DVD
Upcoming Release Calendar
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade
Recent DVD/Video Releases
68
$9.99
49
2012
56
Adam
37
Amelia
50
Armored
53
Astro Boy
35
Babysitters, The
66
Bandslam
86
Beaches of Agnes, The![]()
19
Bitch Slap
65
Black Dynamite
71
Bliss
24
Boondock Saints II: All Saints Day, The
47
Box, The
51
Breakfast with Scot
44
Brief Interviews with Hideous Men
76
Broken Embraces
71
Bronson
61
Capitalism: A Love Story
57
Chelsea on the Rocks
43
Cirque du Freak: The Vampire's Assistant
65
Coco Before Chanel
69
Cold Souls
23
Couples Retreat
75
Crude
81
Damned United, The![]()
54
Dare
61
Dead Snow
27
Did You Hear About the Morgans?
68
End of the Line, The
55
Endgame
47
Everybody's Fine
64
Examined Life
xx
Falling for Grace
31
Fix
74
Flame & Citron
xx
From Mexico with Love
28
Gentlemen Broncos
64
Gigante
58
Gogol Bordello Non-Stop
72
Good Hair
73
House of the Devil, The
82
Hunger![]()
17
I Hate Valentine's Day
66
Informant!, The
34
Law Abiding Citizen
33
Love Happens
59
More Than a Game
34
Motherhood
49
New York, I Love You
34
Ninja Assassin
19
Old Dogs
47
Ong Bak 2: The Beginning
68
Paris
44
Peter and Vandy
39
Planet 51
86
Ponyo![]()
79
Precious: Based on the Novel by Sapphire
73
Princess & the Frog, The
49
Private Lives of Pippa Lee, The
84
Revanche![]()
69
September Issue, The
79
Serious Man, A
36
Serious Moonlight
70
Shall We Kiss?
24
Sorority Row
40
Spiral
41
Splinterheads
33
Stepfather, The
50
Stoning of Soraya M., The
47
Time Traveler's Wife
44
Twilight Saga: New Moon, The
83
Up in the Air![]()
65
Vicious Kind, The
69
We Live in Public
65
Wedding Song, The
71
Where the Wild Things Are
43
Women in Trouble
48
Wonderful World
73
Zombieland
Stars indicate the most critically-acclaimed movies.
Talented Mr. Ripley, The

Generally favorable reviews
Based on 35 critic reviews
How did we calculate this?
Based on 33 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by:
Patricia Highsmith (novel)
Anthony Minghella
Directed by: Anthony Minghella
Release Date:
Theatrical: December 24, 1999
DVD: June 27, 2000
Running Time: 139 minutes, Color
Origin: USA
Summary
RATING: R for violence, language and brief nudity
Starring Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett, and Phillip Seymour Hoffman
In the 1950's, a young American, Mr. Ripley (Damon), is sent to Europe to retrieve a spoiled millionaire playboy (Law). When the errand fails, Ripley kills the playboy and assumes his life.
Also On Metacritic
FILM: Breaking and Entering Cold Mountain The English Patient Truly Madly Deeply
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Sun-Times Roger Ebert
The movie is as intelligent a thriller as you'll see this year.
Read Full Review >San Francisco Examiner Wesley Morris
It's that rare movie with a sense of timeliness that is eternal, and a protagonist whose soul-crushed angst, even at its most fatal, speaks to the little boy/girl lost in everyone.
Read Full Review >San Francisco Chronicle Bob Graham
This thriller is so expertly -- and perversely -- poised that audience members may find themselves secretly rooting for the duplicitous Ripley.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
Minghella makes an enticing, intelligent, well-shaped picture about the extreme perils of class envy and sexual panic.
Read Full Review >TNT RoughCut Christopher Brandon
The talented Mr. Minghella is aping Alfred Hitchcock as effectively as Tom Ripley is doing Dickie Greenleaf.
Film.com Ernest Hardy
A dark film that raises more questions than it answers -- and it's meant to.
Read Full Review >Film.com John Hartl
In the hands of Minghella and his star, Matt Damon, Ripley has become a more complex character, in some ways more understandable and approachable, in other ways as enigmatic as ever.
Read Full Review >Austin Chronicle Russell Smith
Just the thing to clear your Capra-glutted holiday movie palate.
Read Full Review >Miami Herald Rene Rodriguez
Delivers all the expected moments of high suspense --that is worthy of Hitchcock
Read Full Review >Christian Science Monitor David Sterritt
The picture has fine ensemble acting and superb Italian scenery. It would have more power if it were shorter and tighter.
Read Full Review >USA Today Mike Clark
In a possible breakthrough role, Law would seem to be the big winner.
Read Full Review >Boston Globe Jay Carr
A slick, twisty, top-of-the-line crime thriller with gorgeously sensual textures and a screenful of wickedly faceted performances.
Read Full Review >Baltimore Sun Ann Hornaday
The only thing missing from this rich production is an emotional charge, which Highsmith could create on the page but which Minghella doesn't quite capture on screen.
Read Full Review >Portland Oregonian Shawn Levy
It's a refreshing sensation, even if it makes you feel a touch seasick at first, and the fittingly eerie conclusion to a lavish and unsettling movie.
Read Full Review >Seattle Post-Intelligencer Paula Nechak
It demands people pay attention and look inward to find the private compass that will navigate us through murky sensibilities that are as capable of seducing us as they are Tom Ripley.
Read Full Review >Los Angeles Times Kenneth Turan
A beautifully mounted and directed film that, despite the presence of Matt Damon and Gwyneth Paltrow, is unexpectedly lacking in emotional impact.
