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97
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93
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37
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xx
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54
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66
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54
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39
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45
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97
4 Months, 3 Weeks and 2 Days
93
WALL-E
86
Flight of the Red Balloon, The
85
Edge of Heaven, The
83
Paranoid Park
80
Encounters at the End of the World
79
Visitor, The
78
Hellboy II: The Golden Army
75
Boy A
74
Mongol
73
Kung Fu Panda
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
72
Priceless
72
Transsiberian
71
To the Limit
71
Tropic Thunder
70
Standard Operating Procedure
66
When Did You Last See Your Father?
65
Indiana Jones and the Kingdom of the Crystal Skull
63
Planet B-Boy
63
Sisterhood of the Traveling Pants 2, The
63
Kit Kittredge: An American Girl
63
This Christmas
62
Mister Foe
61
Stuck
61
On the Rumba River
61
Incredible Hulk, The
57
Stone Angel, The
57
Journey to the Center of the Earth 3D
55
Sukiyaki Western Django
54
You Don't Mess with the Zohan
54
Get Smart
54
What We Do Is Secret
53
Mister Lonely
52
Milarepa
49
Pirates Who Don't Do Anything: A VeggieTales Movie, The
48
Death Defying Acts
47
Strangers, The
46
Jack Brooks: Monster Slayer
45
Zombie Strippers
44
Henry Poole is Here
39
Young People F**king
37
War, Inc.
35
Star Wars: The Clone Wars
34
Happening, The
33
Elite Squad
32
Perfect Holiday, The
25
Hell Ride
20
Expelled: No Intelligence Allowed
xx
Whaledreamers
xx
Christmas on Mars: A Fantastical Film Freakout Featuring the Flaming Lips
xx
Kiss the Bride
xx
Beer for My Horses
Stars indicate the most critically-acclaimed movies.
|
Urbania
Lions Gate Films Inc.
MPAA RATING: R for strong violent and sexua
Starring
Dan Futterman,
Alan Cumming,
Matt Keeslar,
Josh Hamilton,
and
Samuel Ball
Charlie (Futterman) is a guy who is recovering from the violent death of his lover. In trying to move on, he lives in a world where "urban legends" are everywhere he goes.
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Daniel Reitz (also play)
Jon Shear
|
| DIRECTED BY: |
Jon Shear
|
| RELEASE DATE: |
DVD: March 13, 2001
Video: March 13, 2001
Theatrical: September 15, 2000
|
| RUNNING TIME: |
103 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
Mick LaSalle
Rarely does a movie come along that captures an aspect of everyday consciousness that has not yet made it onto film.

90
Dallas Observer
David Ehrenstein
Because of the supremely artful way Shear and Reitz have pitched the story, it reaches into places few films, gay or straight, have gone.

88
Chicago Tribune
John Petrakis
One of those small films that will, one hopes, find a larger audience through word of mouth.

80
The New York Times
Stephen Holden
As technically innovative as it is emotionally unsettling.

80
Film.com
David D'Arcy
It gives the audience something serious to ponder. That's rare these days.

80
Variety
Emanuel Levy
A darkly intriguing drama that probes the very nature of love and the lasting effects of loss.

80
Los Angeles Times
Kevin Thomas
Such a powerful experience that it is equally effective whether you have figured out from the start where it is headed or whether its denouement comes as a complete surprise.
80
TNT RoughCut
J. Rentilly
The journey -- long, dark, pungent, and twisted as it is -- is well worth the taking.

80
Washington Post
Desson Thomson
There's no denying its surreal, hypnotic effect.

80
LA Weekly
Ernest Hardy
The story of what happens when everything dies but love. It's a simple story, artfully told.

78
Austin Chronicle
Kimberley Jones
Leaves you scratching your head a bit, wondering what just happened, and worrying if maybe it could happen to you too.

75
Philadelphia Inquirer
Steven Rea
An edgy, disturbing drama.

75
Boston Globe
Jay Carr
It plays like Scorsese's ``After Hours,'' but for higher stakes.

75
New York Daily News
Jami Bernard
Smart, psychologically complex film is an offbeat and effective tale.

75
New York Post
Lou Lumenick
Dark, morbidly funny and quite violent movie, which plays with audience members' heads in ways many people will find quite disturbing.

75
Portland Oregonian
Shawn Levy
A film in which barbs of wit, anger and grief continually prick at you.

74
Mr. Showbiz
Larry Terenzi
An ambitious film, nearly an exploitative one, but its lingering effects are positive.

70
Chicago Reader
Lisa Alspector
Much of this fractured drama and dark fantasy takes place inside the mind of Charlie (Futterman),

70
Village Voice
Amy Taubin
Derails toward the end, becoming platitudinous, not to mention kitschy, but, given the Cheerios wholesomeness of most gay indies, its grief-stricken delirium is a welcome relief.

50
Baltimore Sun
Athima Chansanchai
Designed to shock and rock the viewer with disturbing imagery, the film misses the point once too often.

50
Christian Science Monitor
David Sterritt
The story evokes a lot of varied emotions, but none runs more than an inch below skin deep.

50
TV Guide
Steve Simels
If this were a more mainstream film with a shot at a wider audience, we'd probably be talking Oscar nominations for Futterman and Ball.

42
Seattle Post-Intelligencer
Sean Axmaker
At its best when exploring grieving and loss and anger, but Shear turns it into spiritual shock treatment.

25
San Francisco Examiner
G. Allen Johnson
Quickly degenerates into a grueling piece of unpleasantness.


The average user rating for this movie is 8.4 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
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