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34
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Flawless
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xx
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52
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48
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50
Other Boleyn Girl, The
90
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44
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46
Rambo
36
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47
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24
Sex and Death 101
76
Shotgun Stories
63
Signal, The
62
Spiderwick Chronicles, The
12
Strange Wilderness
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Tyler Perry's Meet the Browns
59
Under the Same Moon
40
Vantage Point
55
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37
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46
Welcome Home Roscoe Jenkins
60
What Would Jesus Buy?
51
Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
17
Witless Protection
90
Persepolis
78
Control
76
Shotgun Stories
70
Caramel
68
Honeydripper
67
In Bruges
66
Darfur Now
66
George A. Romero's Diary of the Dead
65
Grace Is Gone
64
Chronicle of an Escape
63
City of Men
63
Signal, The
62
Spiderwick Chronicles, The
60
What Would Jesus Buy?
59
Under the Same Moon
59
Definitely, Maybe
57
Flawless
57
Hammer, The
55
Walker, The
54
Charlie Bartlett
52
Be Kind Rewind
52
My Blueberry Nights
51
Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
50
Other Boleyn Girl, The
49
Cassandra's Dream
48
National Treasure: Book of Secrets
47
Boarding Gate
47
Semi-Pro
46
Finishing the Game
46
Welcome Home Roscoe Jenkins
46
Bonneville
46
Rambo
45
Tyler Perry's Meet the Browns
44
Rails & Ties
44
Chaos Theory
42
Bucket List, The
41
Funny Games
41
Drillbit Taylor
40
Vantage Point
38
Flash Point
37
Air I Breathe, The
37
War, Inc.
36
Remember the Daze
36
Eye, The
35
Jumper
35
Flakes
34
10,000 B.C.
29
Fool's Gold
24
Sex and Death 101
17
Witless Protection
12
Strange Wilderness
9
Meet the Spartans
xx
Jack and Jill vs. the World
Stars indicate the most critically-acclaimed movies.
|
Tears of the Sun
Sony Pictures Entertainment
FILM:
MPAA RATING: R for strong war violence, some brutality and language
Starring
Bruce Willis,
Monica Bellucci,
Fionnula Flanagan,
Johnny Messner,
Tom Skerritt,
Eamonn Walker,
Charles Ingram,
and
Malick Bowens
Bruce Willis stars as Lt. A.K. Waters, the loyal veteran officer of a Navy S.E.A.L unit. When he's sent into the heart of Africa, the usually hard-bitten Waters finds himself deeply conflicted at having to choose between following orders and the dictates of his own conscience. (Sony)
| GENRE(S): |
War
|
| WRITTEN BY: |
Alex Lasker
Patrick Cirillo
|
| DIRECTED BY: |
Antoine Fuqua
|
| RELEASE DATE: |
DVD: June 10, 2003
Video: June 10, 2003
Theatrical: March 7, 2003
|
| RUNNING TIME: |
118 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Washington Post
Stephen Hunter
The film is a strictly no-bull proposition.

80
Dallas Observer
Gregory Weinkauf
The movie remains engaging, with a couple of sequences verging on stunning.

80
Chicago Reader
J.R. Jones
By turns morally compelling and racially paternalistic, this provocative drama may be the first halfway truthful war movie to hit multiplexes since "Three Kings."

75
Baltimore Sun
Chris Kaltenbach
Whenever its noble aims miss, Bruce Willis saves it.

75
ReelViews
James Berardinelli
Fuqua takes a genre picture and, by diverting the story onto an unconventional path, generates a sense of urgency. Tears of the Sun is not a great movie, but it is satisfying, and represents an example of accomplished filmmaking.

75
Charlotte Observer
Lawrence Toppman
Fuqua and his writers, Alex Lasker and Patrick Cirillo, have delivered not only the most satisfying and plausible action movie in months but one that's accidentally timely.

75
Chicago Sun-Times
Roger Ebert
Until it descends into mindless routine action in the climactic scenes, Tears of the Sun is essentially an impressionistic nightmare.

75
Boston Globe
Wesley Morris
The film would be just as powerful, if less likely to saturate suburban megaplexes and flatter its patrons, were its saviors -- I don't know - French.

70
Washington Post
Desson Thomson
This is an odd amalgam of bleeding-heart sentimentality and over-the-top guts-and-glory action. You're not sure how to feel. But you're certainly not as moved and stunned as you were in "Black Hawk Down."

70
The New Yorker
David Denby
Tears of the Sun may be a flattering myth, but its not a bad myth to be flattered by. [17 March 2003, p. 154]
67
Entertainment Weekly
Owen Gleiberman
Left wing? Right wing? Center? Who cares, as long as Bruce Willis is saving the world.

