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92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
73
I'm Not There
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
66
George A. Romero's Diary of the Dead
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
How She Move
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
48
National Treasure: Book of Secrets
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
46
Finishing the Game
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
12
Strange Wilderness
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Thirteen
Fox Searchlight Pictures
FILM:
MPAA RATING: R for drug use, self destructive violence, language and sexuality - all involving young teens
Starring
Evan Rachel Wood,
Holly Hunter,
Nikki Reed,
Jeremy Sisto,
Brady Corbet,
Deborah Unger,
Sarah Clarke,
and
Vanessa Anne Hudgens
This film focuses on a thirteen-year-old girl growing up with conflicting pressures in Los Angeles.
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Catherine Hardwicke
Nikki Reed
|
| DIRECTED BY: |
Catherine Hardwicke
|
| RELEASE DATE: |
DVD: January 27, 2004
Video: January 27, 2004
Theatrical: August 20, 2003
|
| RUNNING TIME: |
100 minutes, Color |
| ORIGIN: |
USA / UK |
Winner, Director's Award, 2003 Sundance Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Premiere
Brooke Hauser
The result is a disturbing look into the so-called Wonder Years of adolescence, with convincing, award-worthy performances from each of its key players: Hunter, Wood, and Reed.

100
Entertainment Weekly
Owen Gleiberman
With an authenticity that is tender and merciless, the movie shows you what it looks like when youth rebellion becomes a form of fascism.

100
USA Today
Mike Clark
The most powerful of all recent wayward-youth sagas; indeed, it's tough to recall the last such drama that packed as much emotional clout.

91
Seattle Post-Intelligencer
Sean Axmaker
Despite the raw gut-punch of its direction, its power lies in compassion, not sensationalism.

90
Washington Post
Desson Thomson
It feels like real life unfolding before your eyes.

90
The New Yorker
David Denby
This movie is an emotionally coherent work--a burning experience of desperation and fleeting exhilaration. [1 September 2003, p. 130]
89
Austin Chronicle
Marc Savlov
Just plain unforgettable.

88
New York Post
Megan Lehmann
Despite its shock value, Thirteen rises above dysfunctional-family-drama cliches, thanks to the truthfulness of its script and the keen eye of a sympathetic director.

88
ReelViews
James Berardinelli
A smart movie that does not simplify or candy-coat the rigors of the teenage years.

88
Chicago Tribune
Michael Wilmington
An excellent, unforgettable film.

88
New York Daily News
Jami Bernard
One of the most honest and harrowing depictions of female adolescence ever put to film.

88
Philadelphia Inquirer
Carrie Rickey
Unlike most other teen cautionary tales, Thirteen does not accuse merely one villain for the corruption of a minor.

88
Charlotte Observer
Lawrence Toppman
Despite Hunter's terrific acting, the mom seems too unaware.

88
Chicago Sun-Times
Roger Ebert
Who is this movie for? Not for most 13-year-olds, that's for sure. The R rating is richly deserved, no matter how much of a lark the poster promises. Maybe the film is simply for those who admire fine, focused acting and writing.

80
Empire
Joe Berry
Hunter is superb as the alcoholic mom trying to keep her life from falling apart, and Wood and Reed are scarily convincing as delinquents.

80
Dallas Observer
Gregory Weinkauf
What could have become a heinous TV movie instead delivers the moving and relatable experience of being an emotionally overburdened person stuck in a world that mostly sucks.

80
Washington Post
Stephen Hunter
The creation of teen-girl culture seems almost pitch-perfect. The flaw is the flaw of most works of muckraking when they are held to artistic standards: It's a question of proportion.

75
The Globe and Mail (Toronto)
Liam Lacey
A movie that is often as awkward and as filled with mixed impulses as the age it documents.

75
Rolling Stone
Peter Travers
Brace yourself for Thirteen -- it'll cause a commotion.

75
San Francisco Chronicle
Mick LaSalle
Wood is superb at delineating Tracy's slide into desperate incoherence, but equally impressive is Reed, who has to conceal her writer's intelligence in playing a character who's entirely instinctive and unreflective.

75
Boston Globe
Ty Burr
Would it be rude to suggest that your time might be better spent with your own children?

75
Miami Herald
Connie Ogle
Sometimes the film feels as if it's trying too hard to include every possible horror a teenager could sample.

70
The Hollywood Reporter
Duane Byrge
An engaging, sympathetic portrait of junior high girls who have grown up too fast and way too little. Without being preachy, it's also a cogent, terrifying tale of the lack of supervision many teens face and the utter inability of many parents to not only raise kids but also to direct their own lives.

70
Chicago Reader
Jonathan Rosenbaum
They often seem more bent on titillating or harrowing us than on helping us understand the characters.

70
Los Angeles Times
Manohla Dargis
Isn't in league with the Nicholas Ray classic ("Rebel Without a Cause"), but in its ferocious energy and lead performances it's many cuts above most big-screen soap operas.

70
Slate
David Edelstein
Thirteen has a way of smashing through your defenses. Hardwicke has goosed up the old melodramatic formula with a neorealist syntax and up-to-the-minute cultural nuances and violence.

70
TV Guide
Ken Fox
The film is not without its share of awkward moments, but as an insightful critique of "Girl Culture" and the mounting war over the hearts and minds of adolescent girls that's currently being waged in the media, it's mandatory viewing.

60
Wall Street Journal
Joe Morgenstern
Walks a fine line between bold indie film, with the attendant in-your-face roughness, and sodden Lifetime Original Movie.

60
Variety
Todd McCarthy
Deliberately unvarnished shock piece designed to give pause to anyone with a daughter approaching teenhood.

50
The Onion (A.V. Club)
Scott Tobias
Though thirteen too often mistakes hard realism for overheated spectacle, the heightened drama brings out the best in Wood and Hunter, who turn their climactic scene into an actors' workshop, charged with raw emotion. As the film barrels toward the outrageously histrionic, they nearly pull it back from the brink.

50
Salon.com
Stephanie Zacharek
If you boil Thirteen down to its flimsy bones, you'll find that it's not really so much about peer pressure in contemporary teen life as it is a story about a classic bad egg. That right there dilutes its highfalutin aspirations.

50
New York Magazine
Peter Rainer
Thirteen doesn't really offer much more insight into exasperated mother-daughter relationships or twisted teens than, say, "Freaky Friday," which I much prefer. At least that film was funny and didn't try to fob itself off as a bulletin from the front lines.

50
LA Weekly
Ernest Hardy
More than once, while watching the film, I thought: The camera should really just turn away from those grating teen brats and follow the mom (Holly Hunter).

50
The New York Times
A.O. Scott
Ms. Wood's performance bounces with mood swings from anxiety to exhilaration in a movie with moments so realistically painted that your eyes will sting from the fumes.

50
Baltimore Sun
Michael Sragow
The movie doesn't complete itself, in the sense of filling in our knowledge of its people (who are more like passengers). It simply comes to a stop.

40
Film Threat
Jim Agnew
This isn't a new spin on Bret Easton Ellis, it's more like a 90-minute "Saved By The Bell" episode with better music.

40
Village Voice
Laura Sinagra
Catherine Hardwicke's directorial debut is less a damozel-in-distress fetish flick than a bird-flipping plunge into coded girl-cult communication.


The average user rating for this movie is 7.7 (out of 10) based on 66 User Votes
Note: User votes are NOT included in the Metascore calculation.
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