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Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Titus
Fox Searchlight Pictures
FILM:
MPAA RATING: R for strong violent and sexual images
Starring
Anthony Hopkins,
Jessica Lange,
Alan Cumming,
Jonathan Rhys-Meyers,
and
Laura Fraser
Julie Taymor directs this screen adaptation of Shakespeare's "Titus Andronicus," a bold combination of high tragedy and black comedy.
| GENRE(S): |
Drama
|
| WRITTEN BY: |
William Shakespeare (play Titus Andronicus)
Julie Taymor
|
| DIRECTED BY: |
Julie Taymor
|
| RELEASE DATE: |
DVD: August 15, 2000
Video: August 15, 2000
Theatrical: December 25, 1999
|
| RUNNING TIME: |
162 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
Mick LaSalle
A film of audacity and total gut-level appeal.

91
Seattle Post-Intelligencer
Paula Nechak
Gorgeous in its gore and, for all its destruction, despair and death, concludes on an optimistic and vibrantly alive note.

89
Austin Chronicle
Robert Faires
A spectacularly imaginative piece of Shakespearean cinema.

88
Chicago Tribune
John Petrakis
Once you get used to the broad gestures, visual stylings and reach-for-the-sky emotions, you may find yourself luxuriating in this movie's undeniable grandeur.

88
Baltimore Sun
Ann Hornaday
Taymor conjures images that are as indelible as they are wordlessly articulate.

88
Chicago Sun-Times
Roger Ebert
A brilliant and absurd film of "Titus Andronicus" that goes over the top, doubles back and goes over the top again.

88
Philadelphia Inquirer
Desmond Ryan
Visually brilliant and thought-provoking.

85
TNT RoughCut
Don Kaye
A surreal and visually dazzling smorgasbord of pageantry, high camp, tragedy, spectacle, and gore.
80
Rolling Stone
Peter Travers
Taymor's visual and visceral flair makes Titus a grabber.
80
Dallas Observer
Andy Klein
Taymor moves Titus completely out of time and into all time.

75
Christian Science Monitor
David Sterritt
One of Hollywood's bloodiest and goofiest adaptations.

75
New York Post
Jonathan Foreman
Rescues a rarely performed tragedy and makes a brilliant case that it is the Shakespeare play for our time.

70
Time
Richard Corliss
Vivid, relevant and of elevating scariness.

63
San Francisco Examiner
Wesley Morris
The director bludgeons us dumb with her genius.

63
New York Daily News
Jack Mathews
Julie Taymor's beautifully stylized but nauseatingly violent adaptation of Shakespeare's first play.

63
Boston Globe
Jay Carr
A brilliant production of a mediocre play.

60
TV Guide
Ken Fox
Much of it is inspired, some of it is downright awful, but it does entertain, even as it threatens to drown its generally fine cast in a flood of blood and sundry body parts.

60
LA Weekly
F. X. Feeney
Taymor has done an inspired job of resurrecting one of Shakespeare's unruliest works, just in time for the new century.

58
Entertainment Weekly
Lisa Schwarzbaum
Remains a sampling of stagy scenes barreling to a gruesome climax, parts greater than the sum of the whole.

50
USA Today
Staff [Not Credited]
There's a lot to talk about but so much outrageousness that the end effect is wearying and not a little absurd.

50
Variety
Todd McCarthy
Taymor makes the action clear and easy to follow with her bold physicalization of the story and forceful direction of an astutely chosen cast.

50
The New York Times
Stephen Holden
Makes the best possible argument for a cautionary drama that contemplates the absolute worst in us.

40
Village Voice
J. Hoberman
A nonstop carnival of murder, rape, and mutilation .

30
Film.com
Ernest Hardy
An often gorgeous, dizzying assault of ideas and visual flourishes...it's just not very good.

30
Los Angeles Times
Kevin Thomas
More travesty than tragedy.

30
Washington Post
Desson Thomson
There's something hideously pretentious about the whole thing.

30
Chicago Reader
Lisa Alspector
Even the most shocking elements of the story are made bland by childish overkill.

30
Salon.com
Charles Taylor
Like so many self-conscious directors, Julie Taymor wrecks Shakespeare's already disastrous play with her own horrific vision.

18
Mr. Showbiz
Michael Atkinson
Invoking unpleasant memories of "Caligula" (only without the sex), Titus does no justice to Shakespeare.


The average user rating for this movie is 7.7 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
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