63
Chicago Tribune
Michael Wilmington
Fairly entertaining and often exciting, expertly done in a way, but not especially engaging or new, and not as emotionally involving as its title suggests.

60
Newsweek
David Ansen
A schizoid action flick bogs down in lofty intentions.

60
Variety
Todd McCarthy
This is one of those pictures that unavoidably becomes part of the zeitgeist due to its coincidental arrival at a precise moment in history when its themes play into current events.

50
New York Post
Lou Lumenick
Tried to turn this into a replay of its 2000 military-rescue hitBlack Hawk Down -- though, in the end, it's almost totally lacking in the serious hardware and viscerally paced action that propelled Ridley Scott's movie to the top of the box office.

50
Philadelphia Inquirer
Steven Rea
It's simplistic and reactionary and designed to get hearts pumping but not minds thinking.

50
The Globe and Mail (Toronto)
Rick Groen
The fiction that follows can be safely regarded as much more than a war movie -- hell, this is a pro-war movie. Were it a politician, it would be Donald Rumsfeld.

50
USA Today
Claudia Puig
Unfortunately, it's not one-tenth as interesting as what you can see at home during a nightly cable surf as U.S. war policy is debated.

50
Christian Science Monitor
David Sterritt
The result is hardly a subtle film, but it has a stronger sense of combat's real costs and consequences than more sensationalistic pictures like "Black Hawk Down" and "We Were Soldiers" provide.

50
TV Guide
Maitland McDonagh
Has honorable aspirations, even as it becomes mired in mainstream movie conventions.

50
Los Angeles Times
Kenneth Turan
May make you weep, but not in the way anyone intended. Handsomely made, well-meaning but finally frustrating and unsatisfying, this perplexing film is an example of a previously unseen hybrid, the socially conscious, humanitarian action movie. It doesn't appear to be a genre with much of a future.

50
Slate
David Edelstein
At times, you could actually mistake Tears of the Sun for a blunt modern parable instead of an opportunistic mixture of up-to-the-minute atrocities and old-fashioned corn.

50
New York Magazine
Peter Rainer
In a movie with so much graphic suffering by innocent Africans, its a bit disconcerting that so much loving attention is paid to Bruce Williss anguished mug. Theres an uncomfortable Great White Father (and Mother) aspect to this movie.

50
Portland Oregonian
Shawn Levy
Fuqua has made three films before his newest, Tears of the Sun, and they've all begun well enough but then collapsed under the weight of his heavy-handed visual technique and his indifference to plot, character and logic.

50
San Francisco Chronicle
Mick LaSalle
What pushes it above mediocrity is that it ends better than it begins.

50
LA Weekly
John Powers
Despite the busy camera work, bombastic score and rapt attention to violence, director Antoine Fuqua (Training Day) can't mask the script's white-savior paternalism.

42
Seattle Post-Intelligencer
Sean Axmaker
For a film so intent on the rules of engagement, this is hardly engaging drama.

40
Salon.com
Stephanie Zacharek
There's a fine line dividing Hollywood tradition and overly manipulative junk, and Tears of the Sun crosses it.

40
Film Threat
Rick Kisonak
Aside from a few routine battle scenes, the movie's action consists mostly of people slogging slowly through non-stop rain. This is not interesting, much less exciting. The dialogue is hokey hero blather.

38
New York Daily News
Jami Bernard
A preposterous action movie in which a Navy SEAL makes the world safe for democracy one continent at a time.

30
The New York Times
Dana Stevens
Unfortunately, the movie's real setting is a sentimental fantasy world, and its story is a spectacularly incoherent exercise in geopolitical wish fulfillment.

30
The Onion (A.V. Club)
Scott Tobias
Impossible to swallow as truth, this Rambo treatment is equally hard to enjoy as escapism.

25
Rolling Stone
Peter Travers
Director Antoine Fuqua (Training Day) can stage action, but he can't save a trivializing, reactionary script featuring a Hollywood star (read America) as a global savior.

20
Wall Street Journal
Joe Morgenstern
Relevance can't rescue this would-be epic from the swamps of inertia, absurdity and sentimentality.
20
Austin Chronicle
Marc Savlov
Its as deadly dull as the blunt end of a rifle.

20
Village Voice
Michael Atkinson
This "Black Hawk Down" theft is a trial by cliché until the climax, which suggests a dress rehearsal for the torching of Baghdad.


The average user rating for this movie is 6.5 (out of 10) based on 36 User Votes
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