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Topsy-Turvy

EMAILPRINTUSA Films / October Films

Topsy-Turvy reviews
90
8.5 User Score:

Movie Info

Genre(s): Drama

Written by: Mike Leigh

Directed by: Mike Leigh

Release Date:
Theatrical: December 17, 1999
DVD: June 13, 2000

Running Time: 160 minutes, Color

Origin: UK

Summary

RATING: R for scene of risque nudity

Starring Jim Broadbent, Allan Corduner, Lesley Manville, Timothy Spall, Alison Steadman, Dexter Fletcher, and Eleanor David

When their latest play fails and they threaten to disband, Gilbert and Sullivan are inspired to create their masterpiece, "The Mikado."

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Philadelphia Inquirer Steven Rea

A triumph.

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100

USA Today Mike Clark

One of the year's best movies and certainly its most delightful screen surprise.

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100

Entertainment Weekly Lisa Schwarzbaum

Topsy-Turvy reminds us that, in any age, creative expression is at once the most personal and most communal of enterprises.

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100

Chicago Sun-Times Roger Ebert

It is one of the year's best films.

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100

Christian Science Monitor David Sterritt

Brilliantly acted, sumptuously filmed, and overflowing with mellifluous music.

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100

Charlotte Observer Lawrence Toppman

A tribute to anyone who ever picked up a score, a pen, a paintbrush or a grease pencil - or a movie camera.

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100

Dallas Observer Gregory Weinkauf

A masterful film about the magic of performance and the foibles of the artists behind it.

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100

Chicago Tribune Michael Wilmington

Some movies delight you. Some stimulate and provoke. Some enlighten and inform. And some simply hand you a rousing good time-- does all of that and more.

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100

San Francisco Chronicle Bob Graham

Part of the appeal of Topsy-Turvy is its generosity about human folly and shortcomings. Its wistfulness is very touching.

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91

Portland Oregonian Shawn Levy

It's as full a movie as you can imagine -- exhausting and exhilarating and continually fascinating.

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90

Rolling Stone Peter Travers

The year's most beguilling and touching surprise. Bravo.

90

Washington Post Desson Thomson

A 160 minute work of sustained brilliance and delicacy.

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90

The New York Times Janet Maslin

One of those films that create a mix of erudition, pageantry and delectable acting opportunities, much as "Shakespeare in Love."

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90

Variety Deborah Young

This beautifully crafted and lively romp around the 1880s stage world should enjoy its longest life as a vid classic.

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90

Village Voice J. Hoberman

Not only Mike Leigh's strongest film since "Naked" but a true show-making epic.

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90

Slate David Edelstein

A monument to process -- to the minutiae of making art -- Topsy-Turvy leaves you upside down and breathless.

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90

Chicago Reader Jonathan Rosenbaum

Thoroughly researched, unobtrusively upholstered, this beautifully assured entertainment about Victorian England is a string of delights.

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90

LA Weekly F. X. Feeney

We never seem to be looking at actors, but at people; never at scenes, but at life unrehearsed.

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90

Newsweek David Ansen

Filled with delicious backstage drama, and superb actors reveling in the opportunity to play their 19th-century counterparts.

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90

Film.com Ernest Hardy

Leigh and his solid cast make sure that inside jokes translate to a broad audience, and that their rendering of the back-stage drama is smart, engrossing and often very funny.

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89

Austin Chronicle Marc Savlov

Wildly entertaining, "Shakespeare in Love" minus the Bard and the babe, but with substantive style to burn.

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88

New York Daily News Jack Mathews

A hive of broad, brilliant performances.

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88

San Francisco Examiner Wesley Morris

Mike Leigh's great big, superbly performed homage to the creative process.

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88

Miami Herald Rene Rodriguez

A joyous, amazingly detailed paean to imagination and personal expression that dares -- and succeeds -- to illustrate one of the most mysterious enigmas of all: the creative process.

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88

New York Post Jonathan Foreman

Revels in the sensual pleasure of music while capturing brilliantly the tension that grips any theater company before the curtain goes up.

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83

Seattle Post-Intelligencer William Arnold

At 160 minutes, it's a bit long and uneventful for anyone who is not at least a moderate fan of the musicals.

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81

Mr. Showbiz Michael Atkinson

Topsy-Turvy is flawless, borne along by a savagely witty screenplay that Leigh directs like the gears of a clock.

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80

Los Angeles Times Kenneth Turan

A bit longer than it might be, a bit more attached to its digressions than we might wish. But the length does encourage the feeling that we've been through the whole creative process with Gilbert and Sullivan .

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70

TV Guide Maitland McDonagh

A loving, gently funny and slightly claustrophobic tribute to theatrical life.

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63

Boston Globe Jay Carr

In the end, it's the snatches of music, mangled as it is, and the mechanics of staging it, in the absence of Leigh's usual raw, urgent psychic collisions, that keep Topsy-Turvy from seeming merely a gorgeous wax museum.

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50

TNT RoughCut Don Kaye

But there's so much more of the very, very British Topsy-Turvy that just seems so stuffy and inert.

What Our Users Said

The average user rating for this movie is 8.5 (out of 10) based on 12 User Votes

Note: User votes are NOT included in the Metascore calculation.

[Anonymous] gave it a10:
Excellent! A film that will stand watching again and again!

Cheryl C. gave it a10:
What an extraordinary evocation of an era, the theater and the creative process generally. A thoroughly enjoyable, wonderfully well done production!

J. Martinez gave it a 10:
Topsy Turvy is a pretty good movie. The first time I saw it, true I did think it was a little boring, but after I saw it a second time I started getting all the underline themes, symbolism, and politically incorrectness of that time period, that I didn't see the first time around. Plus the music was sung beautifully.

Yoon C. gave it a 10:
Mike Leigh's best film and all the more welcome for not being another kitchen sink working class drama in which Britons have cornered the market. Richly textured, somber and intelligent, celebratory but cautiously and keenly insightful into the workings of a priveleged society stuffily defined by class. At its best, one of the best portrayals of the interaction of art, cultures, commerce, egos, chance, and myriad other factors that miraculously come together to produce what we call grand entertainment. Has none of the cheapshots or populist panderings of, say, Amadeus. A triumph, one of the greatest films ever.

Sabrina D. gave it a 2:
I thought this movie was quite boring and stupid.

Kim S. gave it a 10:
Beautiful -detail, costumes, artistic verisimilitude.....

Charles D. gave it a 10:
The best movie I've ever seen about the process of making musical theater.

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