80

The New York Times Janet Maslin

Carnal, glamorous and worth the price.

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80

Variety Todd McCarthy

Performances are aces top to bottom

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80

Los Angeles Times Kenneth Turan

A beautifully mounted and directed film that, despite the presence of Matt Damon and Gwyneth Paltrow, is unexpectedly lacking in emotional impact.

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80

Rolling Stone Peter Travers

The talented Mr. Minghella has made an imperfect movie but not an impersonal one. His morality tale means to get under the skin, and does.

80

LA Weekly Manohla Dargis

Although he never matches the book in either brilliance or sheer perversity, Minghella has remained essentially true to his source.

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80

Film.com Robert Horton

May be Hitchcock on holiday, but that's a perfectly enjoyable vacation.

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75

New York Daily News Jami Bernard

Matt Damon's performance isn't bad, but it pales in comparison with Law's.

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75

Philadelphia Inquirer Steven Rea

Takes startling - and startlingly unpleasant - turns. This is not a film with anything approximating a conventional ending.

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75

Chicago Tribune Michael Wilmington

Minghella's psychological redraft muffles the menace, squanders the tension, throws away the main character and plot engine and turns Ripley into something he never was or should be.

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75

New York Post Jonathan Foreman

This film of mistaken identity, murder, class envy and (bi)sexual tension doesn't live up to its own promise.

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74

Mr. Showbiz Michael Atkinson

A near-perfect confection, a beautifully executed Hollywood all-you-can-eat salad bar of glamour, plot twists, breathtaking Mediterranean vistas, and jazz.

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70

TV Guide Maitland McDonagh

This coolly beautiful film is both a superior thriller and an engrossing study of a sociopath's progress.

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70

Salon.com Charles Taylor

It must be hard to misread the tone of a book as single-minded as Patricia Highsmith's The Talented Mr. Ripley, but Anthony Minghella manages somehow.

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70

Dallas Observer Scott Kelton Jones

Numbs as much as it unnerves.

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70

Washington Post Stephen Hunter

Enter the world of the sociopathic killer and enjoy.

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70

Slate David Edelstein

Matt Damon can't quite piece together a compelling poseur.

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60

Newsweek David Ansen

Damon's Ripley is considerably different from the charming sociopath in Patricia Highsmith's novel or the smooth lothario played by Alain Delon in the 1960 French thriller "Purple Noon."

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60

Chicago Reader Jonathan Rosenbaum

This adaptation of Patricia Highsmith's novel is commercial to the core.

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38

Charlotte Observer Lawrence Toppman

It's ploddingly directed, indifferently acted and insufficiently frightening.

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30

Village Voice Amy Taubin

It's a sign of how watered-down the movie is that only the supporting actors have any bite.

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What Our Users Said

The average user rating for this movie is 7.6 (out of 10) based on 32 User Votes

Note: User votes are NOT included in the Metascore calculation.

Seb H gave it a4:
Anyone who says this captures the essence of the novel is seriously wrong. Not only is Damon's Ripley everything that Highsmith said very explicitly that he wasn't (blatantly homosexual, obsessed with Dickie and his lifestyle, showing precious little premeditation to his plans and even showing remorse). Highsmith's Ripley was one of the best literary characters ever created, as insecure as he is confident and cool, but the bumbling, grinning dork up on the screen didn't remind me of him at all. Minghella made the very bold move of taking this film in different directions to the book, but it suffers as a result, particularly with the introduction of two new vapid, unconvincing characters (Peter Smith Kingsley and Meredith Logue). They fail very badly, as do all the other Hollywood-ised bastardisations of the original characters. Ripley was such a great potential film, and, though this is not without its merits, it ultimately fails to capture the spirit Highsmith wrote it in. I'm all for some degree of originality in an adaptation, but this practically spits in Highsmith's face, all in all designed to be a cold-hearted star vehicle.

Connor M gave it a9:
Truly remarkable. Damon really steps into the limelight after this stellar performance and Law also did one hell of a job.The emotional impact wasn't extreme but nonetheless you felt it. With it's unpredictable, yet thrilling plot and outstanding performances this is easily one of the best films of the 1990's.

Seb H gave it a4:
Anyone who says this captures the essence of the novel is seriously wrong. Not only is Damon's Ripley everything that Highsmith said very explicitly that he wasn't (blatantly homosexual, obsessed with Dickie and his lifestyle, showing precious little premeditation to his plans and even showing remorse). Highsmith's Ripley was one of the best literary characters ever created, as insecure as he is confident and cool, but the bumbling, grinning dork up on the screen didn't remind me of him at all. Minghella made the very bold move of taking this film in different directions to the book, but it suffers as a result, particularly with the introduction of two new vapid, unconvincing characters (Peter Smith Kingsley and Meredith Logue). They fail very badly, as do all the other Hollywood-ised bastardisations of the original characters. Ripley was such a great potential film, and, though this is not without its merits, it ultimately fails to capture the spirit Highsmith wrote it in. I'm all for some degree of originality in an adaptation, but this practically spits in Highsmith's face, all in all designed to be a cold-hearted star vehicle.

Connor M gave it a9:
Truly remarkable. Damon really steps into the limelight after this stellar performance and Law also did one hell of a job.The emotional impact wasn't extreme but nonetheless you felt it. With it's unpredictable, yet thrilling plot and outstanding performances this is easily one of the best films of the 1990's.

Mike L. gave it a0:
This is the all-time worst movie I've ever seen (all the way through). Too long, too boring, too uninteresting. Great cast, great premise (Joe Schmoe hustles his way into hobknobbing around Europe with young, rich elite). Unfortunately it couldn't overcome a terrible story (NOTE - being gay is not a plot twist). What was the movie trying to convey? It appears from the critics they can't decide either (crime drama, psychological thriller, take on class and gender). I couldn't wait for it to end. Group of friends who saw it at the cinema said the film broke near the end and many clapped that it was over.

pablo e. gave it a3:
So much talent wasted!!! The movie just does not work, the characters are hollow, the dynamic of the plot fragmented.

Pip E. gave it a10:
The film captures the essence of the novel in a way many movies fail. It was brilliantly cast and shot, overall this movie is a gem.

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