Read Full Review >Rolling Stone Peter Travers
The talented Mr. Minghella has made an imperfect movie but not an impersonal one. His morality tale means to get under the skin, and does.
LA Weekly Manohla Dargis
Although he never matches the book in either brilliance or sheer perversity, Minghella has remained essentially true to his source.
Read Full Review >Film.com Robert Horton
May be Hitchcock on holiday, but that's a perfectly enjoyable vacation.
Read Full Review >New York Daily News Jami Bernard
Matt Damon's performance isn't bad, but it pales in comparison with Law's.
Read Full Review >Philadelphia Inquirer Steven Rea
Takes startling - and startlingly unpleasant - turns. This is not a film with anything approximating a conventional ending.
Read Full Review >Chicago Tribune Michael Wilmington
Minghella's psychological redraft muffles the menace, squanders the tension, throws away the main character and plot engine and turns Ripley into something he never was or should be.
Read Full Review >New York Post Jonathan Foreman
This film of mistaken identity, murder, class envy and (bi)sexual tension doesn't live up to its own promise.
Read Full Review >Mr. Showbiz Michael Atkinson
A near-perfect confection, a beautifully executed Hollywood all-you-can-eat salad bar of glamour, plot twists, breathtaking Mediterranean vistas, and jazz.
Read Full Review >TV Guide Maitland McDonagh
This coolly beautiful film is both a superior thriller and an engrossing study of a sociopath's progress.
Read Full Review >Salon.com Charles Taylor
It must be hard to misread the tone of a book as single-minded as Patricia Highsmith's The Talented Mr. Ripley, but Anthony Minghella manages somehow.
Read Full Review >Washington Post Stephen Hunter
Enter the world of the sociopathic killer and enjoy.
Read Full Review >Newsweek David Ansen
Damon's Ripley is considerably different from the charming sociopath in Patricia Highsmith's novel or the smooth lothario played by Alain Delon in the 1960 French thriller "Purple Noon."
Read Full Review >Chicago Reader Jonathan Rosenbaum
This adaptation of Patricia Highsmith's novel is commercial to the core.
Read Full Review >Charlotte Observer Lawrence Toppman
It's ploddingly directed, indifferently acted and insufficiently frightening.
Read Full Review >Village Voice Amy Taubin
It's a sign of how watered-down the movie is that only the supporting actors have any bite.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.6 (out of 10) based on 33 User Votes
Note: User votes are NOT included in the Metascore calculation.
Seb H gave it a4:
Anyone who says this captures the essence of the novel is seriously wrong. Not only is Damon's Ripley everything that Highsmith said very explicitly that he wasn't (blatantly homosexual, obsessed with Dickie and his lifestyle, showing precious little premeditation to his plans and even showing remorse). Highsmith's Ripley was one of the best literary characters ever created, as insecure as he is confident and cool, but the bumbling, grinning dork up on the screen didn't remind me of him at all. Minghella made the very bold move of taking this film in different directions to the book, but it suffers as a result, particularly with the introduction of two new vapid, unconvincing characters (Peter Smith Kingsley and Meredith Logue). They fail very badly, as do all the other Hollywood-ised bastardisations of the original characters. Ripley was such a great potential film, and, though this is not without its merits, it ultimately fails to capture the spirit Highsmith wrote it in. I'm all for some degree of originality in an adaptation, but this practically spits in Highsmith's face, all in all designed to be a cold-hearted star vehicle.
Connor M gave it a9:
Truly remarkable. Damon really steps into the limelight after this stellar performance and Law also did one hell of a job.The emotional impact wasn't extreme but nonetheless you felt it. With it's unpredictable, yet thrilling plot and outstanding performances this is easily one of the best films of the 1990's.
Seb H gave it a4:
Anyone who says this captures the essence of the novel is seriously wrong. Not only is Damon's Ripley everything that Highsmith said very explicitly that he wasn't (blatantly homosexual, obsessed with Dickie and his lifestyle, showing precious little premeditation to his plans and even showing remorse). Highsmith's Ripley was one of the best literary characters ever created, as insecure as he is confident and cool, but the bumbling, grinning dork up on the screen didn't remind me of him at all. Minghella made the very bold move of taking this film in different directions to the book, but it suffers as a result, particularly with the introduction of two new vapid, unconvincing characters (Peter Smith Kingsley and Meredith Logue). They fail very badly, as do all the other Hollywood-ised bastardisations of the original characters. Ripley was such a great potential film, and, though this is not without its merits, it ultimately fails to capture the spirit Highsmith wrote it in. I'm all for some degree of originality in an adaptation, but this practically spits in Highsmith's face, all in all designed to be a cold-hearted star vehicle.
Connor M gave it a9:
Truly remarkable. Damon really steps into the limelight after this stellar performance and Law also did one hell of a job.The emotional impact wasn't extreme but nonetheless you felt it. With it's unpredictable, yet thrilling plot and outstanding performances this is easily one of the best films of the 1990's.
Mike L. gave it a0:
This is the all-time worst movie I've ever seen (all the way through). Too long, too boring, too uninteresting. Great cast, great premise (Joe Schmoe hustles his way into hobknobbing around Europe with young, rich elite). Unfortunately it couldn't overcome a terrible story (NOTE - being gay is not a plot twist). What was the movie trying to convey? It appears from the critics they can't decide either (crime drama, psychological thriller, take on class and gender). I couldn't wait for it to end. Group of friends who saw it at the cinema said the film broke near the end and many clapped that it was over.
pablo e. gave it a3:
So much talent wasted!!! The movie just does not work, the characters are hollow, the dynamic of the plot fragmented.
Pip E. gave it a10:
The film captures the essence of the novel in a way many movies fail. It was brilliantly cast and shot, overall this movie is a gem.
